Ca$h Play (Yvette Cason sample)

N E Where

Amethyst Falls

New tune, blurry ambience, slow house beats, breakbeats, finger snaps, soul vocal samples, 113BPM. Enjoy

Traces

189 Dub

The starting point for this collaborative track was a rich-sounding rhythm track full of glitchy textures, dub delays, and dynamic movement, composed by Sternklang for Disquiet 0572.

I added a couple of percussive layers programmed in Ableton, along with a chord I sampled from my modular system, bass tones using Serum, and VST processing to add tape cassette style artifacts and bit reduction textures. My goal was to reinforce some of the implied melody in the original track with the bass, and then reframe the composition with simple chords and a light percussive embellishments. I kept the original track front and center with only minor edits and processing to add inflection points around transitions between parts. 

I hope you enjoy!

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Check out the whole playlist here:
https://soundcloud.com/disquiet/sets/disquiet-junto-project-0573

Flotilla • by ATW and Sternklang • [Disquiet 0573]

I recorded the sounds of ice cubes in a couple of different wine glasses, on a Roland R-07 handheld digital recorder, and an iPhone. I chopped and sampled the recordings in different ways, like using Samplr iPad app to create gestural sounds, and Ableton Drum Rack to make the drum patterns using transient samples from the recordings. As I was processing sounds and tracking things out a bit in Ableton a drum and bass type rhythm pattern took shape pretty quickly, and I let it continue in that direction.  
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Disquiet Junto Project 0575: On Ice
https://disquiet.com/2023/01/05/disquiet-junto-project-0575-on-ice/

On Ice • [ Disquiet 0575 ]

Made with samples of almonds shaken in a mason jar for 'Disquiet Junto Project 0577: Make That Money Shaker'

Almond Jar • [disquiet 0577]

Gauzetone

Composed for the Disquiet Junto Project 0582: X Techno
The Assignment: Make a new subgenre.

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All sounds created from recordings of bonfires, campfires, and a woodfired pizza oven. Lots of sizzles and crackles chopped and resampled into drums and percussive layers, and some texture layers. The synth-sounding pads and bass were made by running some of the samples through resonators tuned to chords, and re-pitching those.

Pyrotechno • [disquiet 0582]

Aether

A resampled modular recording going through a granular delay to create an animated wash of chords, with live modular drums using a pinged filter into two delays.

Touch-tone neuron

60bpmb • G# /  Ab

A dubby modular type composition using a Dannysound En-129 TZFM VCO as the a mid-freq synth voice, sequenced/performed by the Moog Grandmother arpeggiator. There were some filter pings from Serge Variable Q VCF as a rhythmic element.

Then I stumbled into a strangely interesting formant-y bass sound by manipulating Ableton's Warp settings and using M4L 'Envelope Midi' to shape the filter controlling it. The drums are one-hits sampled from modular and then resampled + rechopped using Twisted Wave and Ableton, and programmed with Drum Rack.

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Disquiet Junto Project 0609: Speed Limit Pt 1
The Assignment: Record a track at precisely 60 BPM with the intention someone will subsequently rework it.

More on this 609th weekly Disquiet Junto project, Speed Limit Pt 1 (The Assignment: Record a track at precisely 60 BPM with the intention someone will subsequently rework it), at: disquiet.com/0609/

About the Disquiet Junto: disquiet.com/junto/

Subscribe to project announcements: tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: llllllll.co/t/disquiet-junto-pr…9-speed-limit-pt-1/

Transient Melter • 60bpm [Disquiet 0609]

Disquiet Junto Project 0610: Speed Limit Pt 2
The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed.

• • •

For this remix, I worked with a handful of tracks from the 0609 collection that I gravitated towards, chopping + processing them in Paulstretch, Twisted Wave, and Ableton Live to halve their speeds.

'Blink' by https://soundcloud.com/analoc became a melodic anchor that the rest of the remix was built around. It was interesting to listen to the results of slowing + pitching the original tracks down. Sometimes I would sample the original speed version, and others I would first slow down before stumbling onto something that clicked well with the composition. 

bassline + clicky percussion sampled from:
https://soundcloud.com/analoc – https://soundcloud.com/analoc/0923-disquiet-junto-609-blink

heavy, textured bass drum hit sampled from:
https://soundcloud.com/winterer – https://soundcloud.com/winterer/catnip-in-60bpm-disquiet0609

huge clap drum sound sampled from:
https://soundcloud.com/oh-well-360226041 —https://soundcloud.com/oh-well-360226041/shadow-clocks-disquiet0609

soaring synth solo sampled from:
https://soundcloud.com/xhg — https://soundcloud.com/xhg/disquiet0609-acrostic-speed-limit?in=disquiet/sets/disquiet-junto-project-0609

chord washes + drum loops sampled from:
https://soundcloud.com/doodledigital – https://soundcloud.com/doodledigital/already-the-morning-disquiet0609

• • •
More on this 610th weekly Disquiet Junto project, Speed Limit Pt 2 (The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed), at: disquiet.com/0610/

Project discussion takes place on llllllll.co: llllllll.co/t/disquiet-junto-pr…0-speed-limit-pt-2/

Creatures Blinking in the Morning Shadows • [Disquiet 0610]

I started by recording a couple of modular feedback patches, with a loose goal of generating steady, slowly animated tones. A Doepfer BBD delay was used as a hub to process a mix of droning pulse waves from two VCOs—the result of which was fed back into the delay. The BBD also outputs CV that corresponds to manually set controls as well as input CV signals, and this was used to modulate other patch parameters in the feedback loop.

The output was split to a crossfader that was sent to a handful of filters and another delay with a long interval—the idea here was to create a bit of slow movement to keep the timbral/spectral qualities in slow motion. 

I stacked a couple of sections of the drones together in Ableton, and layered in parts of a recent recording Tides (in chord mode) being granularly processed with Nebulae v2. This created some mid-higher frequency 'blooms'. Also added some simple granular processing in Ableton that was spread wider in the stereo field. Lastly added in some looped field recordings that introduce some higher frequencies and textures that I wanted to include.

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Disquiet Junto Project 0611: Music That Listens to Itself

The Assignment: Record a piece of music that repurposes itself as it proceeds.

Background: On September 29, 2023, there is going to be an event at a place called the Berkeley Alembic, in Berkeley, California, where I’ll play recordings of music that share a specific theme, and I’ll discuss the sounds with the people who come to listen. The event is titled Music That Listens to Itself, part of the Expanded Listening series developed by Erik Davis (Techgnosis, Burning Shore). That is the theme. Part of the goal of this project is to develop tracks for potential inclusion in the event, and to pursue ideas related to the event’s theme.

Step 1: The underlying idea is to produce music that, so to speak, listens to itself. This would be music that employs techniques to revisit itself — repurposes itself — as it proceeds. From reverb to echo to tape loops to granular synthesis to accessing a buffer, various techniques serve such a compositional and performance purpose. Consider a means to achieve this result.

Step 2: Record a piece of music that employs the technique you focused on as a result of Step 1. Please note: for the Berkeley Alembic event, I’ll be sharing music that is particularly quiet, particularly appropriate to a meditative state of mind. You don’t need to record quiet music for this project, but quiet music is what I’ll be playing at the event.

Additional details: disquiet.com. Tickets: eventbrite.com 1. About the venue: berkeleyalembic.org.

(...)

More on this 611th weekly Disquiet Junto project, Music That Listens to Itself (The Assignment: Record a piece of music that repurposes itself as it proceeds), at: disquiet.com/0611/

Some of the music resulting from this project may be included in a September 29, 2023, event at the Berkeley Alembic in Berkeley, California: www.eventbrite.com/e/expanded-list…ts-712124101357 1

About the Disquiet Junto: disquiet.com/junto/

Subscribe to project announcements: tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: llllllll.co/t/disquiet-junto-pr…-listens-to-itself/

Pulse Animation • [disquiet 0611]

I assembled a handful of drum vignettes using different types of sequencing methods, using recordings of rusty metal sounds from an airbnb I visited in Elmore, VT in July 2023. (Notes to follow)

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"Rust Drum Collage" was submitted as part of ​the Disquiet Junto Project 0612: Drum Vector. The Assignment: Walk the listener through variations on the same percussive instrument.

More on the Disquiet Junto at: disquiet.com/junto/

Subscribe to project announcements here: tinyletter.com/disquiet-junto/

Rust Drum Collage • [disquiet 0612]

This is a ~5 min segment from a recent recording session of an atonal ambient/drone patch, inspired by Jaap Vink’s ‘screen patch’ explorations. New territory for me, been trying out feedback patching for awhile and this is a first attempt in doing one on this style. The sound source is ring modulated feedback created by patching a handful of Eurorack modules together.

The key modules are a Doepfer BBD delay, Make Noise Mimeophon, Make Noise Maths, Make Noise Rxmx w/ Fxdf, and Mutable Instruments Blinds. Altogether, a simple "record head / playback head" feedback loop is created that slowly builds by itself, and using Maths to suppress/compress the signal by acting as an envelope follower that controls the overall patch amplitude.

Blinds is patched as a ring modulator, and Rxmx/Fxdf stand in for the 'third octave filter' suggested in the original Screen Patch. This allows the feedback to be processed through 6 bandpass filters, including being able to scan through one or more filter bands. 

I also added another multi-mode filter, wave folder, and through zero FM VCO into the patch, allowing for more timbral range and ending up with a metallic resonance that I was pleased with.

If you're interested, check out Jaap Vink's work in the 1970s at the Institute of Sonology in Utrecht, exploring ring modulated feedback patching with the 'screen patch'. More on the process here: https://www.youtube.com/watch?v=X_Bcr_HS9XM

Also see this inspiring collection of Jaap Vink recordings:
https://recollectiongrm.bandcamp.com/album/s-t

• • • 

More on this 613th weekly Disquiet Junto project, Test Drive (The Assignment: The Assignment: Do something you’ve been meaning to do), at: disquiet.com/0613/

About the Disquiet Junto: disquiet.com/junto/

Subscribe to project announcements: tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: llllllll.co/t/disquiet-junto-pr…ct-0613-test-drive/

Ring Modulated Feedback • [ disquiet0613 ]

Relaxed ambient track with a bit of a percussive skeleton. I pulled in sounds sampled from soul/funk records and slowed them down and filtered them to get a more cathartic and mellowed out feel

Tome

Krell-style patch with 3 notes of quantization applied before descending into bleeps.

Help me, I am in Krell

Experimenting with Maths + Ripples to create kick drums

Kick Drum loops with Maths & Ripples

Exploring sounds, hardware jam, one take, no edits, fun times.

Zero Hertz

Nord Drum 2 is sent 6 different trigger streams, and Massive Midi Modulator is used to shred and randomize various MIDI parameters assigned to the Nord's drum models.

The rest of the sounds are by two additional drum modules, and accompanied by Mutable Instruments Tides, which is being as a sound source for chords in the background.

Drum patterns with variable probability and ratcheting are sent from Steppy to Mutable Instruments Plaits, which is also receiving different voltages that switch between drum models. ALM's Akemie's Taiko is being used for additional percussion, receiving alternating Euclidean gates to the trigger and choke inputs. These gates are also probabilistic, running through Ornament & Crime in Hemisphere using the Clock Skipper applet.

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