Name: I Saw You Standing by John Dyhouse
Duration: 1 min 50 s
Description: Another of my songs from my early lyric notebooks, again this was written in the early sixties (1960s). It is as the title suggests a ukulele demo; as there are a number of issues I have with remembering the song fully, I was happy enough to use the uke on this track.

I think this title works. I really enjoyed this one. So many new songs, we are spoilt. Thanks so much, John. 🙂

You're always safe here with me now
Wrapped in our bubble of love
You made a world full of rainbows
When you smiled you started filling it up

Your kiss reminds me 
Of a best friend showing up at a party
When you're feeling out of place
Your hug reminds me
That dying would be really sad
If you don't get to see the people that you love again

And you're my favorite dream
You're my favorite dream
You're my favorite dream
Dream girl

I'm thankful for your great-grandparents
And that time that they made love
Under the willow tree
Because that brought you here to me
I'm thankful for that Korean soldier
Who didn't have the guts
To make your wounded grandpa rest in peace

You can do anything if you'll just get back up
One more time, and I know you will
How can I be so sure
Cuz that part of my heart is yours

And you're my favorite dream
You're my favorite dream
You're my favorite dream
Dream girl

You're my favorite dream
You're my favorite dream
You're my favorite dream
Dream girl
Dream girl
Dream girl

Dream Girl

Fly Angel Fly

“Grill that Snapper” stands as a track that bridges the gap between the introspective nature of acoustic music and the bold expressiveness of electronic music. It's an audacious fusion that respects the listener's intelligence and emotional capacity, promising a rich and rewarding listening experience. Each note and silence in between tells a part of a greater story. This piece isn’t mere background music; it's a sophisticated journey through sound that demands active listening and rewards with layers of intricate details.

It begins with a soulful dialogue between a plucked acoustic guitar and a warm legato bass, setting a scene of introspective calm. The guitar's melody, adorned with subtle sound FX, tells a poignant story without words, inviting listeners into a world of reflective tranquillity.

Transitioning into the first verse, the mood remains contemplative yet gains texture. The upright bass, intertwined with an electronic sub, takes the lead, its legato tones painting a soundscape of introspection and subtlety. Here, the guitar shifts to a supporting role, its strings now weaving a background tapestry. This section is coloured by chords that evoke a jazzy feel, their complex harmonies hinting at emotional depths and unspoken narratives.

The bridge emerges as a delicate duet between guitar and piano, their interplay creating a sense of intimacy and shared secrets. This brief interlude builds gently, the chords simplifying yet deepening the emotional resonance. The addition of cello and bass strings, along with legato sax and oboe, lends a classical touch, further enriching the tapestry of sound.

As “Grill that Snapper” progresses, it gradually turns up the heat. The entrance of a straightforward, pulsing 4/4 beat marks a shift to a more vibrant, electronic landscape. Bowed violins add drama over the steady rhythm, their melodies intertwining with heavy piano chords. The juxtaposition of the electronic rhythm with the jazzy downward chord progression creates a dynamic tension, a dance between two worlds.

Reaching its climax, the track becomes an electrifying blend of filtered arpeggios and orchestral drums. The chaos of the arpeggios, set against the backdrop of a rhythmic electronic beat, paints a picture of controlled frenzy, a climax of emotional and musical intensity.

In its final act, “Grill that Snapper” returns to its acoustic origins, revisiting the serene mood of the opening verse. The outro, a mirror of the initial bridge, serves as a contemplative denouement, bringing the listener full circle. It's a conclusion that invites reflection, a moment to absorb the rich journey that has unfolded.

Grill that Snapper

The Magic Castle

1988 - I Love This Beyond All Reason 
It's Mean-Spirited  
Completely Uncalled For
Picking-On An Old GF 
Just Because I Had A Cool Guitar Lick 
Me & My Tascam 4-Trk Recorder 
In 1988
Sound Like A Denny Laine  
Mid-70s Wing's Album Cut
Yes - Songwriters Revisit Old Themes
 
ANGRY EYES

I Don’t Want To Get In Trouble  
With The Lady From Shanghai
I’d Rather Wear A Black Hat 
If I’m Gonna Be The Bad Guy
I Can Smell Your Perfume 
I Know It’s Like Lancome
You're Breaking Up With Him & 
You Do It On The Car Phone
Angry Eyes

We Can Beat It To Death 
Or We Can Beat It Back To My Place
Bet Your Daddy Wore A Dress 
& Your Mama Tied Your Shoelace
I Know A Girl Like You 
She’s Waiting At The Airport
She Can’t Wait To Get Home 
& Get To Watch “Night Court”
Angry Eyes

You Have A Balinese Cat 
That Looks Like Greta Garbo
You Have A Brother In Tibet 
& A Sister In Chicago
I Wanna Make You Look At Me 
But You Don’t Make It Easy
I Might Be Working For Free 
Or Kitty Genovese
Angry Eyes

I Bet Your Friends Are All Jealous 
Cos They Think You're So Together
But They’re Still Ratting-Up Their Hair 
And Wearing Lots Of Leather
Your Biological Clock
Is Ticking Like A Time Bomb
You’re So Busy All The Time 
It’s Kind Of Like An Ant Farm
Angry Eyes

®rgoldman dragbunt music

Richard Goldman's Album

ANGRY EYES '88

Another of my songs from my early lyric notebooks, again this was written in the early sixties (1960s). It is as the title suggests a ukulele demo; as there are a number of issues I have with remembering the song fully, I was happy enough to use the uke on this track.

I Saw You Standing

Here I Am

About a guy giving it a shot in Nashville only to fail. Now he's headed back to his baby in Chicago and it's snowing

SNOWING IN CHICAGO MASTER 2

Hey man, I feel the blues a-comin' on.
Back to my back catalogue, this one written in 1975. I cannot remember what specifically moved me to write this but one of my favourite albums at the time was a Sonny Terry & Brownie McGee compilation. Hope it grabs ya!

My Guitar (Ukulele demo), original song

Another from my back catalogue, this one written in 1977. No idea what prompted this one or where the title may have come from. Sometimes a song would suface from a headline in a newspaper, etc.

Put Down Your Gun Boy (ukulele demo) original song

Country Rock featuring Bruce Kernow on harmonica

Make It This Time

08 - Knock Down The Walls Ver 2

An amateur singer/song writer; in it for the fun and satisfaction. Enjoying rediscovering old recordings and sharing new original songs with friends and anyone who would like to join me on the adventure.

The songs and playlists/albums hold an eclectic mix of original material and covers; I have also recovered various analog recordings and sequenced tracks. I sing because I enjoy it and make no claims to any musical performance skills, you are warned....

I Saw You Standing

John Dyhouse

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