Got sent here by 'The Sheep'. I love this track so much blogged it as our 'Track of the Day' on The Next Hype.
Check it out here http://www.thenexthype.co.uk/2012/03/atra-aeterna-forgotten-track-of-day.html
Massive props man

Sounds like a wonderful mixture of Massive Attack and Akira Yamaoka.  Lovely work.

this is so amazing man, is it possible to do a remix of this? :3

the house that heaven built by japandroids

teenage dirtbag by wheatus

The Lost Ark Studio presents "Waiting Room" by Phoebe Bridgers, the latest single from the Lost Ark Studio Compilation - Vol. 08.

Phoebe Bridgers - Acoustic Guitar, Vocals

Additional Musicians:
Waylon Rector – Guitar, Organ, Background Vocals
Andrew Wells – Organ
Zach Bilson – Bass, Background Vocals
Bryan De Leon – Drums, Percussion

Produced, Recorded, and Mixed by Mike Butler at the Lost Ark Studio, California
Mastered by Jamal Ruhe at West West Side Music, New York

www.phoebefuckingbridgers.com

Waiting Room - Phoebe Bridgers

If you were a teacher, I would fail your class
take it over and over til you noticed me,
If you were a waiting room, I would never see a doctor
I would sit there with my first aid kit and bleed,
I want to be the power ballad that lifts you up and hold you down,
I wanna be the broken love song that feeds your misery,
And I can wish all I want, but it won't bring us together,
Plus I know whatever happens to me,
I know it's for the better
When broken bodies are washed ashore
Who am I to ask for more, more, more?
But you're breathing in my open mouth,
You're the gun in my lips that will blow my brains out,
I want to make you drive all night just because I said maybe you should come over,
I want to make you fall in love as hard as my poor parents teenage daughter,
She'll be the best you ever had if you let her,
I know it's for the better...

Phoebe Bridgers - Waiting Room

The Forgotten

by marshall vore sung by phoebe bridgers recorded on harry's cassette thing

wasted

marshall vore on drums
phoebe bridgers providing harmonies and camo hat wear


The Ones We Love (new version)

song by haley dahl 
vocal & guitar - phoebe bridgers 
drums & harmonies - marshall vore
siq liqs on the axe & fish - harry russell whitford 
recorded in harry's basement by harry on his four track thing

https://www.facebook.com/Sloppyjanemusic 

wilt - sloppy jane cover

Seed (Everybody's Been Berned B4 Mix)

Enhasa is veteran producer Zack Mitchell's sophomore album under his Blackbird Belle alias, and it methodically paints a portrait of a musician obsessed with tonality and detail. From the crackling static and saturated analog warmth of the titular opening track, all the way through to the final moments of the soulful, triumphantly receding closer, Enhasa is permeated with lushly imagined sounds and rich, evocative timbres.

The title of the record is lifted from a mythical kingdom, built many millennia ago amidst a series of monolithic, floating mountains, all chained together and anchored to the sky during a golden age of wonder. As a record, Enhasa lives up to its namesake. The album is imbued with that very same magic, juxtaposing a mystical sense of air, space, and melodic resonance within each beat with the weight and impact of near-liquid percussion and a diverse array of punctuated grooves.

Put simply, Enhasa is an album tailored for the headphone cosmonauts and the deep divers - eight beats that are all at once inviting and enveloping, that gradually unfurl and reveal new layers with each dedicated listen. Enhasa will be released on August 14th, 2020 through Inner Ocean Records (@inneroceanrecords).

Enhasa

Parallelism

This was originally recorded as the title track to the A.W.O.L. LP.

AZ - Omega [Produced By Tone Mason]

Atra Aeterna is the alternative alias of Zack Mitchell, a born and raised Kingstonian who has been programming and releasing haunting, cinematic pieces of electronically unsettled noise for over a decade. 

Influenced by film composers and electronic producers alike, Mitchell seamlessly melds subtle fields of static warmth, emotive piano harmonies, and dark atmospherics into lushly imagined tapestries of instrumental sound. Recent years have seen Mitchell's work gravitate towards a more aggressively synthetic nature, building upon ethereal soundscapes and introducing pounding rhythmic elements and bright, jagged synth-lines that throw off light like undulating live-wires. 

Mitchell has released all Atra Aeterna music independently, and has designed all artwork associated with each release himself.

The Forgotten

Atra Aeterna

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