Welcome to my world xx

'In A World We Don't Belong Pt 1' Out Now!

Each forest has its own sound, there is a different light in each, there is a different natural magic according to the season, there are different inhabitants living in and it altogether plays music and it sounds of a never ending forest song.

An idea came to me. How would it work to travel around the Czech country and visit different kinds of woods (beech wood, spruce grove, oak wood, pine grove...) with my guitar and recording equipment and try to catch the atmosphere of the place just in a couple of minutes, every month in one guitar instrumental piece. To do it with a respect to the environment, temperature, wind and try to record the piece at once, without adornment and without all the convenience of the modern studio. Only a man, a guitar and the forest.

If it would work, there will be an album with twelve guitar instrumental pieces. After listening to which the listener can have a feeling of flying in the harmonies through the forest covers and he can feel like the “forest year” passes by within forty five minutes.

So we shall see and hear how successful I will be...

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Ben Howard returns with his 4th album, Collections From The Whiteout, produced alongside Aaron Dessner (The National). The foreboding darkness that coated Ben’s second record I Forget Where We Were and thinly veiled its follow up Noonday Dream, isn’t so evident on Collections. These are songs written from headlines scanned, or news stories scrolled past, providing inspiration for a selection of vivid narrative snapshots – the death of amateur sailor Donald Crowhurst (Crowhurst’s Meme); Russian fraudster Anna Sorokin (Sorry Kid); the man who stole and crashed a plane in Seattle (The Strange Last Flight Of Richard Russell); and the dismembered body a friend of his father found in a suitcase floating along the Thames (Finders Keepers). Alongside them, the personal anecdotes from the same scattered period living between Paris, Devon and Spain. Yussef Dayes features, as does Kate Stables (This Is The Kit), James Krivchenia (Big Thief), Kyle Keegan (Hiss Golden Messenger), and Dessner. Thomas Bartlett, St. Vincent’s go-to pianist, and Rob Moose, a long-standing arranger of strings for Bon Iver, are also present. Long-term guitarist to Ben’s band, Mickey Smith (A Blaze of Feather), remains a reassuring constant. It’s a sonic adventure that continues this nagging suggestion that Ben is one of the UK’s most inventive and naturally talented songwriters. CFTW is his latest opus, and arguably his most fully realised to date.

připadám si jako Zeyer
co nemá ani žádný jery
https://youtu.be/C1Yap4V48YI

To extract the pure true authenticity, tear down the imaginary barriers, make it ugly, make it beautiful, make it whatever it takes, make it whatever it takes to be you, the real you and then lose the sense of all this and just get to the point of pure isness (checkout the talk of russell brand with mooji for that)

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