SHONI:
SoundCloud 👉🏻 @shoni_303
BandCamp 👉🏻 asidbuywav.bandcamp.com/track
InstaGram 👉🏻 www.instagram.com/shoni_303/
Spotify 👉🏻 open.spotify.com/artist/07rp3cUQtyvRntrAeBo4Bi
Apple Music 👉🏻 music.apple.com/us/artist/shoni/1663687637

SHONI - Ladenayü

KRMA x GarageKiddz - Moving Frequencies [W.I.P]

TRACK LISTING

https://www.nts.live/shows/pandoras-jukebox/episodes/pandoras-jukebox-10th-april-2018

STORY N*27 NTS 10418

We were very happy to host @marwabelhajyoussef guestmix which was recorded live at @ma3azef WaxBar Tunis Takeover.

Marwa Belhaj Youssef is a tunisian DJ playing a diversity of styles ranging from soulful tunes to hardcore sounds. She was invited for a guest mix on London's NTS Radio for @zulimusic show and LYLRadio french radio for a guest mix on @hadji-hajj Souffrance FM show and a lot more.

Full Tracklist Here: https://radioflouka.com/show/76

FLOUKAGUEST 05 : Marwa Belhaj Youssef - Ma3azef Show @ Wax Bar - 3/10/2019

'Dehumanisasi'
Written, performed and produced by RMP.

'Dealienisasi'
Written, performed and produced by Wahono.

Mixed and mastered at Studio Oposisi - Jakarta, Indonesia
November 2018 - August 2019.

Purchase:
https://divisi62.bandcamp.com/album/dehumanisasi-dealienisasi

Wahono - 3'20"

Keith Fullerton Whitman inaugurates the Satellite Mix series with Acid Causality, a blend of recordings made in his home in Fort Greene, Brooklyn. 

"Shortly after returning to New York City in October 2018, I began recording a series of extended pieces applying analogue computing concepts to generate fluid, evolving values that were mapped to formal elements (pitch, rhythm, timing, spatialization, filtering, etc.) normally driven by fixed-value sequencing. 

This mix presents edits of a series of four sessions forged between November 11, 2018 and November 27, 2019: First, a suite of Vocoded kick-drums and sample and hold canon melodies run through a sentient resonator network; then a six-voice wavetable canon with requisite acid bassline and pitched-down drums; then a suite for hand-percussion and modeled metallophones; then a high-feedback karplus-strong wash. 

These were immaculately conceived from the tools on hand and the methodologies of Norbert Wiener, Maatrameru, et. al, although stylistic/traceback shout-outs are in order to Stephan Wittwer's score for Fischli and Weiss' Der Rechte Weg (1983), to Mikel Rouse's Quorum (1984), and to Steve Poindexter's Computer Madness (1989)."
—Keith Fullerton Whitman

KEITH FULLERTON WHITMAN, ACID CAUSALITY / SATELLITE MIX 001

for Raji Ka8n Stream  (indubstribal) Lo-Fi / Su-Fi by Abu AMA

AS AA S x Radio alHara - Asifeh

This is a special throwback and the live recording of the last hour and 20 minutes of WC7 magic intro set for 33.10.3402 and myself at the second Putnik party in Drugstore's summer garden, AUG 3 2018. Vladimir Crvenković is best known for his Yugolearica mixes that celebrate music from the country that is no more, but he delivered a worldwide selection for this occasion.

Thank you, brother! Enjoy!
@wc7

Putnik 001 | WC7 (2018)

Deuxième épisode de Choose Fog. Aujourd'hui c'est Lugal Lanbada qui invite Lulu-Lao. Post-punk et balearic au programme.

Choose fog ep02 • Lugal Lanbada invite Lulu-Lao (21.01.21)

asaaspro1@gmail.com

AS AA S أساس is an independent platform spotlighting the best electronic and experimental musicians from the Middle East, North Africa and beyond. We also curate a weekly showcase of top artists for Palestine's premiere DIY station, Radio Al Hara.

AS AA S x Radio alHara - Asifeh

ASAAS أساس