High-Dopamine House + Breaks.

Born and raised in California, now-Hawaii-based ezwhip remembers with vivid clarity the exact moment he first heard the opening notes of Erasure’s “Who Needs Love Like That?,” launching a now 35-year-plus love affair with electronic music. His pioneering early 90s radio show Chillspace explored the nascent genre of ambient house, but it was turn-of-the-century Burning Man that dumped rocket fuel onto a burgeoning obsession with the broken beat. He gravitates towards high-vibe music with a visceral feel - grimy and grindy, bassy and bouncy. His mixes reflect a passion for a variety of styles and genres, weaving fresh sounds with properly-cellared bangers to inspire both old heads and new generations of bass-chasing, booty-shaking beat freaks.

Seattle-based artist and DJ with a minor interest in music production. Eli went to his first rave party in 1990 in California followed by a life-long love affair with west-coast house music. This love affair took Eli to Seattle, where he performed regularly at Re-Bar, Groovetech and Oseao to name a few. During the early years in Seattle, he was given an opportunity to write music reviews for Lotus Magazine. This grew into an editor position and over 4 years curation of the 'house music' section. Eli also helped to run local IDM label: Peloton Musique..

Peloton A&R Front Man, DJ, 1/2 member of twowave and self-proclaimed dance maniac, Aron Schoppert first started throwing northwest electronic music events in the mid 90s, with inspiration from underground dance collectives up and down the west coast through internet hub hyperreal ( shrumtribe, b-side, cloudfactory, starborne, seelie court )

In 1998 he picked up his first set of turntables and preferred new experimental techno and idm which he procured from local hub Orpheum records and Wall of Sound. 

Later drawn to Detroit, Chicago and Midwest forms of techno via online marketplaces in the early 2000s like Sonic Groove, Bent Crayon, Groovetech. 

Peloton Musique was formed out of the desire for more creative collaboration in the pacific northwest.  

Curatorial and Influential Hilights
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1992 Paradigm Shift BBS - VLA World HQ, Demo Programming

1995-1998 New Dawn, FTF, Sundazed in the Park

2000-2003 Iteration Party series w/ Oliver Ho, Random Noise Generation, Sutekh, Safety Scissors, Bruno Pronsato, Stewart Walker, DJ Slip, Jerry Abstract, DOSC, Misha, Phil Chan, Shane Silkey, Tobias Van Veen, Killing Frenzy & Tracer visuals.

2003-2007 Decibel Festival - Founding member; Artist management, Stage Manager, Hospitality, Website technician.  

2004 Phoenix Festival - Stage Management / Ambient Barn Environments & Lighting.

2005 Phoenix Festival - Project managed, 4 day curation of artist lineup for Free Cascadia

2007 Launched Peloton Musique with Shane Silkey and Eli Huntington, later joined by Joris Kamma and Patrick Frye.   

2008 Peloton Release Party for "Bicycles Are Your Friends" to open Decibel Festival.

2010 Working for Interactive agency Stimulant, sound design and composition for LoopLoop and Bliss Bomb products.

Followers of Posch