Vasco Ribeiro Morais I

A new recorded alternative of my earlier "Kraft". Just strings and my soul.

Kraft II

For the occasion, I reworked this thing a little. It's a track from the archives but I always enjoy this one for the energy. Nothing too serious though :)

lyrics:

ah hear the phone rings
time for a night out
fragile hearts await to break like glass on
classy smiles and
aerosol touch of plastic warmth
enthusiastic spasms of a lovelife on the thresh
of lifting off

she paints her face down with red and sticky glue
wrapped around her eyes it looks like
wings of butterflies
look at all the flesh displayed
all this ecstasy unveiled
"run away with me," her body screams,
"you will be pleased to please, please me"

she's a happy valentine
such a happy valentine

kisses, hugs and funny talk
electrifies the air
look at her attention span,
"what with who and why and where?"
a gazillion pretty friends to give her
all the love she needs
in the centre of the universe she says:
"it's just ol' silly little
ME"

it's a happy valentine
such a happy valentine

❤️ @Bandcamp

Happy Valentine redux

Comboio De Sombras

Out of the Box July 2022
Experiment in multi-purpose weirdness

Mystery Dance

Tomorrow will bring something new, so leave today as a memory

This track was made with CS 80, Pigmnt 4, Synthmaster One, Synthmaster 2,CMI V & Spatk 2 (Perc/Toms/Congas,FX)
Photos by Franck Pierrard.

Free Bubbles

With the upcoming Keith Rowe celebration in Berlin just around the corner, reflecting upon how Prepared Guitar noise crossed cultural boundaries. Pink Floyd in 66/67 a band of the London arts scene. Legend has it that Keith Rowe influenced Syd Barret to do improper things for the guitar that no other Pink Floyd guitarist cared to explore. I found this idea more plausible than Syd being stoned or aggressive -- although both artists might have found they shared a transgressive feeling for how such noises are the thang to challenge the thinking about the thang. While there's nothing in Syd's guitar sound surpassing anything Hendrix hadn't blown through several times with the vitality of ten thousand cats, it's also more complicated to think it through the Keith Rowe perspective. Hendrix's path, in my reading, was, yes, to found his own sound, gain his freedom, but also to destroy the white western exploitation culture with the rage of the slave uprising through the electrified blues and render, as a result, an American problem and treasure. In the last days, Jimi wanted to bring it back home and play deep electro-acoustic blues and rock the studio like CAN influenced by Stockhausen on shrooms. Keith's sound was already detached from folk traditions, more consciously post-modern (self-historicizing, self-contextualizing -- to lay the emotional guitar down, pushed away from the body), and few people really want to deal with that new kind of wilderness he explored in HARSH, where you see shards of what he maybe transmitted to Syd and which Jimi knew very well but never lived to take out of the rock and roll physicality context. Prepared Guitar music doesn't really exist if the guitar is not really involved, though. This track is all about those cross-over moments between the psychedelic movement and fluxus and free improv and indeterminacy. Syd was still in a rock band rooted in the Black Music of the Colonies and then they got rid of him. Noise has maybe messages beyond human aesthetic.

Syd B Keith R

My Classical Muse

Choir of souls 
Electronic Meditation track
Wanted to go back to seventies style of Tangerine dream improvised Electronic meditation tracks.

The Choir Of Souls

Quintet: Zugth II

Suspirium-Thom Yorke / Everything In Its Right Place-Radiohead / Lullaby-The Cure / I Will-Radiohead

less [zeropluspacebo & asdb collaboration]

I've forgotten what all collabs and shit I'm supposed to be working on. I'm not in the proper mind state to do any of them anyway.

Rummaging Around For Shit At 3AM

Marco Lucchi = piano
Jeff Gburek = voice, text
Rain = collected by JG

Splintered Voice One Hand Piano
Text by Jeff Gburek, a re-working of 
The Way of All Cacti, from my album The Perfect Storm
https://jeffgburekprojects.bandcamp.com/track/the-way-of-all-cacti

My world never moved on from there
What should I dare become?
Ready drifter, astro-naught,
multi-hyphenate creative?
Beginning on the margin again
Beginner, constantly "un-"
Constantly blown by solar winds
My follicles untether
Rods skip cones, my focus
pan-galactic smithereens
What flakes of sound can write this SNOW?
in which now loses as "S"
and then an "O"
What next?

I've never advanced a single step
Equilibrium, homeostasis
Tight fit, clinging fabric of pulsar
Entropy, everything so near,
no city, no center.
Just a fan blowing a breeze
for no face. Just a poem
spoken for, broken from
a gathering of the nations of words!
Who-hoa. Heart-beat caldera
Glowing blind, thumped
in hunch-back gloom

Must mist sybilline whispers

The poem really starts to come to life
when it being read for the first time
as if it were being written in the mind of the reader
who does a double-take, trying to figure
where it all comes from, where it's going
where the poem is coming from
inside itself, siphoned outward

Vociferous shift

Buy via BC

Splintered Voice One Hand

Electrons in Motion (for Piano)

Too Far goes 'beyond' Mood Exhibit's fantastic Firebrand Mix of the muterial track Embers

https://soundcloud.com/r-salchaks-mood-exhibit/muterial-embers-mood-exhibit-1

https://soundcloud.com/muterial/embers

muterial - Embers [Mood Exhibit Too Far Mix]

all tracks composed and performed by me.
see also vasco ribeiro morais ii,iii,iv,v,vi.vii, viii

https://vascoribeiromorais.bandcamp.com/

new record, "let go / still time" is out now, and available (for free, if that's your speed): asdb-music.bandcamp.com/album/let-go-still-time

how do we begin again?

all tracks were living performances, usually with acoustic bass and electronics, sometimes guitar, synthesizers, voice, piano, mixers, fx, field recordings, but always in single takes with no overdubbing

for collaborations, commissions, booking, compliments, complaints, etc. etc.  dm or email asdbmusic@gmail.com

less [zeropluspacebo & asdb collaboration]

as.dB

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