Exceptional music from exceptional musicians

The Very Best of SoundCloud IV

The Very Best of 2022

I've always wanted to put together the music I found on soundcloud and real fusion music, which is an excellent combination of several styles. This list will be constantly changing and max. There will be 40 pieces of music in it.
Maybe you will like it too, listen to it, recommend the right music here:
Laszlo

Streaming !

My (Repost) hit list of Elektro-Fusion Music (TOP40)

BUY JAMIE'S MUSIC

Best of SoundCloud

Gin Joint Jazz

Best of SoundCloud 2

I played with house style and electronic music motifs in this track, what comes out of it ?

Dancing In The Purgatorium

2021 | VOODOOVIBE - GRANDPA'S DINNER (A MIDTEMPO GLITCH FUNK EP) 
▶ Listen Now On Spotify 
https://open.spotify.com/album/78HKWC...
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Music by VoodooVibe
Rec, Mix & Master by VoodooVibe
Artwork & Video by VoodooVibe
All rights reserved © 2021 - IndiePendente Label  
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Spotify 🟢 
https://open.spotify.com/artist/2zReb...
Instagram 🔴
https://www.instagram.com/voodoodelve/

01 - VoodooVibe - Grandpa's Dinner

'For Now' is a dedication to "Mother Earth and is in part, the sorrow that I feel for the desecration of Planet Earth. The piece is in the form of a soundscape, for the want of a better genre description. However that aside, I still have a positive attitude towards over coming the forces of darkness, that are intent upon destroying this beautiful place that we all call home. So Happy New Year to all and health and happiness for 2022.

For Now

Sevenes 55,000

Love Is Better In The Morning

Video on Youtube: https://youtu.be/4-JNqIkPU2w
And on all major streaming platforms.

free + brave

In this music I tried to recall my previous jazz drum studies and make an interesting and varied fusion music with the help of guitars, synthesizers and Ableton 11 instruments.
Please listen and say someting!
Thank You: Laszlo

Good Morning

Streaming!

I originally wanted to write this music in a different, something house style, but somehow it turned out differently, with a lot of jazz motifs coming into the amni. That's what it became!
Laszlo

I See You

Streaming !!

Here's a guitar jam/solo I wrote that takes inspiration from the guitar solo section of Poison's Bodytalk, as I am a huge Richie Kotzen fan, he's one of my favorite guitar players. I made this long jam and just free-styled over it. I added a lot of layers with the use of organs/electric pianos and some trumpets. 
All guitars, bass guitar and organs/pianos were recorded by me, as well as the programming for the drums, trumpets and sax.
My go to guitar for the entire song was my schecter custom

Dirty Talk

Ever wonder about "INTELLIGENT ALIEN LIFE"?
Who's to say that some forms of alien life are not so drastically different from us that we may not even begin to recognize them as life at all? 
At this point in the history of mankind, there is so much we still don't know.
So consider this... If it is possible that some small portion of alien lifeforms are nothing at all like us, or any other recognizable lifeforms on our Earth, then it must be possible that some alien life exists in a form that even our wildest imagination can't even possibly conceive of. 
Recognizing how that possibility is beyond the scope of my own comprehension, I tried to imagine something a bit more tangible. That brought me to the idea that "THEY" could exist as gigantic streams of pure energy, a form of energy totally unknown to us, flying through the cosmos on an endless journey, and possessing a consciousness and level of intelligence that challenges our wildest imagination.
As they dance and swirl in a flock, traveling near the speed of light, while exploring countless treasures in the cosmos... what would a conversation between them be like?
So... that's what I was thinking about as I composed this track titled "FLIGHT of the INTRIGOKNOTS", which is sort of a homage to the unknown.
And... coming back down to Earth... 
THIS MARKS MY FINAL AND RATHER EPIC MUSIC PRODUCTION for the year 2022!
ENJOY!
 
All music composed, performed, programmed, mixed by Audric Jankauskas

FLIGHT of the INTRIGOKNOTS (Audric Jankauskas-2022)

An exploration in reggae universe with my old clarinet  ;-)

Clari-Reggae

Together.    A remarkable gathering of more than twenty of my favorite SoundCloud musicians.  Guitars, keyboards, basses, tenor sax, clarinet and vocals. Together's musicians are serious creative instrumentalists and are inspirations to so many.  Many are recording artists.  The finest players I know here.   So many are simply remarkable.
   
Together represents what SoundCloud is about, and how effectively musicians can work across the world.   Musicians who have never ever even spoken with each other, but recognize each other by their sounds and the notes, rhythms and phrases they play.  Pretty damn cool.

12 countries are represented here  -- Canada, Dubai, England, Germany, Italy, Japan, The Netherlands, Norway, Scotland, Spain, Sweden and the US.   

There are two sections to the piece - a blues piece and a modal fusion section, with soloists across each part, showcasing their distinctive voices.  Vocalatti's beautiful singing is woven throughout the piece - her words and voice really pull us together.  The wonderful keyboard head during the opening and closing was composed and performed by Calaminus, who also has added the great organ comping you hear throughout.   The first and last soloists are brilliant musicians and soloists, as are so many throughout.    

It's been such a pleasure to pull this together over the past 3 weeks.  So sit back and enjoy a true SoundCloud experience.    

We thank you so much for your time listening, your comments and your shares to followers and social media.  And thank you for your exploring and following these wonderful players and voices on their instruments.

Musicians (in order of appearance)

The Rhythm Group:
Vocalatti - vocals - Manchester, England @vocalatti
Calaminus - keyboards (horns, organ, add. drums & loops) - Stuttgart, Germany @calaminus 
Tunde Fernandez - bass - Barnstaple, England @tunde-fernandez
Jamie Rhind - keyboards (rhodes, drums, main backings) - New Canaan, Connecticut (US)
Daniele Petrocchi - bass - Lucca, Italy @daniele-petrocchi

Blues Section Soloists:
Ronny Heimdal - guitar Bergen, Norway @ronny-heimdal
Justin Valente - guitar Wayne, New Jersey (US) @justin-valente
Stephan "Pinner" Lipinski - guitar Mount Laurel, New Jersey (US) @pinner
Calaminus - organ Stuttgart, Germany @calaminus
Tom Adams - guitar San Antonio, Texas (US) @tytlblues
Ian Tait - guitar Edinburgh, Scotland @ian-tait
Marco Oversteegen - guitar Almere, Netherlands @marco-oversteegen
Michel Martineau - clarinet Gatineau, Canada @michel-martineau
Benny Sutton - guitar England @bennysutton
Giuliano Ghisi - guitar Dubai, UAE @gghisi
Rients Draaisma - guitar Oudeschoot, Netherlands @rients-draaisma
Johnny (Sax) Pugh - tenor saxaphone, Jumilla, Spain @johnny-pugh
Alan Schulman - guitar New York, New York (US) @digschulman
Dean Clark - guitar New York, New York (US) @aleckrand
Anders Moberg - guitar Norrköping, Sweden @anders-moberg-1
David Nederland - keyboards Barcelona, Spain @david-nl
Daniele Turani - guitar Italy, @danieleturani
Joe Bongiovanni - guitar Cuyahoga Falls, Ohio (US) @joe-bongiovanni
Darren Chilton - guitar Tokyo, Japan @spectrum_one 
Jeff Fiorentino - guitar Hollywood, CA @jeff-fiorentino-jfrocks    Daniel van den Berg - guitar Rotterdam, Netherlands, @danarchx

Modal Section:
Daniele Petrocchi - bass - Lucca, Italy @daniele-petrocchi 
Jamie Rhind - keyboards New Canaan, Connecticut (US) @jamie-rhind
Daniel van den Berg - guitar Rotterdam, Netherlands, @danarchx
Jeff Fiorentino - guitar Hollywood, CA @jeff-fiorentino-jfrocks
Tunde Fernandez - bass Barnstaple, England @tunde-fernandez
Rients Draaisma - guitar Oudeschoot, Netherlands @rients-draaisma
Jorg Calaminus - keyboards Stuttgart, Germany @calaminus
Vocalatti - vocals - Manchester, England @vocalatti

Together  -  23 musicians.  12 countries.  1 stage

About a month ago I released a solo flamenco nuevo piece for acoustic guitar called The Ornament of Solitude in the style of Soleá. I felt that it could have an alternative instrumentation by adding a string section and some extra percussion here and there. This is regularly done by the flamenco guitar greats causing a more ballad kind of feel to the music. 
As I like both versions, the original pure guitar and percussion one as well as this more romantic version, I decided to share this one with you as a reprise and surprise. Some of you already had a sneak preview, but now here it is for every one to hear...

I hope you will appreciate this new take on my earlier release and as always very much appreciate your shares, comments and likes. Thank you!

Dan van den Berg

All music, production, percussion arrangements and guitar by Dan van den Berg, December 28, 2015.
Guitar: Paulino Bernabe, Taller de Guitarras, Model-50, 2001, classical concert guitar.
Basic flamenco rhythm sample adapted and edited from: Flamenco Loops, Vol. 1, Estudio de Grabacion La lsla, 2012 La Voz del Flamenco.
Drum, percussion & string orchestra samples generated by using Sampletank.
Recorded and mixed in AURIA for iPad.

Photo taken by me in Maspalomas, Gran Canaria, Spain, December 2014.


The Ornament of Solitude - Orchestral Version | Dan van den Berg

This high energy track has a mix of stylistic elements of some of my favorite jazz/fusion guitarists that have influenced me over the years. (Metheny, Scofield, Henderson, Martino). I did not necessarily intend this... the track just seemed to develop this way on it's own.  
Except for my guitar, I programmed/sequenced every instrument that is heard. 
I also must give additional credit where it's due. This composition and track, as it exists now, would never have come to be if it weren't for a free-form jam session recorded in 2013 with local musician friends Mitch Shelly (on bass), Don Plowman (on drums), and myself (on guitar).  While listening back to the jam recording, one particular spot caught my ears in which I realized could easily turn out to be the heart of a new composition. Thankfully, the combination of the bass line, drum pattern, and melody that now makes up the main theme of Intrepid Spirits was captured! Of course, much more was added to this main theme to build it into the composition and track as it exists now.

INTREPID SPIRITS (Audric Jankauskas-2016)

by Eddie Cooley and John Davenport
Vocals by Irina
Arrangement by Robert @cinematicdancemusic
Mastered by Geoff Pesche - Abbey Road

Fever - Robert, Irina - collaboration

by Duke Ellington, with lyrics by Eddie DeLange and Irving Mills

Jörg - saxophone, mixing and mastering - https://soundcloud.com/joerxworx
Irina - voice

Piano trio by Alan McPike - https://www.standardstrax.com
Artwork by Tatyana Markovtsev - https://feeltheline.com

Solitude - Irina and Jörg

Oddrun Eikli, vocal; Chuck Weirich,https://soundcloud.com/chuck-weirich fluegelhorn; Terry Clarke, drums; Aleck Rand, https://soundcloud.com/aleckrand, guitar, keyboard, bass.

The 1940 Broadway show "Higher and Higher" introduced the Rodgers and Hart tune, “It Never Entered My Mind.” The melody is almost transparent in its simplicity and, in the vacuum of rudimentary harmonies found in standard versions by Frank Sinatra and Ella Fitzgerald, only the lyrics keep it alive. But what lyrics. Brought up to date with modern harmonies and instrumentation, this is a this love song of unheeded warning.

It Never Entered My Mind.  Aleck Rand, Chuck Weirich, Terry Clarke, Oddrun Eikli

THE HYPERSONIC FACTOR 
Danny Handler - Drums 
Mirko Borach - Bass 
Jason Rubenstein - Piano, Synthesizers, Samplers 
Dan van den Berg - Acoustic & Electric Guitars, Samplers

Recorded in San Francisco, Rotterdam, Dinslaken, Austin

Recorded 2017-2018 
Producers: Jason Rubenstein, Dan van den Berg, Mirko Borach, Danny Handler 
Mixing and mastering: Jason Rubenstein, Danny Handler 
copyright 2018 
Danny Handler proudly endorses Vic Firth and Aquarian Drumheads.
license
all rights reserved

Inventions of Diffusion

SadHappy

Download

Olores y Colores

Painting a vivid picture in music.
In this track I explore the link between the flamenco style or palo of Tangos and the more Argeninian Tango. Although being linked in name they are very different. A Tango flamenco is more closely linked to the rumba flamenca. Its rhythm is the same as farruca and very lively. The Argentine tango shares a common ancestor, but went its own way. However, it was fun developing the transition between styles. I do that by a dramatic interruption in a Solea por Buleria. It repeats three times with the outro slightly different from the intro and interlude. 
I play three guitar parts here, one in flamenco finger picking style, the others more like the guitar trio with an alternate picking style.

I hope you will enjoy this one and as always greatly appreciate your likes, shares and comments.
-Dan

Data:
All music, arranging, composition, percussion programming and guitar by Daniël van den Berg, September 30, 2018
Guitar: Joan Cashimira, modelo 145, spruce top w/ cocobolo sides and back, Gata de Gorgos (Alicante), 2015
Recorded using an Apogee MiC.
Percussion arranged with samples from Sampletank and Flamenco Loops.
Mixed in Auria, masterered in Auria and Final Touch.

Olores y Colores

Olores y Colores | Dan van den Berg

Check out this new original Right There with Craig Schmoller doing his beautiful thing on both guitar and bass.  Cooking from the opening, Craig takes off with an incredible series of solos.  What a player.  And when he heard the track I sent him, laid down such a fine bass line to complement the track.   This is Craig's mix.  We're digging the sound!

Follow Craig's sweet music:  https://soundcloud.com/craigschmoller and his superb YouTube page: https://www.youtube.com/user/grov6land

Thanks too for your generous time listening, for your comments and for your shares

Right There - with Craig Schmoller / guitar and bass

Music, lyrics and vocals by Irina

When the stars are out
And the night is new
I can see no stars
All I see is you
I can see no moon
Gliding through the skies
I'm forever lost
In your magic eyes

If you just say
I'd run away with you
I'd give my heart
I'd risk my life for you
But I'd stay away my love
If you only say my love

When the sun is up
And the day is due
I can see no sun
All I see is you
I can see no clouds
Gliding through the skies
I'm forever drowned
In your magic eyes

If you just say
I'd run away with you
I'd give my heart
I'd risk my life for you
But I'd stay away my love
If you only say my love

Magic Eyes

Midnight Lullaby

Proud to present my new collaboration with my friends 
IPG1 and Paploviante "NOW OR NEVER"
Vocals and Verses : IPG1 - Ian Greaves
https://soundcloud.com/ipg1
Bass : Paploviante - Paul Racle
https://soundcloud.com/paul-racle
Music : Paploviante and Lillithe
Production and Arrangement : Lillithe - Dominique Amaudruz
Verses :
------------Still me——(Smile!!) always data mining Crafting and designing Breaking all the rules with the styles I'm combining bending words round bars with impeccable timing Beats getting lit by the rhythm and the rhyming If it all out---I'm in----ain't no declining Polish off another beat and leave the track shining  Feel the vibe on the cloud another silver-lining  Time out mother fuckers it's my time I've been grinding Day to day hustle now the stars are aligning
like its meant to be cosmic energy Time's changing Destiny yeah! that's the real key Climbing to the next level totally free Cutting straight to the chase skip the pleasantries A force to be recon with you can't ignore me Staying true to myself-----Staying true to myself -------game's locked but still free-------game's locked but still free ------got game but still me------got game but still me
This is pure heat a pen---a page---a beat Engraving these lyrics so they penetrate deep  gimme the mic pull up a chair go ahead and have a seat Recognize technique that makes you wanna move your feet Verse after verse hitting like concrete  spitting these cadres so they reck another beat Flavor on the mic makes it sound so sweet that lines so dope let me just repeat  Flavor on the mic makes it sound so sweet  I'm bouncing off the rhymes eat it up it's a treat  I can't be beat Boss on the street Elevated status known as elite haters obsolete they can't compete  when I touch the mic they defecate and excrete
reborn hard corp vicious yeah!!! even rougher  Can't get enough of this style Don't suffer----------- smoother than butter---But a lethal as a motherfucker Traversing these barzzz not a cookie cutter Crush another track murder that's right slaughtered  It's IPG1 Aight!! way to clever step to my mic Don't think so never Switch it up now different style and technique  Double time double down Bet it up sweet Conceive a new melody before I even speak Verses seem to bend around the bar and drum beat  Flow on point neat and unique  Cadres that got you rocking out of your seat All respect due to the Class elite  ones gone before but Who'd expect not just open up but also held the door
Much respect!!!
Peace!!!✌🏽

Now Or Never -  IPG1 / Paploviante / Lillithe

It's five o'clock in the morning, and I can't seem to stop my mind from ticking.....

5 O'Clock In the Morning (feat. Sheela Gathright)

ع بالي إسهر .. ع بالي إرتاح

    ع بالي سافر .. ع بالي لاقى المفتاح

    ع بالي أمور السما ع الأرض تنحلّ

    غير هيك .. ع بالي فكّر

    ع بالي شوف ناس

    ع بالي إكتُب عن يالّي ما بينشاف

    ع بالي حِلّ هالعقدة الـ ما عم بتروح

    ما معقول شو نِكتة

    ع بالي كون الفرق بين الأرض والهوا والبرق

    شو في ع بالك .. حخفف ع بالَك

    في ع بالي كتير

    حسمعك بالي .. ما عليه بلاوي

    الهوا ع بالي حيطير

    ع بالي إمشى ببحر نضيف

    ع بالي أصحاب يكون بالُن خفيف

    ع بالي كِل الشعب ع نفس الموال

    ع بالي إسبح .. ع بالي إفرح .. ع بالي إسرح

    ع بالي إمرح .. ع بالي إفلح .. ع بالي إطرح

    عليكُن سؤال بيحرج .. مين

    مش مرتاح البال

    متِل مل قلت

    ع بالي الأمور بين السما والأرض تنحلّ

3abali - Lemonada - The Arabian Latin Chillout

Smooth jazz - Harlem Nocturne

It's just jazz and nothing conceptual) With some desire, you can even move your hips to this music)) Music Composed/Produced by Guitarbeard © 2021

Buy https://guitarbeard.bandcamp.com/track/brew-2

Brew

Oh Christmas Tree

Since I started one-man band music on SC, I realized how exciting it is to play the bass. So I wanted to compose and play a song in which the bass plays the lead.
Although it took some effort, I really enjoyed playing. 
I used Jazz base made by Fender Japan.

Bass Heaven

OCHTENDGLOREN | Short Tales Part V

“Ochtendgloren” is a great Dutch word meaning “Dawn”. But in a more poetic sense, it has a sense of optimism, it holds a promise of a beautiful day to come. The morning dawns on the horizon...
The track travels through several different fields and textures, traveling acoustically through many different styles, I feel it’s hard to categorize where this would land in an overall description, but I guess World fusion comes closest. But it contains elements of classical, Jazz, flamenco, Latin, pop, rock, blues.

I play my Flamenco Negro guitar again in a setting of a guitar trio. In form it can be considered as a continuation of my Short Tales series. The lead guitar has long sections that are improvised over the bed of the two accompanying guitars.

I hope you will enjoy this fifth Short Tale and as always I really enjoy your likes, comments and shares. -Dan

Data:
All music, arranging, composition, guitars by Daniël van den Berg, November 28, 2020
Guitar: Joan Cashimira, modelo 145, spruce top w/ cocobolo sides and back, Gata de Gorgos (Alicante), 2015
Recorded using an Apogee MiC.
Mixed in Auria, masterered in Auria and Final Touch.
Photo edit by Dan van den Berg, 2020

Ochtendgloren | Short Tales part V |  Dan van den Berg

Clouds

WELCOME ALL to my SoundCloud page!

It's always a pleasure to discover through SoundCloud the wealth of wonderfully talented and creative musicians out in the world... all sharing their own distinct and artistic creations.  I'm very happy to be a part of this amazing, creative, and supportive community.

My main instrument is the guitar (mainly electric... sometimes acoustic). I also play on occasion bass and keyboards (strictly for recording on my own compositions).  Most of my music tracks on SC are created, recorded, and produced in my home studio.  Recently, I've been making good use of midi sequencing to ultimately produce tracks that I otherwise would find almost impossible to do by other means. 

Fusion (my mix of jazz, rock, funk, soundtrack, etc.) is the best way to describe most of the music that I produce these days.  I've enjoyed playing and recording many styles/genres of music in the past, and all these past musical experiences influence me today in the way I compose and play.

You will find here on my SC page samplings of new and older works of mine.  The track picture icons more or less help identify what tracks belong to other associated tracks. And I will try to present some extra information for the individual tracks for those that are interested as well.

Thanks for reading... and I hope you enjoy listening! 
Audric Jankauskas