Full of time signature and key changes, along with plenty of angular lines played against a rhythmically tripped-up jazz-funk groove, this track was created to take you on a challenging, yet fascinating sonic journey!   
Every instrument that is heard (except my guitar) was programmed/sequenced.

Auspicious Angularity

AUSPICIOUS ANGULARITY (Audric Jankauskas-2016)

RosesAreBlue https://soundcloud.com/bluecherrykiss
Dj Vixen https://soundcloud.com/djay-vixen
Sam Prock  https://soundcloud.com/samprock
Steph OUNA https://soundcloud.com/user-70495223
Lena https://soundcloud.com/user-262019520
ADAM  https://soundcloud.com/hear-adams-stuff
SouL Muzick / https://soundcloud.com/soulmuzick13

The one they call Snuppeluppen. Norwegian Keyboardist, composer and synth programmer. My long list of inspiration are people like Keith Emerson, Kit Watkins, Maurice Ravel, Allan Holdsworth, Gentle Giant, Magma, Bartok, Stravinsky, John Mclaughlin, Chick Corea, Jan Johansson, Joe Zawinul, Jannick Top, John Coltrane, Rom Di prisco, Robert John Godfrey, Børge Olsen, Art Tatum,weidorje, Patrick Gauthier, Mccoy Tyner, Jean Jacques Perrey, Bernt Andre Moen, Jaco Pastorius, Eddie jobson, Lightning bolt etc.

Studio F.A.M.E. Official / https://soundcloud.com/studio-f-a-m-e

Musicista Polistrumentista, Arrangiatore e  Cantante. inizia sin da giovanissimo  a manifestare una spiccata e istintiva propensione per il ritmo e la musica  
E' Compositore, Autore e compone nel cd Il Cuore fa di Irene Fargo il brano Libellula, "canzone che in una veste apparentemente delicata, descrive il grande dramma della pedofilia vista dagli occhi di un bambino".
One Man Band della musica pubblicata qui, alla composizione al master.  ;))
Buon Ascolto! GRAZIE!🌟

WELCOME ALL to my SoundCloud page!

It's always a pleasure to discover through SoundCloud the wealth of wonderfully talented and creative musicians out in the world... all sharing their own distinct and artistic creations.  I'm very happy to be a part of this amazing, creative, and supportive community.

My main instrument is the guitar (mainly electric... sometimes acoustic). I also play on occasion bass and keyboards (strictly for recording on my own compositions).  Most of my music tracks on SC are created, recorded, and produced in my home studio.  Recently, I've been making good use of midi sequencing to ultimately produce tracks that I otherwise would find almost impossible to do by other means. 

Fusion (my mix of jazz, rock, funk, soundtrack, etc.) is the best way to describe most of the music that I produce these days.  I've enjoyed playing and recording many styles/genres of music in the past, and all these past musical experiences influence me today in the way I compose and play.

You will find here on my SC page samplings of new and older works of mine.  The track picture icons more or less help identify what tracks belong to other associated tracks. And I will try to present some extra information for the individual tracks for those that are interested as well.

Thanks for reading... and I hope you enjoy listening! 
Audric Jankauskas

Welcome to my place of musical experiments and my endless journey of exploring new sound textures, rhythms and melodic ideas. I am a multi-instrumentalist coming from a background of having actively played, harmonica, recorder, piano, organ, clarinet, tin whistle, pan pipes, guitar, violin, Shakuhachi, jaw harp, didgeridoo and accordion. My genre is mostly a fusion of Jazz and Soundscape, however I often seek inspiration from a wide variety of music, Celtic, Rock, Heavy Metal, Classical, Folk, Micro-tonal, just to name a few. I also build my own instruments, various Shakuhachi using them either directly in recordings or sample the sounds to incorporate in pitch shifting tools in Ableton Live. I often set myself a music challenge, taking every day sounds not considered musical, sampling, transforming and moulding them into a virtual musical instrument. Experimenting with evolving polymeters is a favourite feature of my works. I have been classically trained but soon ventured into free improvisation, which is my happy place.

I am based on the South Island of New Zealand, enjoying the great outdoors there. I often take inspiration from this for my music and associated cover art.

I have a no cover’s policy, all my works being original compositions, the only exception would be the odd jazz interpretation of a Bach piece from the Baroque era. My percussion sections do not use any artificial intelligence drum machines, nor do I use auto tuners for my violin playing. Paid likes and plays — none of that either. 

I also participate in musical collaborations, from accepting sound samples to see what I can do with them, to instrumental collaborations. Send me a message if interested.

Please join me on this wonderful journey of music exploration.