Name: Help me, I am in Krell by ᴀᴛᴡ
Duration: 5 min 28 s
Description: Krell-style patch with 3 notes of quantization applied before descending into bleeps.

love this!!! would love to see patch notes, I haven't been able to come up with anything nearly this organic myself

deep breath

More on Naviar Haiku: https://www.naviarrecords.com/2021/12/15/naviarhaiku415-a-cool-breeze-blowing/

I would humbly suggest to download the HD file and listen through headphones. The SC transcription is unfriendly to the sounds :).

Bare Trees, Autumn Sky

Bare Trees, Autumn Sky - Naviarhaiku415

This is a something in between a re-mix and a re-make of an old montage piece based on recordings of electrostatic generators that I made in Teylers Museum (Haarlem), and sounds I designed around that. The piece was left out of the actual series of pieces ('Beauty Sleepers') performed there as part of the Toon festival in 2001. The re-make/re-model version was made in loving dedication to my father who passed away on January 24th 2022.

Phlogiston

trying to count

Disquiet Junto Project 0581: Helsinki Downspout

The Assignment: Use a rhythmic field recording as the foundation for a new track.

Step 1: This is a shared sample project, one in which all the participants will utilize the same provided recording, about a minute and a half long, as the rhythmic element for their own music. Access the track, originally recorded by Scott Fletcher and used with his permission, here:

https://soundcloud.com/disquiet/helsinki-downspout 30

Step 2: Listen to the provided track several times. Think about ways to map its content, perhaps making notations about when certain unique, momentary aspects surface.

Step 3: Record an original piece of music for which the provided music is the underlying rhythm. You might take this quite literally, using the source as it is, resulting in a track that is precisely 1:35 long. Alternately, you might elect to sample and rework the source material. If you go the latter route, make certain that the original sound is, at least at some point in the finished track, recognizable.

Step 4: Because this is a Creative Commons resource, be sure to identify Scott Fletcher as the original recorder of the source material, and include a link to the source track. Identify the license as: Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0).

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0581” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0581” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0581-helsinki-downspout/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you. How long did the rain last?

Deadline: Deadline: This project’s deadline is the end of the day Monday, February 20, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, February 16, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).


Thanks to Scott Fletcher for having provided the original material. It is used thanks to a Creative Commons license: Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0). Original track at: https://soundcloud.com/disquiet/helsinki-downspout/ 30

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0581-helsinki-downspout/

Like a butterfly caught inside - disquiet0581

Disquiet Junto Project 0591: The Loneliest Number
The Assignment: Record the first third of a trio.
More info on Disquiet Junto: disquiet.com/0591/

Last summer, after an accident, I had to stop playing double bass. This is my second attempt to get back to the instrument after months of silence, I thought this could be a nice opportunity to share the process and slowly start to get my hands on it to see how it feels and how my body responds to playing.
Focused on improvisation, gesture, silence and number 7. 

7 seconds of music are followed by 7 seconds of silence. 14 seconds of music are followed by 14 seconds of silence. 21 seconds of music are followed by 21 seconds of silence. Repeat and then decrease time until the last 7 seconds of silence.
Loosely based on recording pre-count at ~ 60.50 bpm 
No timer was used during the process, so there may be irregularities.
I only played my double bass open G string with a bow.
Added some slight Mimeophon delay-modulation then a bit of chorus + phaser + tape effect (encoderaudio Ferro) in Ableton Live.
I kept volume low in order to make it possible to work on it and mix further things for future use.

7 + 7 + 7 (disquiet0591)

Woodlands [Frederick Foxtrott & asdb collaboration]

Sorry!! Too boingey, noisey and random!! Sounds like a broken arcade game ...

Thanks to Junto member XHG (aka Alex) for having proposed this week’s project.

More on this 615th weekly Disquiet Junto project, Introspective Failure (The Assignment: Fall short again, this time on purpose), at: https://disquiet.com/0615/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0615-introspective-failure/

more halF unusuaL

halF failurE [disquiet0615]

SenSen -  Ratioform am

Instrumental#works

Krell-style patch with 3 notes of quantization applied before descending into bleeps.

Help me, I am in Krell

ᴀᴛᴡ

Recent comments

free party

Josh McFadden

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