lyrics/melody/guitars/bass-purpleclaire
drums/bass mix/master/production -https://soundcloud.com/metrocityrecords

I can see the world around 
locked in silence not a sound
to say i love you would be cruel
you stand there staring at me 
like a fool
i love you hate you feel you come inside you 
squeeze you tell the world youve died youve
run youve fled to the unknown
i turn you to stone ..i turn you to stone

something breaks inside my head
feel the snap.
cuts me down ...
inside i ache for something new
all this time i bleed for you

i stone you bruise you 
make me want to use you 
burn you freeze you fuck you kill you
crying into the unkown
i turn you to stone

im not drowning 
im just drinking 
im sleepwalking
did you think youd be the one...to wake me
did you think youd be the one to wake me up?

Sleepwalking- purpleclairexHOBOCOP

Days to Nights

Cast of Characters:

Llanpsych-- @llanpsych -- Tez – foundational acoustic and electric guitars, distorted electric guitar, and the seed idea

Mistermark – @user-432503709 – Mark – vocals, lyrics, high organ, toy piano, percussion, sound effects, production, editing, mix

TexMex Shaman– @texmex-shaman –Stephen– 5-string banjo solo, electric guitar

J.J. Terrell-- @j-j-terrell—JJ-- low organ, piano, synth flute, sound effects

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass

Composition – The Eclectic Collective

This song began its life as a hauntingly exquisite guitar chord progression that Tez came up with and shared with the rest of us. He also stacked a couple of other guitar tracks in there for good measure. 

Ken was first up, adding his drums, then later his pots and pans percussion. As he was doing that, Josh was coming up with his bass line, and they did their little dance of back and forth until the rhythm section was set. 

Mark came in around the same time, though, and added his unique, Waitsian vocals with the lyrics that he wrote for it, too. He also added some really amazing organ parts, a toy piano which you can hear right after the banjo solo, and percussion that add a solid foundation for his voice and add magic throughout the song. 

Stephen followed shortly after with the big stroke guitar chords, and also came up with the amazing banjo solo you hear in there, too. Last, but not least, JJ came in with his organ and electric piano to seal the deal with the melodies and ambience. Then he and Mark added the cool sound effects you hear throughout, too.

  Every great song needs a great producer, and Mark filled the duty on this one. He has proved himself to be a masterful editor, producer, and mixer, and we are lucky to have him as part of the team.

  This one is an homage to Tom Waits in a deliberate way. We're all big fans, and tried to do something in his unique style. We hope you enjoy listening to this as much as we enjoyed creating it.
 
Original lyrics by Mistermark:
I got something hidden in my closet 
that I don’t want you to see 
A little like a shady deposit
And it’s bound to incriminate me

Well now some might call it a skeleton 
Like a raincoat filled with bones
See I been hangin’ it there since I don’t know when
And I just can’t leave it alone

Me and Bill rolling bones in a gambling hall 
I threw snake eyes but Bill counted three
I took his accusation just a little too far 
Then everybody went quiet as they stared at me

Now the finger bone’s connected to the trigger
And the hand bone’s connected to me
And every day my secret’s gettin’ bigger
Soon enough I’ll be swinging from a tree

Coz I got something hidden in my closet 
that I don’t want you to see 
I done made a shady deposit
And it’s bound to incriminate me

Well now some might call it a skeleton 
Like a raincoat filled with bones
See I been hiding it there since I don’t know when
And I just can’t leave it alone
(repeat)

Bones - (Eclectic Collective)

Here is the revised version of Ann Clark's PUMPING by A.M.W.S. 

Automatenfall - PUMPING -Ann Clark- (revisided version).m4a

(I’m A) Movin’ On

I best be a'movin’ on
I got to go
I’ve outstayed my welcome honey
Your mother knows I got wild oats to sow
I’ll take my queue
I’ll burden no more
I’ll take their hints
It’s time to roll
So long
I’m a'movin’ on
I’m a'movin’ on

There ain’t no point in complaining
About the evil eyes set on me
Holes are burning
As they envision me in effigy
I wish I could stay babe
But nothing ‘bout this that’s okay
I should be a'headin’ out
Gettin’ on my way
I got’s t'be movin’ on
I got’s t'be movin’ on

Who hosts an evening
Disguised inquiry
Posing questions curiously
Waiting baited for missteps by me
Wanting nothing
‘Cept to spill duplicity
They want to believe
But refuse to see
I can’t be a’stayin’
I must be a'movin’ on
I must be a'movin’ on

I got out
Got pulled back in
The moment I protest
They welcome me as kin
I let my guard down
They lick their lips
I love you sweetheart
But this boys back got
Ain’t no more to give to the whip
It’s time to trip
I must be a'movin’ on

I’m movin’ on
I’m movin’ on
I’m movin’ on
I’m movin’ on

__________________________
JS

(I'm A) Movin' On

Sea Of Lights

Feelings

Ein Tekno-, Techno-, Tekk-, Psytrance-, gedöns mix mit 188 bpm

Defiance

Fly To High

Echos

There are times when we must step back and recognise certain events are beyond our control or influence. Rather than waste energy railing against this unalterable fact,we must learn to accept what we cannot change and find new ways of adapting. Although I say this,I struggle too. I'm a slow learner.
Some slide action to be played appropriately loud!


Don't be angry with the sun that sets
Or the wind and rain that blow
Nothing's gained by fretting
What you can't control

Don't get tight with things not right
Just let it all unfold
You can make it better
Just by letting go

Life is tough and treats you rough
If you swim against the tide
You can make it better
Let it all just slide

Let It Go

Automatenfall has been around for more than 40 years. I play on analog and digital synthesizers from the brands Roland, Yamaha and Korg.