Rock/Alt/Indie Vibes

Space Prom

🖤I make 2014 Tumblr Music🖤 Forever Emo🖤

LVX- Reckless

Wayne Baker Brooks Vocals
Kenny Greenberg - Gtr
Tommy MacDonald - Bass
Reese Wynans - Keys
Tom Hambridge - Drums

Produced by Tom Hambridge
Written by Tom Hambridge-Richard Fleming
(Tom Hambridge Tunes ASCAP/ Richard Fleming Music BMI)

Tricks Up My Sleeves - EP

Changeling

In The Night

With 8 songs spanning the gamut from soulful progressive pop to growling prog metal, Bifurcate is a sonic journey through the complexity of human emotions and relationships. Diverse influences ranging from classic 70s prog to jazz, drum and bass, and trip-hop set Bifurcate apart from its contemporaries on the prog landscape.

Regression To The Mean

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"it is you.” was born out of raw vulnerability, inspired by Psalms of lament. While praise songs are vital, we often forget that worship also includes bringing doubts and struggles to God. This song starts with the tension of questioning but moves to trust, declaring, “It is You.” The song reminds us that lament is part of faith, and Jesus is constant, even in the waiting.

it is you.

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HOMECOMING - "it is you."

White Horse

A song about our complex relationship with music. 
A previous band member said 'music is therapy' but he was an a******e

All Of The Noise That You Make For You

Weeping Willow

She grinned like riddles stitched in lace,
A marionette with porcelain face.
She flickered past — a flash, a blur,
I blinked, and I was chasing her.

“Don’t trust people who forget your name”
— yeah! that’s what my dog says.

We danced through traps disguised as truth,
She lied in Latin, I played sleuth.
She disappeared with flair and smoke,
Left me a leash, a laugh, a joke.

“Don’t trust praise, it eats your days”
— yeah! that’s what my dog always says.

I’m out of phase, she’s pure pretense,
She whispers nonsense that makes sense.
We lost the map, but kept charade—
She’s ghost, she’s grin, she’s masquerade.

She sang to stars with broken lungs,
Stole lullabies from serpent tongues.
I hear her steps in creaking wood,
She vanished right where no one could.

“Don’t chase shadows, they want praise”
— yeah! 
that’s what my dog says!

I lit the fuse, she changed the spark,
We kissed goodbye in Central Park.
rise, combust, return, delay—
Still strangers on the same ballet.

I’m out of phase, she’s out of time,
A riddle cursed to almost rhyme.
We lost thread, but not the blaze
She haunts me in peculiar ways.

“She was never really yours anyway”
— yeah! that’s what 
my dog 
says.

That’s what my dog always says

Recorded at Oakhouse Studios with David Peters, “Wrapped in Blue” is MATCHHOUSE's ode to awakening-to lifting a veil that once dulled your view and embracing life with open eyes. Fueled by gratitude and fire, it's a soaring alt-rock anthem about remembering what it feels like to believe again. Hopeful, honest, and full of heart-this is a song about falling headfirst back into the beauty of being alive.

Wrapped In Blue

The five-time Juno Award winning group The Beaches return with the first tracks from their upcoming third album, ‘No Hard Feelings.’ In this SoundCloud-exclusive commentary, The Toronto-based rock band breaks down tracks from the project. Jordan Miller, who co-founded the band with her sister, Kylie, describes “Last Girls at the Party” as “a really fun bop,” adding, “I totally think we nailed it.” Meanwhile, the song “Did I Say Too Much” strikes another chord: it’s about a painful relationship their bandmate Leandra  Earl endured. Despite the sad subject matter, the chorus is anthemic, Jordan says: “I can feel her pain, and I can feel the rest of us trying to lift her up.” Hear more about the stories behind the songs, only on SoundCloud.

Voice Notes: The Beaches on "Last Girls At The Party"

Broadcast 2025-06-30

I’m not going to dissect the instrumentals on this track.

There’s no need to, they are lush, polished, precise, and everything needed to support the vocals.

The vocals are what interests me.

They are sensational, and very carefully crafted

The song appears to be 100% harmony between Renee and Mister Co, but it’s not. More about that later.

You could almost say that there is no melody to this.

The two vocalists spend most of their time circling their harmonies around arpeggios, and they really do that well, better than well actually.

This fascinated me so much that I needed a couple of run throughs to find the melody and the solo vocals.

They are there, but unlike many songs which live in harmony, the solo breaks are not providing contrasting views, the views are in harmony as much as the music is in harmony.

You hear what I did there!

As promised this is definitely a free-flowing soulful groove, and an enticing track from their EP.



Rock/Alt/Indie Vibes

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