AM I IN A DREAM ?

I had a dream, and I wrote this song not to forget it. 

Technical highlights: hand played bass, slightly odd riff on chorus (15/2) & some extra psychedelia.

Pic & sounds taken with my phone during a recent experience which could help me understand the dream, maybe…

Letra  /  Lyrics:

NÍMOR (No sé dónde estoy)  /  NÍMOR (I don’t know where I am)

Entré en la sala sin hacer ruido,  /  I entered the room making no noise,
los pocos que vi eran desconocidos,  /  the few ones I saw were strangers,
busqué una cama que estuviera libre y dormí.  /  I looked for a spare bed and slept.

Al día siguiente no encontré mi sitio,   /  The following day I didn’t find my place,
todo estaba lleno de desconocidos,  /  the whole room was full of strangers,
me di la vuelta para salir y te vi.  /  I turned around to leave and I saw you.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …

La cama de al lado estaba vacía,  /  The bed at your side was empty,
y me preguntaste si la quería,  /  and you asked if I wanted it,
la quise y pronto nos hicimos amigos,  /  I did and soon we became friends,
desconocidos.  /  strangers.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …
Nímor, no sé qué pasa…  /  Nímor, I don’t know what’s going on...
Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...

Te pregunté “¿cómo se llama este sitio?”  /  I asked you "what’s the name of this place?"
y me contestaste que estaba contigo,  /  and you answered that I was with you,
y sin darme cuenta te quise mucho y dormí.  /  and unconsciously I loved you so and slept.

Ahora del sueño ya me he despertado,  /  Now from the dream I’ve already woken,
tu nombre lamento no haber preguntado,  /  your name I regret not having asked,
te llamaré como el sitio en que te conocí.  /  I’ll call you like the place where I met you.

Nímor (…)  /  Nímor (…)

ER27HC06 ©1995 ®2015

Honorable broadcast (34:47 - 40.00): http://jeffhickmott.podomatic.com/entry/2015-09-18T05_02_20-07_00

Nota para el oyente español: ninguna influencia de Chiquito de la Calzada en el título; lo pongo tal como lo soñé y punto.

NÍMOR (No sé dónde estoy)

This instrumental track, crafted using an emulator of the legendary ARP 2600 synthesizer, delves into the unsettling notion of a world where machines gradually take over human skills, leaving our consciousness as the final remnant of what truly belongs to us.
In this sonic landscape—where analog layers merge with retro-futuristic textures—humanity quietly resists through its sensitivity, memory, and inner contradictions. While artificial intelligence may learn, simulate, and optimize... it does not feel. A machine cannot dream, doubt, or fall in love. Human consciousness is born from experience, shaped by memory and rooted in the body. And this elusive nuance lies at the heart of everything.
Inspired by the visions in 1999, Brave New World, THX1138, and 2001: A Space Odyssey, the track reflects an age where fiction slips into reality. But instead of sounding an alarm, "Conscience 2600" whispers a lucid realization: within the circuitry and the algorithms, there remains something that cannot be programmed—the intimate pulse of being

Conscience 2600

2600

Another awesome electronic collaboration with David a.k.a. @blackmarketbrains ! I love his minimal techno beats so asked him to send me one that included one of his cool old movie samples.I was inspired right away to lay down some melodic loops and even a bit of guitar.

Cover image is public domain, an illustration from an old edition of Mary Shelley's Frankenstein.

Forge the Creature! w/ Black Market Brains

Written, performed and recorded by Neli CoKo, 2025, all rights reserved. 
Thank you for listening :) 

Original vector graphic: "https://de.vecteezy.com/gratis-vektor/kopf-silhouette"

Synesthesia

The rare keyboard improvisation. Recorded in Ponta do Sol, Cabo Verde, West Africa. Starts sort of chaotic but resolves into something more peaceful and clear. 

Verde

24 7 25

“Inspired by the Bieber SWAG record I wanted to revisit this anthem about mental health and create a new version. Due to my musical taste I added further instrumentation to the raw modern lo fi sound to build up texture and harmonic interest.” 

everything. reimagined. 

Its been a long time coming 
I can say this for myself
I only want what’s mine
A simple peace of mind
A simple place of mine, my own 
my own

I will treat it like the last time
On my way to the finish line 
I'm taking back what is mine
I’m not settling this time

I can feel it in my heartbeat
Once again walking down this street
I'm letting go of everything
Living and letting go of everything

Its been a long time coming and I know
I can feel this in myself, in myself I feel it
Sometimes I want to explode
Sometimes I feel I’ll implode
I’m moving on here’s my everything 
All that I’ve got to give

© heart house and the new kindness. 2025

Written, performed, recorded, produced and mixed by heart house and the new kindness. 
Mastered by DOLBY

everything. reimagined.

Solaris Hope

Title track from the next Mood Exhibit album "Welcome Anomaly", coming late September/early October.
A return to electronic sounds with a slight experimental edge

Mood Exhibit - Welcome Anomaly

Karate, the Japanese martial art — now colliding with Rock! I combined a uniquely intriguing concept with the classic essence of hard rock.

Rock Meets Karate

Cast of Characters:

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass and Fender Stratocaster

J.J. Terrell– @j-j-terrell – electric piano 

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums

Mistermark-- @user-432503709 -- Mark –- percussion, VST flute, and production editing

Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar

The Beautiful Dark -- @thebeautifuldark -- Carl --  vocals and lyrics

TexMex Shaman– @texmex-shaman –Stephen — production, mix, and mastering

This song began more than a year ago, when Josh created a song out of a looper beat with his four string fretless bass. It sat on the shelf until a few weeks ago, when he shared it with JJ, who was in creative mode one Saturday evening. Josh had actually forgotten that he'd added a bass line to it, and thought he was just passing on a looper beat for JJ to play with. 

  However, JJ heard it, and was so excited that added his magical electric piano part, making it sound like a real song, instead of just drums and a bass. Ken also heard some magic in here, because he came up with his own brilliant beat to replace the looper that was used in for the seed. Mark was next to throw in, adding the striking drum pattern breakdown, and the thrilling flute solo, as well. Tez came in shortly after, adding his thrilling guitar to the mix. After everyone had added their parts, Josh came back and added two guitar parts, the simple low end line, as well as the high strumed triads. At this stage, Mark did some editing, as it is in his skill set, and made it less dense and easier to listen to. 

  Now that the song was musically complete, out newest member, Carl, dropped the amazing vocals you hear, singing his original lyrics. After Carl was done sprinkling his magic in it, we needed an able producer to bring out the magic of the recordings. Good thing we have a trained producer to do the job in Stephen, who mixed and mastered it superbly, as always. 

  This is Eclectic Collective's first fore into the afrobeat genre, although a few of us are really big fans already, and Josh has a few other originals in this genre buried on his page, as well. As always, we all enjoyed the process of hearing this one come together. We hope you enjoy listening to this as much as we enjoyed making it.

Juice our Jah
Chalice of chime
Shooting star
Great rhythm
There's blood in the brine

Suture Sun
Grand heaven high
'Some clan gone cruel
Needing collective eye

Eclectic host
Hoist our hale
Mused healing feast
Musical breeze as gale

Afro beat
Oh melody sweet
Beat afro
Show us where to go

Kalakuta Kingdom - (Eclectic Collective)

Mittagshitze

How many anomalies can YOU find...?
I’ve changed the image recently so some of my comments no longer make any sense 😆

Curiosity

Wrapped In Fog

That Magic (When You're Near)

That Magic

New site after E-Ruizzo: https://soundcloud.com/esemanolain-ruizzo

Many thanks to Alex https://soundcloud.com/wouwouandthewormling
and Richal https://soundcloud.com/rickitansky for their fantastic pics !!

Curiosity

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