Lazing in shadows,
Conceding the drawing room
to moonrays
-------------------

When I thought about this haiku, the 'drawing room' made me think  about the place I make music, my music room which I call the blue room as its painted blue.  But as it happens I'm shortly leaving this room so my partner can put her easel up in here and paint where the light (south facing room) is better and I'm moving my music stuff to the north facing side of the house - where I can make music in the gloom!    So this haiku to me seems to sum up my move to a different room in the house, perhaps a change of room will hopefully help my creativity!?

More about this haiku.... 

Written by:  Natsume Seibi (1749-1816) was the son of a wealthy Edo rice broker and was acquainted with a number of other famous poets, including Oshima Ryota and Kobayashi Issa. In addition to his poetry, Seibi left behind a number of fine examples of haikai prose. 

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 6th September 2023

Haiku by Natsume Seibi

Picture by Sebastian Mark https://unsplash.com/photos/L7T7afz-eTc

Audio Obscura - Lazing In Shadows (Naviar Haiku #504)

https://www.naviarrecords.com/naviarhaiku599-rain-rituals/

rain rituals -
if the gods are here now
to see the paddies

Haiku by Takarai Kikaku

Picture by Ritz

KiKaKuKaKi [ naviarhaiku599 ]

An electronic sequence created using BeepBox and Audacity.

More on the 704th weekly Disquiet Junto project, Right on Cumulus — The Assignment: Compose 8-bit music inspired by a Cory Arcangel / Super Mario video — at https://disquiet.com/0704/

Chippy Combo (disquiet0704)

performed by Rosalind Ventris, for her album SOLA

Boreal (for sola viola)

TrillScape

This track was created for the Naviar Haiku group.
600
https://www.naviarrecords.com/naviarhaiku600-thinking-of-us/

2025-07-03

thinking of us ( Naviarhaiku 600 )

A piano improvisation on the opening two lines of Dylan Thomas's Under Milk Wood

More on the 705th weekly Disquiet Junto project, Book Start — The Assignment: Let the beginning of a book help you begin a new piece of music — at https://disquiet.com/0705/. This week’s project was proposed by Neil Stringfellow.



To Begin At The Beginning (Disquiet0705)

The first sentence of Zen & the Art of Motorcycle Maintenance, by Robert M. Pirsig is, "I can see by my watch, without taking my hand from the left grip of the cycle, that it is eight-thirty in the morning."

More on the 705th weekly Disquiet Junto project, Book Start — The Assignment: Let the beginning of a book help you begin a new piece of music — at https://disquiet.com/0705/. This week’s project was proposed by Neil Stringfellow.

more halF unusuaL

halF icanseebymywatcH [disquiet0705]

This was my contribution for Disquiet Junto Project 0705: Book Start. The Assignment: Let the beginning of a book help you begin a new piece of music.

Here’s a copy of my post on the Disquiet Junto 07045 discussion thread on Lines:

“The girl and the elderly man descended the steep stairs to the channel's narrow beach and walked along by the water's edge. Several small fishing boats were moving out to sea, passing a freighter entering the bay, booms raised, a…” 

So starts the first story in a collection of fascinating and contemplative short stories in “The Infinite Passion of Expectation” by Gina Berriault. I randomly picked the book, which had been sitting on our bookshelf for years, having read it decades ago. The stories, which take place in or around San Francisco, remind me of a unique, and sometimes surreal time in my life when I lived and worked there. 

This was created in Ableton Live and was inspired by the opening lines of the story, the book itself, and my reflection of a time many years ago. Thank you, I really enjoyed this prompt, and the creative journey it sent me on. 

More on the 705th weekly Disquiet Junto project, Book Start — The Assignment: Let the beginning of a book help you begin a new piece of music — at https://disquiet.com/0705/. This week’s project was proposed by Neil Stringfellow.

The Infinite Passion of Expectation [disquiet0705]

This week's Disquiet Junto prompt asked us to use the first line of a favorite book as the inspiration for a piece of music. I selected David Byrne's "How Music Works", with the opening sentence "I had an extremely slow-dawning insight about creation."

I'm traveling this week, so away from my outboard gear, but I did bring along a mini keyboard and headphones so that I could still participate this week! Features several layers of software synths (mainly Alchemy) and a field recording made from the 3rd floor balcony of the flat we're renting while we're here.

I tried to keep this sparse (for me at least), following the idea of the "slow-dawning insight", while still capturing the chaos of the creative act. It's probably still unsettling, but I just can't help that.

More on the 705th weekly Disquiet Junto project, Book Start — The Assignment: Let the beginning of a book help you begin a new piece of music — at https://disquiet.com/0705/. This week’s project was proposed by Neil Stringfellow.


A Slow Dawning Insight About Creation (disquiet0705)

a brief piece with Waterphone, Shakuhachi and plucked piano

Trio

My other account.. since I stopped my paid account and somewhere to upload bits and bobs