Minimal bombs from LA-based, Dubfire-championed SHADED

Shaded is the new solo project of Skyler Taugher, one of the members of SHDWPLAY, whose releases to date have all been via Dubfire's SCI+TEC label, which speaks to his talent for stripped-down, big room techno. This four track EP bridges the gap between pumping, classic M_nus-style minimal techno and whatever it's more fun and modern counterpart is. 

Opener Sheshe has been a staple in label-boss Tiga's sets of late, a slick, energetic and eminently playable club record. Things get darker for Side Sippin and Jane Smith Goes To DC10 before closer Single Freax funs things up again in the closer slot with what sounds like a police siren on drugs under a vocal going “freak-freak-freak,” classic elements for effective party tools…

Release Date: June 09, 2014

www.turborecordings.com

Twin Turbo 025 - Sheshe

Shaded - Sheshe

Buy/stream: https://kompakt.fm/releases/speicher_130

Servus everybody!

Why "the hell" didn't anyone think of this before? It was so obvious: When the same music goes the same way, the truth always lies on the turntable.

KOMPAKT presents the long-awaited "two-tracker", cold-pressed and remixed. The Voigt brothers meet Helmut Geier and vice versa, or: Kölsch meets Löwenbräu, because we stand by you, star of the south.

So let's welcome the megahit "W.I.R." by Wassermann from 2000 in a brand new DJ Hell remix, and a remix by Voigt & Voigt of DJ Hell's "Anything Anytime" anthem from 2017.
Two classics that go down like liquid gold. It comes from the heart.

Special thanks to Norman Methner!

Speicher 130

W.I.R. (DJ Hell Mix)

Wassermann - W.I.R. (DJ Hell Mix)

Hernan White - Dance (Original mix)

Hypercommunication (Alter Ego Remix)

Andreas Henneberg - SEVENTEEN (Album)
Releasedate: 27.11.2017
Label: SNOE
www.andreas-henneberg.com
www.snoemusic.com

Andreas Henneberg - You Better Dont Say (Original Mix)

OUT NOW! '10 Years of SCI+TEC' ➔ scitec.lnk.to/10YearsOfSCITEC

A decade deep into its ongoing investigations, documenting and pushing the sonic frisson and fusion between science and technology, SCI+TEC remain at the very forefront of electronic music.

Its feet firmly on the dance floor, its spirit deep inside the machines, its sights set on the future; from day one Dubfire’s label has continuously forged its own deep furrow. With breakthrough Dubfire releases such as ‘Roadkill’ and ‘RibCage’ SCI+TEC has managed to create a whole new framework for 21st century techno. All the while SCI+TEC has consistently championed and encouraged new and unsung talent from around the world, amplifying legions of rising names; Carlo Lio, Davide Squillace, Paul Ritch, SHADED, The Junkies, Johnny Trika, Alex Mine and countless more include SCI+TEC releases in their rich histories.

This precision balance of stark sonic signature, technical ideology and nurturing new ideas along with talent, has led to SCI+TEC’s perpetual momentum into every house and techno DJ’s playlists for the past 10 years. Be it the label’s penchant for deep, undulating subby grooves, or its passion for warehouse-razing thunder-powered techno, the SCI+TEC sound covers every corner of the floor and every chapter of the night; as proven by the label’s many world tours under the guidance of lead curator and techno innovator, Dubfire. And proved once again by this fittingly stacked anniversary album.

10 brand new, unreleased tracks to celebrate 10 years from 10 of the label’s most exciting artists, every track brings home the SCI+TEC message: The breath-taking atmospheres of Alex Mine’s album scene-setter ‘In The Name Of What’; Wigbert’s detailed drum momentum on ‘Multiclock’; the soulful allure of Carlo Lio’s ‘Because Of You’; the hazy slow-burning groove smoulders of Hector & David Gtronic’s ‘Saki’; Raul Facio’s subversion of Dubfire’s early rising turbine tension on ‘Malo’; the eerie juxtaposition of acidic icicles and groaning elephantine bass on Rosper’s ‘Revenge’; Shaded’s alien up-pitched funk on ‘Crayzy’; the soaring synths and cosmic undertones of Johnny Trika’s ‘One Rainy Wish’ and the pulverising kickdrum and funk of Mr Bizz’s ‘Blue Velvet… Not to mention the deep, hypnotic swing of Dubfire’s restrained and dubbed-out groove ‘Swerve’.

Each track an odyssey in itself, they complement and tessellate to reveal a much wider vision of the past, present and, most importantly, the future. Consistently rooted but constantly rising; this album isn’t celebrating the last 10 years of SCI+TEC… It’s setting us up for the next 10 years to come.

SHADED - Crayzy

Gaiser - Unstable Witness

Lutzenkirchen - All That Jazz (Popof Remix 01)

Track by Perthil & Aerts, remixed by Gabriel Ananda

Perthil & Aerts - 1492 (Gabriel Ananda Remix)

Download LP here: www.beatport.com/release/bay-of-figs/31307

Release date: 21/09/2006

Over the course of the past two years, Marc Houle's music has quickly elevated his studio prose into desired analogsoaked treasures of the dancefloor. Developing fans from vinyl to the club, the new double pack outing titled BAY OF FIGS showcases new developments in his already minimal pop genius that have been tested on the road over the past few months. From the manic title track onward his sound continues to develop from a rich bed of electro pop and minimal techno, with gems that stay in the groove or contort themselves by design.

The arctic storm that is "Bay of Figs" sends a simple yet effective message through it's haunting and menacing drone. On the bouncing and loose "Thirds In Trees", Marc drops in live claps and bass guitar in the melodic and hooky mood reminiscent of the Kingsley classic "Popcorn". A clear fan of euro & industrial attitudes from decades past, "Black Jack 13" claps and bends with electro fever, rattling around erratic effects and synth lines all under four minutes time. One of the more intense tracks in Houle's live sets is the square-wave melody of "Edamame". But its "Items and Things" that highlights Houle's musicianship for synth pop while also revealing his obvious contribution another side project, Run Stop Restore (the trio with Magda and Troy Pierce). Houle's arrangements, melodies and choice effects create easy instrumentals that hold their own beauty without vocal attachments.

In the past year he has remixed Slam's "Kill The Pain" single (featuring Dot Allison) and "Turbo Dreams" by Ellen Allien & Apparat. Between DJs championing his work in clubs and after-parties or making it an essential addition on mix albums from producers like Slam or Loco Dice, Houle is working his way to the top. His live performances from Europe to the US have doubled the impact, on tour in the US during May for the min2MAX bus tour.

Press contact: press@marchoule.net

Connect with Marc Houle:
www.marchoule.net/
www.facebook.com/marchoule.official 
www.mixcloud.com/marchoule
www.youtube.com/user/MarcRHoule
www.twitter.com/MarcRHoule
www.residentadvisor.net/dj/marchoule 
www.dj.beatport.com/marchoule 
www.juno.co.uk/artists/Marc+Houle/
www.discogs.com/artist/Marc+Houle 
www.itemsandthings.com

Marc Houle - Bay Of Figs | Minus | 2006

Arnaud Rebotini New EP Out Sept the 5 on www.bad-life.com/

Last Arnaud Rebotini video live report : http://bckstg.net/arnaud-rebotini-x-bckstg

www.facebook.com/pages/Arnaud-Reb…35491067?fref=ts
rebotini.blackstroberecords.com/


Arnaud Rebotini - Al in Blunderland

Arnaud Rebotini is a singer, songwriter, producer and remixer, he has become one of the most emblematic figures in electronic music today, adept at straddling genres, both avant-garde and timeless, and bringing them together. 
For example, his Zend Avesta project (Organique, Universal 2000) married electronic music with a chamber orchestra. 
With his analogue synthesisers, he became a central figure on the scene of new international techno, marking renewed enthusiasm for the use of electronic instruments rather than just computers. His live shows have always been unanimously celebrated (Music Components, Citizen 2008, Someone Give Me Religion, K7 - 2010) and his remixes for pour Depeche Mode, David Guetta, Rammstein, The Rapture, Bloc Party, Acid Washed and Tristesse Contemporaine are as indicative of his sets at the biggest clubs and festivals (playing live or mixing) as his collaboration with the highbrow Groupe de Recherches Musicales, especially with Christian Zanési for their Frontières project.