Silvereye & WHo - Build The Riddim

I like everything dark, liquid, technoid, slow, fast, deep, chill, soft, broken, heavy, industrial, noisy, abstract, experimental in all kinds, forms and excesses of D&B, Jungle, Chillstep, Dubstep, Atmospheric, UK Future Garage, Ambient, Old School East Coast, Old School Techno/Rave, Autonomic, Ragga, Dub (Soundsystems), Downbeat, Lowbeat, Trip Hop, Downtempo, Noise, Industrial, Rythm n Noise, Breakbeat, Experimental, Accid Jazz, 90s UK GRIME, such kind of breaks, beats, bass ALL AROUND just like I also discovered electronic synth/cold/darkwave/postpunk as an VERY interesting new paths. My understanding of music mainly characterised by: David Bowie, Depeche Mode, Prodigy, Wu Tang, LTJ Bukem, Krush, Kid Koala, DJ Food, Goldie, Roni Size, CAM, Andy C, Kid606, Dieselboy, Q_Bert, BTTB, Tricky, MC Conrad, Ed Rush, Portishead, Antipop Consortium, Vadim, Massive Attack, KanKick, Enduser, Coldcut, Architect, Broken Note, DJ SHADOW, And One, Project Pitchfork, Hype, Shy FX,  Grooverider, Optical, Rebel MC, Marky, Zinc, Krust, Kool Herc, Tim Westwood, Beastie Boys, Kris Kross, KRS One, Busta, Snoop Dogg, DUB FX, Black Moon, Boards of Canada, Björk, Salt n Pepa, TLC, Janet Jackson, Missy Elliot.....
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Second account created for my new discovery of the genres electronical Wave/Synthwave/Darkwave/Coldwave/Pop, Industrial, Rhythm 'n' Noise, Noise, Postpunk, EBM, IDM, IBM & appropriate in all facets and wings around to separate this incredibly interesting and beautiful new door in https://soundcloud.com/noone-2-310434778.
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If you're SO insanely happy about every single new follower here like i am......i think it should give me and my self-worth (a lot) to think about, I absolutely know. For this reason: my biggest THANK YOU to every single follower. You and all this here really mean a lot to me.
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I know that music can neither heal nor prevent the decades-long existing global sick capitalism, consumption, politics, lobbyism, corruption, systems, society/s that are sick of it, nor the imminent climate collapse resulting from all these causes. But what it can heal and fill up wonderfully I know: hearts and souls - even empty, cracked, damaged and discarded ones. And that completely free of charge. Unbelievable nowadays...what is also clear: we will never be enough people to be able to break the capitalist climate-damaging sick system globally in time, now it has been really too late for too many years gone by. I live against this system as far as my framework as a system-dependent taxpayer allows me to do so. Music is an enormously important part of it. We should tune in together to the inevitable real climate collapse. With happy hearts & souls filled to the brim with music, contentment & love. Only then will the demise of our livelihoods be bearable for us all.
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War, natural disasters, politics, violence, protests, riots, injustices, attacks, terror and much more. Back then, compared to today, it was all relatively completely unfiltered, clean and completely free of any media and political fake news manipulation and twisted propaganda. All the  pseudo massiv CAPITALISTIC problems, much more its numerous symptoms of illness such as "burn outs", "social media", "depression", "shortage of skilled labour", "housing shortage", with manipulation, fake news, advertising, capitalistic, political influence soaked "media", or topics such as "urban gardening", "gentrification", immigration, all that "self-love, self-worth, what is happiness, the search for the self" madness, "gender", LGBT, "metoos". ... didn't exist back then or were healthy, normal, simple, clean. And yes, people's worries and fears back then were the same as now, just as real, normal, simple BUT FREE from any capitalist distortion, self-promotion, exaggerated and inflated hyperbubbles. Without the very large, constantly spreading epidemic of capitalism, there would probably be less than 40%? of all these problems on our planet, and a global negative climate collapse would never have been an issue. Religion does not affect our climate alone, but in numerous religious political disputes harms people beside climate, nature and all living creatures the most.

Drum & Bass DJ and Producer
https://www.facebook.com/H20DNB

Let me hear the weird shit...
Thank you to the listeners, the commenters, and the sharers...  Much love.
Cheers.

For any enquiries and/or bookings, please email - andythomas3@hotmail.co.uk

Bandcamp - 
https://cadenzo.bandcamp.com/track/breathing-fire. 

Cadenzo (AKA Andy T) started DJ'ing in early 1997.  Initially, influences came from the DJ's and producers of the Hardcore/ Jungle scene in the late 90's. Even though at the time he was too young to attend these types of parties, the influence and technical ability of the Dj's really attracted Andy to the world of Dj'ing.  He got his first set of turntables and started making mix tapes for friends circa 1997,  which led to gig's at small venues and house parties.  This led him up until the early 2000's where the general rise of House and Trance music took over most local bars and clubs.  Due to a change in musical taste, it introduced Andy to a new circuit of DJ's & friends within the scene, leading to gigs at larger venues.  After playing House and Trance music for a couple of years Andy then found himself getting more involved in the rising UK Garage scene. He then went on to form a DJ partnership and subsequent syndicate called 'Ready Or Not' with two of his close friends.  This secured gigs in the UK Garage scene, predominantly across the South Wales area.  They were big advocates of the early Grime/ Dubstep sound, as their sets were usually mixed up with Grime and UK Garage.  It was during this period that they got in contact with legend of Uk Garage, namely Mr Richie 'Vibe' Vee.  At the time, Richie was hosting the BBC’s 1Xtra flagship UKG show 'The Blueprint', they were invited to play alongside Richie on several occasions to showcase their talent.  

In 2006 they started working with Welsh producer, Rhys Buckley, who now forms part of the EDM syndicate 'The Futuristic Polar Bears’.  It was during this period, they started a production outfit called 'The Slikk-4' putting their own twist on UKG and then evolving ‘Baseline’ sound!  In 2007 they were invited back to BBC Radio 1Xtra to appear on 'Ras Kwame's' show (alongside Richie 'Vibe' Vee again), to showcase their new studio efforts.  A few releases followed, namely 'Twister' or more well known as the 'Huckleberry' Remix on Dj Luck and Mc Neat's label 'Lush Recordings'.  The Slikk-4 went on to host a residency at Swansea's 'Cro Bar', playing alongside some of the UK's finest DJ's and artists within the scene, including Roll Deep, Wiley, Dj Cameo, Heartless Crew, Jamie Duggan, Shaun Banger Scott and The Dream Team, to name but a few.  They played at a number of venues across S Wales.  However, the collaboration was short lived due to each member keen to pursue individual projects.  

Andy continued to DJ solo, but accompanied by MC Dubble C.  They held down a weekly residency at the legendary’Escape Club' Swansea, where they would pack out the Uk Garage room. They developed a committed following and gained invaluable experience on co running a regular club night.  They played alongside some of the biggest artists in the scene, such as DJ EZ, Artful Dodger, Matt Jam Lamont, The Wideboys, Dj Luck and Mc Neat, Platinum, H20, Eugene Vee, Riche Vee and several of the country’s top Mc’s...but the list goes on!

Fast forward to 2022, Andy now plays a wide range of deep liquid, minimal, drum and bass and busy in the studio making beats, under the name 'Cadenzo'.

This Profile has moved to 
https://soundcloud.com/drum_pusher_audio_entropy

Promo 
thedrumpusher@gmail.com

Record Label
drumpusherrecordings@gmail.com
outsourcelabel@gmail.com
audioentropyuk@gmail.com

https://www.facebook.com/drum.pusher.5

https://www.youtube.com/channel/UCpRRMydCW17EDO3sXvKEHsQ

Silvereye & WHo - Build The Riddim

Audio Entropy