I'm Heptaedium, I make music with guitars and synthesizers.

Asd3.0 Downloads :
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FREE Download; INTERACTIONS (2014 Album)
http://www.mediafire.com/download/d1iduvzx27vx6db/Asd3.0-INTERACTIONS.zip
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FREE Download; Dark Age's Rebirth (2013 Album)
http://www.mediafire.com/download/jo8skc8ngnx6241/Asd3.0_-_Dark_Age's_Rebirth_.zip
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FREE Download: Self (2011 ep):
http://www.mediafire.com/?d04ge9b9frb84x1
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FREE Download: Mind (2010 First Album):
http://www.mediafire.com/?lm22jx9vtbg6503

Disfiguring the Goddess started in Minden, Nevada. 2006

to buy cd's and merch:
http://www.shopbenchmark.com/disfiguringthegoddess

Plaster is the electronic music project founded in Rome by Giuseppe Carlini and Gianclaudio Hashem Moniri (Early 2008).

The two young boys where deeply passioned about music production and since their first studio sessions, the sounds of their experiments where really promising and mature. They started to play in most of the experimental festivals in Rome and their performances were clearly dark and solid with a state of the art for mixing Ambient Music, deep beats and sharp metallic sounds.

In 2010, Giuseppe and Gianclaudio moved to Berlin in order to expand their music experiences and In 2011 they started to collaborate with the pioneering Ukrainian label, Kvitnu. 
Founded by Dmytro Fedorenko and Zavoloka, Kvitnu has released most of Plaster's seminal works. After having a wider exposure in Europe (and not only) trough their fresh releases, in 2012 they begin to release music with labels like Stroboscopic Artefacts and Touchin'Bass bringing Plaster's sound to a more Techno direction while preserving their experimental approach.
The renovated sound, pushed the duo to play in important festivals and clubs all over the world and concurrently to enlarge their music to Dance Shows, 3D Structural Mappings, Video Games and Short Films. There have been memorable performances in Taiwan for On Site Festival (2013), at The Rural Festival in Japan (2014) or at the historical Arma 17 in Moscow (2013). 

In 2014 Giuseppe decided to leave the project for a personal break and Gianclaudio took over the work.
The first "solo" release by Plaster is Mainframe (Kvitnu 2015) which along with Platforms (Kvitnu 2011) is considered one of the most influential Italians electronic music albums of the last years.

Over the time, the sound of Plaster has become more mature thanks also to collaboration releases like Blends (Eklero 2021) a huge project which sees Gianclaudio collaborating with International and Italian artists like, Grischa Lichtenberger, Retina.it, Cluster Lizard, Brando Lupi, Pixfoil and many other great artists. Gianclaudio's activities are also related to event managing, in fact he worked as art director for the first two years of life of Klang Rome, probably the only club in Italy dedicated to the experimental music.

Now, Gianclaudio's work is focused on a new live performance developed with long time friend and experimental artist Franz Rosati. Nevertheless the new album for Plaster is under construction and will be released by Textvra Records.

www.facebook.com/bloodcagemusic
booking@mostwanted.dj

World's biggest outdoor hardcore gathering. The next edition, Dominator 2025 (20 Years of Hardcore Domination), takes place on the 18th & 19th of July. Tickets for Dominator 2025 - 20 Years of Hardcore Domination are available at https://shop.dominatorfestival.com/. Dominator is a production of Art of Dance and Q-dance.

Since 2002, over the course of 4 studio albums and hundreds of live performances Wolves in the Throne Room have refracted the transcendent and mythic aspects of Black Metal through their own idiosyncratic Cascadian prism.  The resulting essence is music that is intimately linked to the wild lands of the Pacific Northwest.
Their songs explore the hidden world of magic that one accesses through dreams, visions and music.  As the mind altering pulse of the drums merges with seemingly infinite layers of guitar, an ocean-deep psychedelic soundscape coalesces.  Time slows down, a portal opens and the blazing metal riffs collapse and shift into a dirge that invokes a misty other-world. In their songs, rain-drenched specters loom at the edge of the wood. Ancient cedar beings stir beneath their wet moss robes. One glimpses a bronze-domed temple rising among the firs.
In fall of 2011, their work reached a new level of refinement with the release of Celestial Lineage.  In contrast to the bleakly hypnotic architecture of 2008’s Black Cascade, or the more orthodox forms of Two Hunters (2007) and Diadem of 12 Stars (2006), Celestial Lineage moved into a more expansive and visionary territory. The band’s trademark long-form approach to arrangement remained intact, but the album revealed a thread of star-lit pulse emanating from a bank of crumbling analog synthesizers woven with the intertwining guitar figures.
2014 will see the release of Celestite, an instrumental, experimental companion record to Celestial Lineage.  Celestite sees the band take a deeper excursion into the crystalline synthesizer-driven domains that have long intrigued them.  With the aid of producer Randall Dunn, the band unearthed a hidden soundscape that is only loosely tethered to their familiar sound, yet is still unmistakably the work of Wolves in the Throne Room.
Celestite will be the inaugural release on the band’s new label, Artemisia Records, which will be their outlet for future releases.

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