Label mainstay Obergman returns for a second emission after his celebrated Quantum Eraser. Over 6 tracks the Swedish producer delivers a set of icey, stirring workouts primed for the dancefloor.

Mastered by Alden Tyrell.
Worldwide distribution by Rubadub.

Nocturnal Detour

Obergman - Nocturnal Detour

g bless original sounds https://soundcloud.com/hadji-hajj/7-vox-tenebrae-master?in=hadji-hajj/sets/no-soul-no-god-no-devil-no-existence-y18th

HAJJ - Vox Tenebrae (YancityGurl edit)

@geierausstahl

Archetype - The Ick
Vinyl/Streaming/Digital
- 27.03.24 -

The Ick — a sense of sanity amidst the storm of information. This album by Archetype is an abstract scream for something quite fragile — a polarizing society, disruptive isolation, and the fading collective experience. Utilizing dramatic vocals, industrial trip-hop, and post-punk-leaning electronics, Archetype marks the new moniker by the ever-versatile Viennese Rotterdammer, Leonard Prochazka. Following his manifold of concept-driven, instinctive musical output, Archetype's "The Ick" releases in 2024, following "Strapazen und Genesung" as Geier Aus Stahl on Knekelhuis in 2022.

Archetype - Minute After Minute

“On 𝑹𝒆𝒕𝒖𝒓𝒏 𝒕𝒐 𝑴𝒂𝒅𝒂𝒅𝒆𝒏𝒊, Expugnantis brings to Enmossed a compendium of nine dubs of minimal, crystalline excellence. Reflecting on “foggy” memories of a long car ride from the uKhahlamba-Drakensberg portion of the Great Escarpment, the album texturalizes Expugnantis’s grainy sentimental remembrance. The aquatic production is filtered through cloudy synth pads and plucky percussion. Here the expanse sits in the gestures of the minimal, not hampering the listener with dense maximalism or dramatics, but evoking focus through precise and considered repetition.

While the rooting of the compositions is hypersomnic and sentimental, they are filtered through the geographical contexts of recording and operating in the isolatory confines within Columbia, South Carolina. The murk of the percussion is the architectural foundation for the recordings, the pivoting agent between what Expugnantis thinks of as the immersive aquatic field and the game of going within and out. Emotive but not cliche, driving but not oppressive; Expugnantis takes us to Madadeni or somewhere akin.”

- Nick Klein, June 2024

---

Marcus Mtshali is a producer and DJ based out of Columbia, South Carolina.

Recorded by Marcus Mtshali
Audio and design finalized by Glyn Maier
Interview by Rob Goyanes

Return to Madadeni

Expugnantis - Configure (ENMS-04)

breathe 1.1 g2 105 bpm take 1 7225

cowbell 4 40 bpm take 1 62525

http://www.photodementia.net/DM/waft.html

I have a few versions of this track besides the live version, the final version will come out on the next album...hopefully soon!

eUpho-Rave (different Version Excerpt)

Inertial Frame

Zero Volume

UK producers Sween and Dawl deviate from their usual homebase of their own Tone Dropout label to deliver a solid 4 track EP on Berlin based Klasse Wrecks. Classic electro influences mix with breakbeat flavours to produce a fantastic and energetic collection of tracks. Part Sci-Fi terror, part Alien-invasion…all good!

WRECKS016 Sween + Dawl - Rise of the Humanoids

buy there : https://miras1000000.bandcamp.com/

The debut release on Miras stems from co-honchos and long-time residents Atrice. Their musical work is heavily inspired by the uncanny interplay between the tangibility of digital stimulus satiation and authentic real-life encounters in an increasingly disconnected world. Atrice’s compositions have a strong focus on detail, which originates from their academic formation as sound designers. However, the key to the Zurich-based Duo’s production is their playful approach to established genres resulting in emotive soundscapes and energetic amalgamations.
On the three tracks this approach is perfectly mirrored through a hybrid of sultry House, hard-hitting Breaks and neck-bending Gabber. The EP kicks of with the title track "J.A.-Ris", a contagious homage to early Jungle with tight basses and witty Juke inserts. The deep pads enter like a windy thunderstorm on a humid summer day, momentarily taking the light from the sky. It’s followed by the second composition "Give Me", which moves between Breakbeat and House with a futuristic sound design. It penetrates through the darkened clouds and lets the first sunrays shine on the asphalt. A slight smell of Petrichor underlines the dystopian moment.  Lastly "Demorado" enters with many familiar facets, which however are being completely turned on their heard over the course of the piece, reminiscent of a spellbinding whirlwind. It is characterized by Gabber, IDM and Drum'n'Bass influences with cinematic gestures and complex drum structures.
That's all, hasta abajo !

Zero Volume

Arpanet