Melody from Dmitrii Shostakovich's Symphony No.5 embedded with rhythms from granular synthesis.

Granular Shostakovich

Audio composed for "Suture" - a contemporary dance production at the Maidment Studio Theatre, Auckland, 2006. Snippets of female voice reciting poetry. Delay. Granular synthesis. Percussive glitch. Numinous.

Remixed in July, 2024

Suturist

Minimalist. Zoned-out.

In an idle moment, a friend tapped out a rhythm on the headstock strings of my 6-string. I happened to be recording at the time. Valve was created around this arbitrary snippet of sound, which was looped to form the core of the track.

Valve

To receive this and other releases early, join our YUKRU subscription family: https://forms.gle/PLix36v9LaL5bYZBA

Preorder vinyl: https://www.yukumusic.com/products/item/584/terraform-first-50

"The making of this album first started as a recollection of music and sound design I’ve produced over the last couple of years for events and installations—interactive and immersive AV experiences. It was like creating a specific atmosphere for visitors where I’d take them into this sensorial but artificial experience within a very confined spatial domain. This is how the “Climats” concept emerged. 

Longer ambient and generative pieces thus found their own space in my repertoire, allowing me to explore more in-depth, non-linear execution with soft, moody and padded textures. Eventually, all this freeform material became available so I could extract parts of it to build more club-centered and straightforward tracks, but nonetheless, the list grew and all this softer-edged, more introspective works were aggregating over time.

At the time of the lockdown, it felt very natural to get back to it and finalize it as a cohesive whole. It was a very healing and a smooth process to work on these. From isolation, I could open this window to thoughts where I made up my very own Science Fiction story while working on the music. I really wanted it to be a one-hour soundtrack experience that I’d listen at home or driving while my mind would travel across all those musical scapes. It was never a formalized script, but the music spoke for itself with themes of anticipation, collapse, utopia, the world as we know it, the near and far future...

Creating the album was quite a sporadic production process that stretched over several years but it all came together and made a lot of sense in the context of the title I chose : TERRAFORM. The narrative of the album simply unfolds from Dawn to Dusk, and the listener navigates through the different climates that each track embodies."
— TÉNÈBRE

Terraform

Preorder Vinyl

TÉNÈBRE — Terraform

Pieter Borgh - Undertow (Original) Music4Clubbers

Also released under Lomarthian (Coralie Martin on bass, synth and vocals - Stiobhan Ell on dark midi and sporadic glimmerings of guitar), our joint project - more in a post-rock kinda vein but merging with some subspecies of indietronica.

The Mustang was played through an Alesis BassFX foot pedal into an old tube amplifier and recorded using a single AKG mic. Aeons later, synth parts were written around and layered over the existing structure of Coralie's freeform explorations on bass.

The still of Coralie was taken from a short video of the recording session in our Ōpaheke home.

Ōpaheke Murmurations by Lomarthian

Questoid [VI.24remix]

A retro-synthwave reworking of a song by Aleksandr Sinitsyn and Soyuz Kompozitorov that featured in Sergei Solov'yov's cult film "ASSA" from 1987. Here's my video edit: https://vimeo.com/manage/videos/1083458698

This is the instrumental version without the original stem from the soundtrack.

VVS by Sonophyla

VVS [Helios mix]

Spaziale (Pessimist Remix)

All 52

Remake of a previous track, this version much better - She H8tes Me

Domestic

Producer of mainly instrumental tracks, both electronic and analog, in a range of styles.

Questoid [VI.24remix]

Sonophyla [ AKA SyneSeeder ]