Astrophysic

Call Of The Night ft. MINTTT

THANK U DAVE

Blue

3VERYDAY prod.septfree

Stephen Strange

[prod. balenci02]

(Huh, Yea, Huh, Yea)

I don't have no favorite

I can't get complacent

Ch who I came with

I been seeing faces

Westwood on my bracelet

Swear these niggas not adjacent

I swear these niggas so impatient

1200 shots you know who came in

1200 thots these bitches plain benched

She got me locked this entertainment

Think she got me locked

We got shots on shots

We got shots for thots

We got shots for blocks

She said don't be shy

She said don't cry

But these diamonds bright

(Huh, Yea, Huh, Yea)

I don't have no favorite

I can't get complacent

Ch who I came with

I been seeing faces

Westwood on my bracelet

Swear these niggas not adjacent

COMPLACENT

Revolutionary Girl

Duvet (Bonus Track)

Kaname

https://power46.bandcamp.com/album/new-pripyat

Made in roughly 26 hours, but over the course of more than half a year. The person who started this track isn't the person who finished it. Thus far, this is without exaggeration, the most ambitious, most impressive piece of music I've ever created.

This is a track from an upcoming album which I've teased before. Realising that the album is a long way off, I decided to show off a single for it to ease the wait. Maybe I'll show off more singles as time progresses! We'll have to wait and see.

The album revolves around two concepts:
1. Different environments from around the world. In the case of New Pripyat, this refers to towns, cities and rural areas abandoned after nuclear disasters.
2. Variable mixing. Quickly becoming a staple of interactive media, variable mixing involves loops of music being mixed according to interaction from the audience. When arranged linearly, say, for an album, typically variably mixed music will be structured according to how one loop of music fades into another. This is kind of the opposite: This entire track was written as a linear piece of music, sorted into loops like an imitation of how variable mixing would work.

The original arpeggiator motifs occurred to me after listening to a bunch of Fort Romeau's music, and I knew I had to write it down right away. This section starts at 2:33, and combined with the distant-sounding guitar section which precedes it, contrasts the solemn, desolate loneliness of the area, and the mysterious, electronic side. 

3:48 is the first sign of hostility the irradiated landscape shows, and it's aggressive, powerful, and ever-so-slightly sad. It's a mourning of the destruction caused by this power, as much as it is a display of reverence.

5:32 is what I consider the beginning of Part 2. It's not a very long part, but it's important. It's a moment of majesty and of revelation. I consider this the theme of the reactor core, the epicentre of the disaster, which had the sheer power to provide plentifully for the people it eventually drove away. It is the point where this force originated, and it is the point at which the journey must end.

6:30 marks the beginning of Part 3. This is the piece's climax and its ending. The theme of this part begins with just a string ensemble, to give it that scale, depth and emotional edge, but to leave it timbrally somewhat empty too. The rest of the instrumentation doesn't come in and take the spotlight until the drums kick in, and from there, the piece ascends to its climax.

8:12 was always how this track was going to end. No matter what direction the piece traveled in, I somehow knew that this was going to be its ending. It's supposed to be a point where New Pripyat seems to have reached its peak, only to be pushed just a bit further by that last chord.

9:03 is an obvious homage to Kraftwerk's 1975 version of their track, Radioactivity. I liked the idea of this being quietly played off to one side by an old, worn down record player while something climactic happens off in another room, or perhaps it's just a feeling of winding down after resolving a high-stakes crisis.

New Pripyat (OUT NOW)

Il Vento D'oro (Giorno's Theme synthwave retro 80's remix)

I know, I know I've let you down
I've been a fool to myself
I thought that I could live for no one else
But now, through all the hurt and pain
It's time for me to respect
The ones you love mean more than anything
So with sadness in my heart
I feel the best thing I could do
Is end it all and leave forever
What's done is done, it feels so bad
What once was happy now is sad
I'll never love again, my world is ending...
I wish, that I could turn back time
Cos now the guilt is all mine
Can't live without the trust from those you love
I know, we can't forget the past
You can't forget love and pride
Because of that it's killing me inside
It all returns to nothing, it all comes
Tumbling down
Tumbling down
Tumbling down
It all returns to nothing, I just keep
Letting me down
Letting me down
Letting me down
In my heart of hearts
I know that I could never love again
I've lost everything
Everything
Everything that matters to me, matters in this world
I wish that I could turn back time
Cos now the guilt is all mine
Can't live without the trust from those you love
I know, we can't forget the past
You can't forget love and pride
Because of that it's killing me inside
It all returns to nothing, it just keeps
Tumbling down
Tumbling down
Tumbling down
It all returns to nothing, I just keep
Letting me down
Letting me down
Letting me down
It all returns to nothing, it just keeps
Tumbling down
Tumbling down
Tumbling down
It all returns to nothing, I just keep
Letting me down
Letting me down
Letting me down
Tumbling down
Tumbling down
Tumbling down
Letting me down
Letting me down
Letting me down
Tumbling down
Tumbling down
Tumbling down
Letting me down
Letting me down
Letting me down

Call Of The Night ft. MINTTT

Astrophysics

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