nice roundup of versatality to this instrument ദ്ദി( • ᴗ - ) ✧ · ⸜(｡˃ ᵕ ˂ )⸝♡ · (˶ᵔ ᵕ ᵔ˶)

These string pulls are a great into , nice position

I discovered the Dead can Dance in 1995 (and i thanks to my dearest friends:  the brothers Pino and Filippo Sabatelli for that)
One of the songs that immediately struck me was this ...
With its sense of austerity that gave to me and the magnificent voice of Brendan Perry
An iconic group. 
Of those you will always listen to.
I don't feel it's a real cover
But, certainly my personal tribute to this group.
From the second part of the original piece (performed on flute and uillean pipes)
I extracted and modified the harmony by inserting it in the tail of this piece
combining several recent musical ideas.
It is certainly a project to be further investigated and elaborated, also because
there is a synth to tame with some parameter adjustments.
but still a good first version.
we will see !
version update of 28/02/2023

Credits:
Users: esperar, and: cheira
from: freesound.org
their link below
https://freesound.org/people/esperar/
https://freesound.org/people/cheira/

many thanks to them for the opportunity

Severance

“Oniria”
En memoria de Axel Zatarain.
a Rodrigo Mata.
para contrabajo

Oniria

it wasn't a binding agreement

Machinery of  Forgetting

Inspired by Erik Satie's 1920 Premier Menuet.
Artists are found in many forms and persuasions.
Loving those French Impressionists with avant-garde natures !!

Premier Menuet

First experiments with Meris' Enzo X coupled with Meris' Mercury 7...5 tracks of guitar punted through their synth and reverb/echo boxes...Def a headphone mix...

A Terrelian 7

Zonk

‘caeli medio’
Travel stories.
2023 live performance.

The Santa Teresa Tram is one of the oldest trams in the world. It travels beneath the gaze of Christ the Redeemer which dominates the city of Rio de Janeiro.

Tools :
Pam’s, SIG, Varigate.
- Loquelic Iteritas Percido > Disting mk4 (C-3 clockable ping pong delay) > FX Aid (#25 reverb room stereo) > Zagrzeb (lp out).
- Basimilus.
- Rings > Monsoon (clouds mode).
- Plaits (pair of classic waveforms) > Desmodus Versio.
- DFAM > DSP (reverb).
Diode Chaos, Clep Diaz, Tetrapad.
Buff Mult, Sinc Defero, Mutes.
StMix, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro.

Associated image : Petrus Major.

Santa Teresa Tram [travel stories]

pell

Cast of characters:
The Beautiful Dark -- @thebeautifuldark -- Carl — Ovation guitar, lead vocals, lyrics, and composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass
Mistermark-- @user-432503709 -- Mark –- VST timbale, production editing
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson Custom T electric guitar, production, mix, and mastering
J.J. Terrell– @j-j-terrell – electric piano and synth
Llanpsych -- @llanpsych -- Tez – Fender Telecaster HSS electric guitar

This song began as Carl's tribute poem to our drummer, Ken. Carl came up with the chord progression and started a project, to which he invited the rest of us. This is the third song Eclectic Collective has done that is a tribute by Carl to one of our members.  We couldn't feel more honoured than to be the subjects of his wild and boundless creativity.
  Fittingly, Ken was first in line to add his magnificent drums. Once we had drums, Josh had something to work with to add his bass, which he did shortly after the drums were up. Mark paid the project a visit next, helping out with a bit of production editing, and dropping in a mad percussion solo using his VST timbale drums. Stephen jumped in soon after, adding the melodic electric guitar riffs that appear throughout. Not to be outdone, JJ added some sonically thickening electric piano, as well as the throwback psychedelic synth that pops up towards the end. Finally, Tez came along and added the electrifying solo that appears about a third of the way in, as well as the one at the end. 
  Once the recording was finished, we turned it over to Stephen to mix in his always professional manner. 
  This song is all about our very talented teammate and brother, Ken, and it is well deserved, too. As mentioned, this is the third song from Carl about one of us. It's hard to describe the feeling of having someone who you respect take the time and energy to think about you in such a positive way as to produce a song about you. Then to have all your buddies join in to amplify it to a solid song is just mind-blowing. We are all very grateful to Carl for not only sharing his music with us, but for his thoughtful consideration of each of us as subjects. We hope you enjoy listening to this as much as we enjoyed creating it.

(Original lyrics by The Perfect Dark)
Karakoram human
You decorate good future
As many lose their Gods
You stand tall as suture

Rhythmic mountain maestro
Each day, graft, working hard
So kids can eat
Bruised back sees very best of yard

Still, beats get born of evenings
Deep love finds joules to jam
May generation X soothe meaning
Let's teach the younger pussies what we can

To Ken, from pen, to page, to Music
To friends, Now is when, Good sage soup soothes us
Honest and brave, To Jesus he save
Kudos our maestro of percussive wave

Karakoram human
You decorate good future
As many lose their Gods
You stand tall as suture
Sticks in hand
Cymbals a floating
Snare and bass backbone gland
Tom'ed Ringo Star man keep quoting
Keep life steady paced by hand

To Ken, from pen, to page, to Music
To friends, Now is when, Good sage soup soothes us
Honest and brave, To Jesus he save
Kudos our maestro of percussive wave

Rhythmic Mountain (The Beautiful Dark with Eclectic Collective)

a track by Marco Lucchi reworked by Mean Flow

Mean Flow & Marco Lucchi - E.F.S. n1

documenting "progress" since 2020

new record out now! link below (free to listen, support welcome)

all tracks were living performances, usually with acoustic bass and electronics, sometimes other things like guitar, synthesizers, voice, piano, mixers, fx, field recordings; usually single takes, no overdubs.

please dm or email (asdbmusic@gmail.com) for collaborations, commissions, booking, compliments, complaints, etc. etc.

it wasn't a binding agreement

as.dB

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