Kronom - Bariera

Out now at www.larmes.bandcamp.com
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Bariera

Kronom x DJ Sorry - Breg (Torn Relics Remix)

The Berlin Sessions

Session 1

Dreamstate

Love You Got

Track 3 from my entirely ambient album, 'Whispers from the Rainbow Cave.'

(3) But Then The Clouds Swallowed The Birds

Tracklist: https://bleep.com/bleep-mix-288-clark-ost-special

In celebration of his latest soundtrack for Naqqash Khalid's directorial debut, In Camera, Warp alumni and celebrated producer Clark presents a cinematic soundscape in his Bleep mix selection, an aural long panning shot moving across films and composers both legendary and modern classic in status. Featuring Popol Vuh (Heart Of Glass), Howard Shore (Videodrome) alongside Disasterpiece (It Follows) and Cristobal Tapia de Veer (Utopia) to name a few, while further highlighting the juxtaposition in a bold move cutting the themes for both Solaris films next to each other.

“Really enjoyed compiling this mix of OST stuff I'm rather fond of. Yes it starts with an 8 minute track. But it's Popol Vuh and it has one of the most gorgeous end sections ever. It was interesting hearing the two Solaris themes next to each other. It's obvs more trendy to be all "oh I prefer the original Solaris score- and all the deleted stuff that only 3 people on Earth have heard" but I actually really like the Martinez version as well. It was interesting to me hearing the complete shift in timbre that 30 years of evolved music making tools bring-The slick slightly airlocked, clean layers of Martinez contrasting with the Artymev glowing, encrusted analogue 70's organs burnt to tape. But the emotional space feels similar.” - Clark

Bleep Mix #288 - Clark: OST Special

Waxcap

Under Tangled Silence

L'Ancienne

A pool in Barbican Conservatory, London.

Selected by https://soundcloud.com/tylusis

Histoires de Piscine 144 by Tylusis Pankas

Los haikus son cápsulas de poemas de origen japonés construídos a partir de tres versos de 5, 7 y 5 sílabas.
Haikus 俳句 explora las resonancias y el realce de armónicos para develar los timbres que emergen a través de la manipulación de audio. El gamelan balinés, el glitch y la composición con microbeats son algunas de las referencias que inspiraron esta búsqueda.

Compuesto y producido por María Mot.

ombak

Decompression Takeover w/ Hanna Baertig (19/10/25)

New York City’s Veronica Vasicka very much discovered an untapped musical mine when searching for music for her radio show more than a decade ago. That mine was full of rare, overlooked and forgotten DIY synth records from the 70s and 80s and inspired her to start her own label, Minimal Wave. Since then it has become an imprint with a very focussed musical and visual identity, has spawned compilations on Peanut Butter Wolf's Stones Throw Records and has made Veronica an in demand DJ all round the world.

At those gigs, she offers up a sleek musical vision that is mirrored here in the mix she had done for our on going series.  Starting with a poignant monologue about new music, it then drops into a rugged groove that is industrial and machine made, abstract and futuristic. The ensuing hour touches on the robo-techno of Levon Vincent, terse beats and raved-up electro as well as some colourful and trippy disco. A lot is packed in, but a buffed metal sheen ties the whole thing together and subtly oozes the very essence of Minimal Wave. 

Dekmantel Podcast 072 - Veronica Vasicka

Maximalist singer & composer diving into darkwave and techno with vocal harmonies and lots of reverb.
I prefer the ridiculously undefinable term “rainbowgoth” for my music.

(3) But Then The Clouds Swallowed The Birds

Astra Pentaxia