Started of with FastTracker 2 back in 1996 then as Dj MoonRaver. Doing a lot of hardcore and dance music. 
Then somewhere after 2000 PsyTrance entered my life so I changed my nickname to Psychedelic Hamster and started doing Psy- and GoaTrance in our little group that we called GoaArchive. 
Then I grew too cool to be called PsyHamster and again changed my nick, this time in to Spectacell. Nowadays I don't do a lot of hardcore or psytrance but mostly techno and some melodic stuff. My weapon of choice is no longer FastTracker but Cubase.
Please feel free to leave a comment in case you find anything to your liking.

If you want to download any track they are all found here: https://drive.google.com/open?id=0B6ZTucOC_-KNY0lUNnc3VU1WTGs&resourcekey=0-7c3B8gySX1-UhjQCBenMFg&usp=drive_fs

Live and let live!
Emil

HELLO! Thanks for checking us out!

If you run or write for a blog and would like to receive promos, drop us a line. If you just wanna go out for a couple of beers, drop us line. 

contact@silhouette-music.com

Please send demos via our dropbox 

Owyeah, be a buddy on Facebook, Twitter and Instagram! wicked stuff

Family members: 
2CV
80s Stallone
Aiden
Alex Arcocha
Alphabet City
Auxiliary tha Masterfader
B.G. Baarregaard
Bluehost
Bufi
Cole Medina
Comic Sans Lovers
CounterSynth
Crouton & Black Flanger 
Doctr
Doppelgang
Dr!ve
Drop Out Orchestra
EIGER
Emeron &amp; Fox 
E-The-Hot 
F3
Final DJs
Fingerman
Francesco Oranges
Frost
Follow Me 
Foreign Boy
Jader 
Julian Sanza
John Parsley
Jordan Naumov
Gary Baldi
GXVM
Hidden Trippers
Ivan Fabra
John Beltran
Keenhouse
Kraver 
L'Enfant
L'Equipe du Son
Le Flashman 
Malbetrieb
Marbeya Sound
Martin Dubka
Matan Arkin
Monitor 66
Moustache Machine
Mr. Akitar 
MVTE
NICOLAAS
Olej 
Ok Corral 
Oliver &amp; Gill 
Pin Up Club
Poetic Disorders
Rayko 
RouLitO 
SERJ V
Silenx
Simon Peter
Space Life 
Stern
Sue Avenue
Tesla55
The Beat Broker
The King of Basia 
The Legendary 1979 Orchestra 
The Outrunners
Tony Disco
Tony Wardan 
Yasumo

An electronic music composer, mostly making low tech and video game related music using emulation of old computers and low end synthesizers. Developer of various music software as well.

Analog / Electro / Techno / Minimal. Made with ARP 2600 & more. 

Part of Waveshaper Music Production

Video game & film composer, retro inspired electronic music

Inquires / remixes / music jobs - waveshaper84@gmail.com

http://twitter.com/_electricyouth
http://www.facebook.com/electricyouthmusic

☆ CONTACT☆
electricyouthmusic@gmail.com

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


Atom Delta is following