Music Composer and Educator. Working in Leeds, UK. I'm open to collaborating and working together with humans. No data mining or AI training is permitted from my work! Cheers, Andrew. Email me at: andrew.potterton@gmail.com

Hello everyone! I'm Jack Dixon (Loduca), a student at Salford Univeristy studying Popular Music and Recording. I'm lucky enough to be able to write these tunes for fun as well as them counting toward my final uni grade, and I thought I'd pop up a few that you might like! I use Logic Pro 9, using a mix of synths and chopped loops, and some audio was recorded on an Zoom H4n. Around May I should have a lot finished...so keep your ears peeled for future improvements and new material! Thanks for stopping by my page, I welcome all criticism (constuctive is preferred :P) and I hope you enjoy!

Living in neighbouring towns under the watchful eye of Emley Moor mast, Love Without Sound are Abi Bliss and David Badger (https://soundcloud.com/theeldritchkaleidophonic). We can’t agree on how to write a song, but we do agree we should keep trying. 
We’re inspired by most things kraut, kosmische and radiophonic, Pram, Low (the band), Low (the album) Arne Nordheim, Seefeel, early Tangerine Dream, Broadcast, Autechre, Angela Carter, Harmonia, honest conversations, happy accidents, the things living at the bottom of the ocean, the things just beyond the corners of our eyes and an enduring sense of wonder. 
We hope you like our music – please feel free to send comments, questions and suggestions for musical or visual collaboration our way.
Head over to our website for more details of our audiovisual work, including Reasons for Admission, an installation for a padded cell at the Mental Health Museum; Pixophytoflora, an AV performance at Light Night Liverpool; and The Sum of All Knowledge, a film for Wakefield Artwalk.
lovewithoutsound.wordpress.com

Hi, my name is Colin Crichton,
I am an Artist, Composer, Performer and Music Producer.

I am fascinated by the world of electronic, experimental, electro-acoustic, jazz, classical and world music.
Improvisation is a key element in my Astempola compositions. It is developed in conjunction with either fixed notated scoring techniques or programmed electronic music.

The aim of these compositions is to veer away from the predictability of a rigid and repetitive beat pulse and to use electronic music in a very humanly process; a process that in essence is imperfect and therefore forever changing.

Phil is a guitarist and music maker coming straight out of the West Coast (of Wales), who has made Manchester his home since moving from Tenby, Pembrokeshire in the early 2000’s. 
Having arrived from ‘The Land of Our Fathers’ as a shy yet party-loving teen blooded on boozy and blues-ey gigs in and around the 'shire, Phil carried on business as usual once the other side of the Severn.
Thanks to the incredibly welcoming nature of Manchester and its music scene, not to mention its people (whose ‘our kid’ culture i.e.. ‘our kid’s band needs a guitarist, gis’ yer number lad’), he quickly found himself plying his trade with a decent fistful of gigging bands at a time. 
This exhausting yet pivotal period is, at least in part, documented in the music you hear on the retrospective ‘Young Bucko’ EP. Some of the ‘young buckos’ featured on the aforementioned project have remained collaborators right through to ‘increasingly old, grey and wizened buckos’ heard on ‘Cliftopia’, and beyond!  
The aforementioned 'Cliftopia’ is a collaborative project that kind-of occurred of its own accord during 2019, a turbulent year for Phil and most of his fellow Cliftopians to say the least. An inebriated and bedroom-produced audio documentation of life/love/loss/friendship/madness/recovery and many more emotions us humanoids feel, this genre-hopping mini-album was borne of therapeutic purposes rather than than commercial desires…this music needed to be made, whether it ever got released or not.

Astempola is following