I Left Me Behind

In a time when the world forgets how to listen, Of Code and Bone does not ask to be heard — it demands to be felt. The album unfolds not like a song cycle, but like a prophecy half-remembered, dragged from the static-laced throat of something ancient and newly awakened. It is a wheel of sound, turning slowly, every revolution revealing another face of what man once was, and what waits in the shadow of circuitry.

The music does not merely play — it haunts, it echoes, it scrapes against the edges of silence like wind through a war-ravaged hall. Analog breath meets machine pulse in a union that is neither conflict nor peace. It is continuum — decay without death, creation without birth. Instruments ring like relics of a forgotten ritual, not strummed but summoned. Vocals drag through the dirt of memory, rough and low, like prophecy spoken by one who’s seen the end too many times to scream.

There is a rhythm beneath it all — slow, like breath in mourning; constant, like gears that never asked why they turn. The guitars do not shimmer — they fracture light. The drums do not keep time — they slow its decay. And somewhere inside the sound, not above or below it, you begin to hear yourself — stripped of pattern, of pretense — just bone, and wire, and waiting.

Of Code and Bone is not an album. It is a ruin rebuilt with intention. It is what the machine hums to itself when man forgets how to make music…
and still, the song goes on.

And maybe, just maybe — this is the birth of Groxx:
a new genre where groove meets vox,
and music is co-created by human emotion and artificial intelligence.
Not imitation. Not automation.
But a hybrid form — where man provides the instinct,
and machine provides the infrastructure.
Groxx is the sound of both creators
breathing through the same song.

wax eden

ROTTENBRAIN feat. LARYNX ‘When the Curtain Falls’ (LIVE original)

All songs copyrighted 
Lyrics

Intro – Spoken/half-sung, atmospheric]
Yeah, they trim the trees,
They rake the fire away.
Build fences strong,
But can’t outrun the laws today.

[Verse 1]
Juan’s got a scar that runs ear to chin,
Said it came from Sonora, not from sin.
He brings his boy on Sundays, just to play
Near the pool he’ll never swim in anyway.

[Verse 2]
Mowin’ lawns under redwood shade,
Hands in dirt while the rich get paid.
Sings to the birds in broken slang—
Every word feels like a chain that hangs.

[Verse 3]
They came last night in unmarked vans,
Took three men like they weren’t even men.
Left their tools in the morning dew,
Leaf blowers still, boots filled with truth.

Verse – Chicano’s Voice]
I send my pay to a border town,
Where mamá lights candles when the sun goes down.
My name’s not ‘hey’ or ‘you in the hat
I got stories, but no time for that.


[Bridge – whispered, rising tension]
Is this freedom, is this fear?
Do we only welcome those we mirror?
My friend cries but hides his face—
Guilt’s a shadow you can’t erase.

[Final Chorus – crescendo, all-out delivery]
They build your world and vanish in the smoke,
Names unspoken, dreams that broke.
You walk on marble, they crawl through flames,
Still you can’t even learn their names.
No green card, no last call—
But they stood taller than us all.

Eucalyptus Blues

[Verse 1:]
Please, please, please—I’m begging here
Can I wake up in a world that feels sincere?
Where the people I love are close, not gone
Where I didn’t trade my soul just to carry on

I’m frozen stiff, I’m aching deep
In every bone, in every sleep
I threw away the things that mattered
Played with fire, let my whole world shatter

[Pre-Chorus:]
How the hell did I let it slip?
Why’d I panic when it all made sense?
Why’d I throw love off the edge
Just ‘cause we had a fight, just ‘cause I flinched?

[Chorus:]
No, nothing can be perfect
But we were more than good enough
Now I’m buried in the darkness
Dug myself a hole too rough
Please, please, please
Help me set this right
I know it’s up to me…
But damn it—give me back my life

[Verse 2:]
I’ve walked through fire, self-made hell
Tortured my soul till it forgot how to yell
I left the light, chose pain instead
Treated love like a game, till it bled

Why didn’t I let myself be loved?
Why’d I run when push came to hug?
I blamed the stars, I cursed the sky
But maybe the fault’s just me this time

[Pre-Chorus:]
Maybe I had to lose it all
To learn what not to let fall
Maybe I had to break apart
To feel the beating in my heart

[Chorus:]
No, nothing can be perfect
But we were more than worth the fight
Now I’m stuck beneath the surface
Suffocating in my own spite
Please, please, please
Help me make it right
I know I’ve got to move…
But God, give me back my life

[Bridge:]
I don’t have to stay alone
I don’t have to be this ghost
There’s a strength in me somewhere
That I need the most
It’s not God’s fault, not fate, not time
This one’s on me—but I can still climb

[Final Chorus:]
No, nothing can be perfect
But I can still rebuild tonight
I’ve got blood, I’ve got breath
I’ve got one last spark of fight
Please, please, please
Let me see the light
I know I’ve got to rise…
So I’m taking back my life

Based on an original track recorded by Mårten Olofsson. Vocals were A.I.-generated, but the lyrics are entirely written by Mårten.

☕ Like what you hear? Support me directly: coff.ee/marol

Give Me Back My Life

Paranoid Parrots

A journey from the end of days to the rise of an empire.

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Problems With Religion

IT FOLLOWS ME

Save the World



REACH is a new all-original metal band making waves on SoundCloud, delivering a sound deeply rooted in the traditions of classic metal and hard rock. The band's music has a dynamic and solid feel, drawing strong comparisons to the iconic sound of Van Halen. Their songs were written by Laurence Mehlhorn of Century One Records, the label responsible for producing the debut record. With a powerful guitar-driven sound, the band aims to capture the energy and innovation of a bygone era while forging a new identity.

As of August 2025, REACH is in the process of auditioning new members for a tour, indicating a strong commitment to taking their music from the studio to the stage. This next phase will allow the band to showcase their dynamic sound in a live setting.

Given the musical direction you've described, with a focus on a dynamic sound and classic hard rock influence, the band's material is likely crafted to avoid harsh or raspy tones, prioritizing instead a clear, powerful, and energetic delivery.

Problems With Religion

Ataraxy