This is one part of my demo track "Ben Osterhouse Strings - Signals 'Blue' (Demo)". It provides the Signals 'Blue' stems only - without the string stems. Listen to the complete track with the combined strings and synth on YouTube: https://youtu.be/JIueCaW6wdY

Ben Osterhouse Strings - Signals 'Blue' (Demo) - Signals 'Blue' Only

So Audio Brewer's latest piano library has been released. PIANOFORTE is a beautifully sampled Fazioli concert grand using various stereo and Ambisonics mic perspectives, providing a stunning playing and listening experience. For more info visit Audio Brewer's website here:
https://www.audiobrewers.com/

This was the first song that came to my fingers when I started playing it.
My wife and I love to listen to Antonio Carlos Jobim's music while driving around town and this is one of our favorites.
* Note this is just a live improv so it might have a little extra character to it ;^)
Only other instruments used: Groove Agent 3 and Trillian Upright Bass.

Aqua De Beber - Audio Brewers PianoForte Improv

Original composition, for piano, string orchestra, solo violin, oboe, flute and harp.

Libraries used: 
Audio Brewers Pianoforte
Performance Samples Vista
Cinematic Studio Strings
Spitfire BBC SO Core

Anne Louise

Light-hearted, upbeat orchestral track that could fit well in a romantic comedy.

A Happy Accident (orchestral romcom)

A simple piece about a bird.

Piano library: Audio Brewers Pianoforte. 

Vogel

By Frank Wolff (@user-685450130-975763794)

‘Crescent’ consists of a Cellos Quartet on a ‘crescent moon’ formation (semi circle), and this is where the whole sonic trip starts.

Thanks to our recording and mixing techniques, we’ve managed to create a library that will immerse your listeners in a next-level experience. With confidence, we can say there’s nothing like this around, anywhere. 

Because of the way Crescent was mixed and is delivered, True Panning can be used to completely phase out the traditional stereo hard-panning that provides sub-standard results when it comes to having your strings organised. 

Finally, we have completely re-designed a polyphonic legato that will work perfect for those composers who play music live - no longer will you need to create 4 tracks on the DAW and then be enslaved by the mouse - with ‘Crescent’ you can simply sit on your MIDI Controller, and play complete polyphonic legato, switch legato types, switch articulations, use as many voices as you want, and never have to look at the computer.

‘Crescent’ is available at https://www.audiobrewers.com/shop/p/crescent-cellos

Peace By Frank Wolff

Hello Friends!  

I hope you are all well.  I have some fresh, 'moody electronica' to share with you all.  Interestingly, this is another track that does not have much of a back story.  This one came to gether over time... little by little.  I was looking for some background music while doing work around the office and came up with the main (and basically only) chord/harmonic progression.  These early tracks started life soley as piano tracks, but every few days or so I would revisit this (to see if I still liked it!) and worked on creating and adding these atmospheric background pad sounds.  I used all manner of bits at my disposal for those sounds .....  synthesizers, samplers, noises... you name it (with generous helpings of effects of course)!  

The acoustic guitar part was last piece added and it came together late in the game.  The song was sitting 'idle' for a month or so until I picked up the acoustic guitar, and for no real reason, started playing ideas based around this song.  I decided that the acoustic guitar was the missing piece and quickly added the part.  After that, the last small bits came together quickly and ....voila!  We have a song.

I hope you enjoy and, as always, thanks for listening!

If you want want to be kept in the loop, subscribe and follow the Sound Den here:

YouTube: https://youtu.be/GDorRasJUtY (Direct Video Link)

Reach of the Fire (Feel Your Sound Chillout Engine Demo)

By @manfightermusic

Signals ‘Blue' is the ultimate tool to design custom textures that can adapt to any tonality, be major or minor and from there, to a plethora of chords with multiple voicings. This way, the resulting texture not only fills your music with an ambience, but this ambience is coherent to the chord progressions as you move through your music.

Unlike other textural libraries in which samples are ready with baked effects or pulses, we decided to create raw textural samples so that YOU would be in control of the results thanks to our powerful and versatile engine. By having these textures in raw, you will decide how they combine, how they pulse, how they modulate and which effects are applied - a complete textural Swiss-army knife.

But that’s not all! Because our philosophy is to create sample libraries in Ambisonics so that they can be compatible with any speaker-array, we saw the sampling phase as a new challenge and instead of using plugins with reverbs or virtual halls, we partnered with ‘Dust Bowl Cinematic’ and spent a great deal of time to research and develop an acoustic art installation that would reshape sounds in a custom three-dimensional sphere, they called it Pandora.

Pandora has helped us push our sampling methods to a new level, and thanks to it, we’ve been able to offer Digitally Processed samples in an organic Ambisonics environment - everything that we captured and mixed was the natural replica of real acoustic morph.

Available at www.audiobrewers.com

For more info on Dust Bowl Cinematic: cinematic.dustbowlguitars.com

Merits by Bob Dedes

Pioneer developers of Sample Libraries for Stereo, Spatial and Immersive Audio. Recorded, Mixed, and Delivered in native Ambisonics. For Kontakt VST, AU, AAX​.

Peace By Frank Wolff

Audio Brewers

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