Rain On A Distant World

And I Will Set My Face Against Them

Based on : Piano pattern  n.1 by Marco Lucchi , remix by Walter Fini 
Marco Lucchi : piano and fx
Walter Fini : piano & synths, fx
Original Track : https://soundcloud.com/marcolucchi/piano-patterns-no-1

Stormi - Marco Lucchi e Walter Fini

Музыка для наружного применения / Music for external use [real time & field recording 9.05.2020]
https://assemblyofhoney.bandcamp.com/album/music-for-external-use

Global self-isolation records. Music for New Era Meditation.

Музыка для наружного применения / Music for external use

from: Music for external use  [live 9.05.2020]

Equipment:YAMAHA Reface CP,Cooper Fx Outward V2,Chase Bliss Audio MOOD,Chase Bliss Audio Blooper,Electro Harmonix Analogizer,BOSS RV-5

lukewarm

Texture 2

Dreaming Music
Guy-Frank Pellerin: tenor saxophone
Recording: 27/10/2020

Dreaming Music / Guy-Frank Pellerin

https://soundcloud.com/ilaria_boffa/ilaria-boffa-crazy-compass-geography-of-translations

In support of the "Translations" album by @Ilaria_Boffa:  https://soundcloud.com/ilaria_boffa/sets/translations
On @Meticulous-Midgets label: http://stopcran.ru/news/2020-11-20-272

A year ago, we recorded our first joint track with Ilaria (https://soundcloud.com/crazycompass/ilaria-boffa-foreign), and then we agreed that we would do another one later in which each of us will read own poem in native language. Everything coincided. "We translated our voices into exact references and wording. Now, hear." 

CRAZY COMPASS: Padua, Italy - Moscow, Russia (november 2020)
https://crazycompass.bandcamp.com/track/geography-of-translations-ilaria-boffa-crazy-compass

Poem in Italian: Ilaria Boffa @Ilaria_Boffa
Poem in Russian, field recording & photo (poplars & wind): Nata Boundariver @CrazyCompass
Music: Sergey Kobzev @Assembly-of-Honey

---

TRADUZIONI (Ilaria Boffa)

Una precisa geografia di pioppi bianchi
frassini e aceri circonda quest’area fluviale.
Narrazione di fruscii, conversazioni rumorose.
Traduzioni. Ciò che sentiamo e il linguaggio
udibile implicano indagini
sui modi di ascolto dell’altro.
In dubbio l’affettività, il riverbero degli oggetti
che scontra soggetti oltre noi.
Dentro quei metri cubi di suolo e aria
il suono prende spazio, costruisce e colpisce.
Neuro-trasforma e impatta la plasticità
delle cose.
Abbiamo tradotto le nostre voci in
riferimenti e formulazioni. Ora, ascoltami.

TRANSLATIONS 

A clear geography of silver poplars
ashes and maples surrounds this fluvial area.
A narrative of rustles, chatting loudly.
Translations. What we hear and the language
that makes it audible imply investigations
on others’ listening modes.
We question affectivity, objects’ reverbs
crashing into beings beyond us.
Inside those cubic metres of soil and air
noise spacialises, builds and hits.
It neuroshapes and impacts the plasticity
of things.
We translated our voices into exact
references and wording. Now, hear.

---

ГЕОГРАФИЯ (Nata Boundariver)

На свете так много мест, куда я не смогу попасть.
Попасть бы хотя бы туда, где я есть.
Почти нигде и почти никогда.
Забытое слово я.

GEOGRAPHY 

There are so many places in the world where I cannot get.
Get at least where I am.
Almost nowhere and almost never.
Forgotten word I'm.

full

Geography of Translations (Ilaria Boffa & Crazy Compass)

This track was pulled from Lockdown Jam 4, improvised live at home on 10/05/2020, using the inspiring work of of @idin-samimi-mofakham, @martyna-kosecka and Michael Vallone (@taraexperiment), and some contemporary piano provided by Heidi Hart as source material.

It's dark mysterious feel conjures up images of a North African labyrinthine medina, hence the title! 

Unlike most of our tracks, where we do use a certain amount of remixing of the original jams, a technical issue meant we only had the master track to work with, so this an edit of the live improv as it happened!

Medina

More on this 465th weekly Disquiet Junto project, You Thank (The Assignment: Make a piece of music for someone or something toward which you feel thankful), at:

https://disquiet.com/0465/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0465-you-thank/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Ellen K, and used thanks to Flickr and a Creative Commons license allowing editing (flipped and cropped with text added) for non-commercial purposes:

https://flic.kr/p/9ztLGg

https://creativecommons.org/licenses/by-nc-sa/2.0/

lonely fog hatch

halF technologY [disquiet0465]

One traveller,
Wakes another traveller,
At the sight of the sea.

The Haiku Foundation is always a rich source of inspiration. I immediately fell in love with this poem by Choshi, included in R.H. Blyth “Japanese Satirical Verses“. For those of you who are not familiar with the difference between haiku and senryu: the former tends to be about nature, while the latter refers to some aspect of human nature or emotions. Their structure is similar.

I couldn’t find any information on Choshi online, so here’s what R.H. Blyth said about our haiku of the week:

“We have here a clear example of the difference between haiku and senryu. The sight of the sea in the early morning makes someone wake up a fellow traveller. But what remains in our minds is not the sea glittering in the morning sunshine, but the shaking and awakening of the traveller by someone who hardly knows him from Adam. We feel the kinship of the men through that one touch of nature.”

Seven days to make music in response to the assigned haiku: to participate, visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 24th February 2021

haiku by Choshi  https://thehaikufoundation.org/book-of-the-week-senryu-japanese-satirical-verses/

picture by Pawel Nolbert https://unsplash.com/@hellocolor

from: Music for external use [live 9.05.2020]

Assembly of honey