This is a dark ambient number that I did for the latest S27 netlabel 10 year anniversary compilation. A 2 volume collection with some top quality music on that you should definitely check out. Strap in and have a listen, it's gonna go deep!

There's Something Wrong With The Sky

hi there!
im just a chill dude, looking for the best music (my opinion) that is bangers, filled with detail, emotion and kind of a story, not just lazy made to throw out as much content as possible...
anyway, feel free to follow if you like my taste. i don't aim for fame here though, i'm just sharing my favorite music.

i'll be filling playlists of my ever increasing collection as im rolling here.
Stuff i like:

---SYNTHWAVE (futuristic 80's)
---AWESOME MIX (style music)
---CHILLSTEP
---90'S KID (90's 00's and 10's pops)
---DRUM'N'BASS
---HARDSTYLE
---DUBSTEP
---DISCO & FUNKY STUFF
---TRANCE
---DEEP CHILL (lofi and downtempo)
---CHILL BEATS
---ROCK'N'ROLL
---CLUB & PARTY STUFF
---LOWRIDER
---AMBIENT

newest shit are at the bottom of the lists (wish i could invert it)

There are some of the songs i got, that is just not on soundcloud.
i tried to upload a few of them, but copyright conflicts with some.

[PS: I DID NOT MAKE ANY OF THE SONGS I UPLOAD! im simply sharing and getting it out there, all credits goes to the creators, whose "name" is in the title]

"play it clean, play it LOUD.."
"don't just listen to the music, FEEL it"
Don't do bassboost's guys.. play from a proper system
also FUCK go+

Noodling about with Graphics and Vibes!

more Grfx @ :   https://ello.co/thepiecan

The Oxford Ambient Collective (OAC) is the solo musical alter-ego of David Smith, an artist who began his compositional journey in his early thirties using software such as Buzz, FL Studio and Reason. He has a  focus on a aesthetic of crafting immersive "ambient drones and ethereal soundscapes." Intentionally grounding his work in the history of the genre, Smith’s creative output reveals a clear artistic lineage, with albums like Berlin Vol. III acknowledging the "subtle German EM influences" and paying thematic homage to the pioneering Berlin School of electronic music. While deeply reverent to this historical lineage, Smith's methodology is aggressively contemporary, positioning him at the vanguard of mobile sound design by relying on a sophisticated suite of iOS applications to perform complex sonic morphing and generate his signature textures; his advanced workflow employs Soundscaper as an "experimental sound mini lab" for textural manipulation, with all audio professionally routed through the AUM mixer and hosting application. This innovative approach powered his self-proclaimed "proudest achievement"—a 90-minute live performance at Oxford's prestigious Ashmolean Museum, an opportunity secured through his affiliation with Oxford Brookes University as part of its 150th Anniversary celebrations. To solve the inherent challenge of engaging an audience with long-form ambient music, Smith transformed the event into an immersive audio-visual installation, pairing his soundscapes with curated visuals from sources like The Internet Archive to command "active listening." The project's visibility expanded significantly beyond this institutional context through a pivotal relationship with the independent Focussed Silence label, which was instrumental in securing national airplay on BBC 6 Music. This success highlights a versatile appeal, with OAC's work finding a home on highly experimental programs like A Duck in a Tree on Resonance FM—hosted by the influential group :zoviet * france:—as well as on sophisticated global platforms where his work was programmed alongside compositions by genre progenitors like Brian Eno and Vangelis. While OAC remains a solo endeavor at its core, Smith actively engages in digital collaboration with a network of sound artists like Encym via platforms such as SoundCloud, effectively transforming the solo project into a decentralized creative hub, thereby giving true meaning to the "Collective" in his moniker.

I love listening to ambient music.
I only use a free VST synths and effects.
Big fan of good free software.


hip hop,electro,ambient,experimental,IDM and the kitchen sink...(check playlists)

Chromium Noise intends to (as the name suggests) reflect the environment via an audio interpretation of the Human experience, slightly distorted, perhaps, but emotionally provoked. All tracks are free to download. I have no intention of selling tracks for profit. I do not seek fame or fortune. If you like my sounds just help yourself and enjoy.

Born in the north of the United Kingdom, I started playing when I was young.
The music I create now is mainly electronic, covering many styles. Ambient, electronic, dance and experimental styles. My influences? There are so many, to be honest. Everything from classical, electronic and dance to more experimental. The more obvious are German experimental electronic artists and a lot of well-known ambient musicians.
My inspirations are taken from the people I love and trust. It’s with their understanding and help that I am able to create music.
I was trained classically, but have been experimenting with electronics since the late 70’s,
There are some of my albums here:
https://petroglyphivanblack.wordpress.com/releases/
And also  here:
http://breathecompilations.org/?s=ivan+black
And yet more here:
https://ivanblack.bandcamp.com/music
There is also always a selection of both free to download and examples of my work here:
https://soundcloud.com/ivan-black

Brought up on Death metal. Discovered acid and Tangerine Dream, radically altered my perception of music. Heavily influenced by classic Detroit Techno and Ambient music. Love a good soundscape, soundtrack or a splash of classic Electro. So my style is pretty eclectic! My tracks are made on a mixture of analogue and digital synths. I also use field recordings (sometimes heavily manipulated) that I have recorded on my travels. My intention is to create an immersive sound experience with a mobile mix.

All my tracks are free to download from my bandcamp page. I warmly welcome comments on my tracks and I will always respond to comments left. If you are interested in discussing my methods, sounds etc or just chat about music / production feel free to inbox me. I greatly appreciate helpful comments with regards to production / mastering as I am learning all the time.

There's Something Wrong With The Sky

Audraulic