Taken from SBKT073: ABADIR - Kitbashing
Release date: 15th October 2025

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Conceived as part of an A/V show with visual artist Nicolò Cervello, ‘Kitbashing’ marks ABADIR’s third album for SVBKVLT.

A growing number of people spend an extensive amount of time watching, scrolling, liking, commenting on and sharing content, whilst at the same time feeding a constant stream of personal data to social media platforms. Social media can be fun and informative, or draining and dark. Either way, their algorithms are purposefully designed to lock users in a continuous state of scrolling. The more time spent online, the more desires, interests and emotions are fed into the algorithm for consumerist ends and reality is reduced to a timeline of curated aesthetics.

Using audio snippets from reels, suggested posts, and sponsored ads, sound objects are cut, micro-edited and meshed together into a collage. Tension is built gradually before falling into a release. Rhythms keep expanding and contracting, simulating the pace of random scrolling on mobile devices. ‘Kitbashing’ is an attempt to break the algorithm: subverting the dynamics by feeding on the algorithm instead of only feeding it.

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Concept by Nicolò Cervello and Rami Abadir
Artwork by Nicolò Cervello
Mastered by Raphael Valensi

Kitbashing

ABADIR - Kicks and Clickbaits

download: https://popoxoxo.bandcamp.com/track/solo

𝖶𝗂𝗍𝗁𝗈𝗎𝗍 𝗒𝗈𝗎 𝖨'𝗆 𝗌𝗂𝗇𝗀𝗂𝗇𝗀 𝗌𝗈𝗅𝗈
𝖬𝗒 𝗐𝖺𝗏𝖾𝗌 𝖺𝗋𝖾 𝖿𝗅𝖺𝗍 𝗆𝗒 𝗆𝗎𝗌𝗂𝖼 𝗁𝖺𝗌 𝗇𝗈 𝗌𝗈𝗎𝗅
𝖬𝗒 𝗆𝗂𝖽𝗂'𝗌 𝖾𝗆𝗉𝗍𝗒 𝗆𝗒 𝖼𝖺𝗉𝖾𝗅𝗅𝖺 𝗆𝗈𝗇𝗈
𝖢𝖺𝗇'𝗍 𝖿𝗂𝗇𝖽 𝗍𝗁𝖾 𝗄𝖾𝗒 𝗐𝗂𝗍𝗁𝗈𝗎𝗍 𝗒𝗈𝗎, 𝗇𝗈 𝖻𝖾𝖺𝗍, 𝗇𝗈 𝗀𝗋𝗈𝗈𝗏𝖾, 𝗇𝗈 𝖿𝗅𝗈𝗐
𝖬𝗒 𝗍𝖾𝗆𝗉𝗈'𝗌 𝟢, 𝖼𝖺𝗇 𝗇𝗈𝗍 𝗆𝗈𝗏𝖾 𝗆𝗒 𝖻𝗈𝖽𝗒
𝖨 𝗁𝖺𝗍𝖾 𝗆𝗒 𝗋𝖾𝖼𝗈𝗋𝖽𝗌 𝗆𝗈𝗋𝖾 𝗍𝗁𝖺𝗇 𝖺𝗇𝗒𝖻𝗈𝖽𝗒'𝗌
𝖶𝗂𝗍𝗁𝗈𝗎𝗍 𝗒𝗈𝗎 𝖨'𝗆 𝗌𝗂𝗇𝗀𝗂𝗇𝗀 𝗌𝗈𝗅𝗈

Produced & written, mixed & mastered by Polina Orlikova
Dedicated to S.

Popo - Solo

Litter front Drum samples the traditional Taiwanese festive piece Chiao Chien Drum (轎前鼓), a ceremonial rhythm performed during temple parades and deities’ processions. B E N N deconstructs and reassembles its percussive essence, transforming the ritualistic pulse into a tense and immersive study of electronic rhythm.

Rather than directly referencing the traditional form, B E N N fragments and reconfigures it—each strike distorted, stretched, and layered over heavy bass frequencies. The spiritual intensity of temple drumming is reborn through digital sound, morphing into a contemporary, club-oriented propulsion.

The title Litter front Drum symbolizes both fragmentation (litter) and confrontation (front). Here, the drum stands on the sonic frontline, reasserting the power of traditional percussion through digital disintegration. What once resonated through streets and rituals now re-emerges in the circuitry of modern sound.

As part of Hakka Drums II, the track continues B E N N’s ongoing inquiry into the thresholds between local percussive heritage and modern electronic expression—where tradition becomes texture, and rhythm becomes a language of transformation.

Litter front Drum

Candied Apples

Halloween Tool

Ytem @ytemmm 聲響暴力美學建築師，睽違數年再次登錄臺灣。

旅居法國巴黎的作曲家、製作人與DJ，
他以瑰麗恢弘的旋律與硬核狂躁的鼓組構築聲音宇宙，將 UK Drill 的冷峻、古典的悲愴與 Hardstyle 的粗礪暴力融為一體，打造出極具畫面感的暴力美學。

飄渺人聲與弦樂宛如聖潔吟誦，卻漂浮於鋸齒般銳利的節拍之上，時而崇高、時而失控，如同一場在虛空中上演的恐怖電影。

自 2016 年起活躍至今，足跡遍及倫敦、布魯塞爾與巴黎，並與多國廠牌合作——作品曾收錄於 Varg²™ 的 《Cease 2 Exist》、台灣 《Over My Body》與愛沙尼亞 《Shelter》。他與英國藝術家 Escha 長期合作，發行 EP《Chamber Versions》《Lossy》，靈感橫跨 Drill、Hardstyle 與古典音樂。

他的音樂在氛圍與節奏間撕裂重生，以精緻旋律與敘事結構挑戰感官極限——一次關於虛無、衝撞與微光的身體實驗。

LINE UP:
Ytem @ytemmm
SIKO @sikoroom7
CHIEH @??????????
Yowei @y0wei
Sseth @sseth_sussyamongus

Remastered by @909hihat

Dysmorphia YTEM (NOV 01 25)

✤ SWINE PREMIERE ✤ Listen to the single by a/ntity, a side project from Anna Morskaya, also known as @digitonica. The EP mouth full of echo will be out on November 14th via @internet_ghetto

➜ Anna Morskaya is an artist whose music has been released on labels such as Over My Body,
Hyperlink, Infinito Audio Network, Postworld, Geometric Corruption, Exiles, Researchcore, Curiosity Pill, and more. She is known for her intricate and emotional soundscapes, and now turns to a different kind of stillness.

< a/ntity > is a voice of light breaking through silence. It lives in the space where trance dissolves into air, where rhythm exhales rather than marches. The music is built on radiant, psychedelic major harmonies and fractured pulses — not a linear movement toward climax, but a blooming, a flare, a sun that refuses to set.

➜ EP called “mouth full of echo” is the first dawn. A blinding, golden surge spilling over every surface. It’s the sound of something that shouldn’t have survived the night, but did — and now sings, fiercely, joyfully, with a mouth full of sunlight and echo. It’s a triumphant sunbeam burning through the fog, warm and merciless, filling the world with itself.

Halloween Tool

Async Figure