Welsh artist Kelly Lee Owens has a special grasp on techno. She can make it sound wild and naturalistic, like wind blowing through a dense forest, or make it feel cold and sleek, like a gleaming slab of chrome. Either way, though, it's always full of emotion, thanks to the intricate textures and distinctive tones of her voice. You might even say she takes a singer-songwriter approach to techno, but that doesn't mean her music isn't suited for the dance floor.

Her most recent album, <a href=/reviews/34853 target="_blank"><i>LP.8</i></a>, marks a step away from the dance floor, however, and into a place a little more dark, more unpredictable. It's also some of her most gorgeous work, centering around "Anadlu," an eight-minute cut that feels perfectly pitched between ambient and techno, with heavy, lumbering drums but an otherwise lightweight, almost wispy feel.
 Owens' RA Podcast occupies this zone almost perfectly. Beginning with 11th century music from Hildegard von Bingen, it ties all sorts of traditions together, from Pan Sonic to Throbbing Gristle to Marco Shuttle to Oneohtrix Point Never & Rosalía. It floats, it accelerates, it loops and doubles back in on itself, an hour of gripping electronics from one of techno's most distinctive voices.

Read more at https://ra.co/podcast/841

RA podcast

RA.841 Kelly Lee Owens

Recording of Danilo Plessow (MCDE)'s set at RDC 15 Years Final at Womb, Tokyo.

Comment by Danilo Plessow:
Here’s a new mix to enjoy, recorded at Womb for RDC 15th anniversary closing party. Thank you for letting me play my heart out for this one, on a great system and most importantly with an amazing, open minded crowd that is eager to be surprised. Also a big Dōmo arigatōgozaimasu to all the RDC Team and DJs, the friends and dancers who came along for the ride.

RDC 082 - Danilo Plessow (MCDE) at RDC 15 Years Final

A full four hours of the main man Caribou, recorded live at The Cause last summer. What more could you want to chase the blues away?

Dan Snaith is one of the most enduring figures in 21st century electronic music. From early records as Manitoba, to 2010's Swim (which RA called Album of the Year in a runaway vote), to Grammy-winning 2014 hit album Our Love, as well as ongoing collaborations with Four Tet and dance floor excursions under his Daphni alias, the Canadian DJ-producer is a fixture for a reason.

Ahead of a Caribou (Full Band) tour across the UK and Europe starting in February, we can now let loose the full four hour recording of his RA Live from 2024. 

In it, Snaith goes in hard, rolling out bassy, wobbly and fidgety heaters, running through everything from speed garage and UK funky to Afro house and anthemic deep house—and even a sprinkle of Stevie Wonder for good measure. It's what he truly does best: bangers on bangers (and more bangers).

Watch the video here: https://www.youtube.com/watch?v=eM38RA6dkMs

@caribouband

RA Live: Caribou – The Cause, 2024

An hour of lesbian house with ISAbella  

https://www.instagram.com/bellasalmonella 



ISAbella @ The Lot Radio 09-15-2025

Klara

A Detroit favourite plays his favourite house records.

RA.278 Mike Huckaby

LIVE FROM THE BOARD + CROWD MIC RECORDED MARCH 4TH 2017 FOR THE HYDRA LONDON

Avalon Emerson Live at Printworks London 2017

Donato Dozzy, Terraforma 2017 Secret Closing Set 25th, June 2017

My Essential Mix for BBC Radio 1, originally aired Aug 2018. Here it is without the radio drops.

I’m usually not much of a preplanned mix person, I massively prefer playing to a crowd and interacting with the atmosphere. Combine that with the extremely not insignificant fact that this is one of the most important and longest running mix series around, this was quite a challenge!

I spent a long time gathering these 40 songs and playing with the arrangement (even made a couple new edits). I included songs that have been staples in my sets, plus old favorites from before I was a DJ. Eternal shouts to Nathan Micay, Aurora Halal, Overmono, E-Talking and Koehler for letting me include your dope as hell unreleased new music (plus two unreleased songs from myself). 

The last song is by Oakland band Them Are Us Too and this mix is dedicated to those who lost their lives in a diy music space a year and a half ago. Your music and love lives on. FUCK technocrat capitalist greed in the bay. One of Ghost Ship’s spiritual predecessors, Ghost Town in Oakland, was one of the first gigs I ever played, back in 2011 right around the time when I was realizing that I loved making music and DJing. 

If someone told me then that I’d eventually make an Essential Mix and be touring around the world, I’d be incredulously curious to see just how that would unfold. It’s been wild. Thank you to everyone who has listened and danced with me since then. 

recorded on two cdjs and an xdj, xone 92 & extra help from the teil1 delay and blue sky reverb

Avalon Emerson Essential Mix

00] Hole In One - Spiritual Ideas For Virtual Reality
[09] The Primitive Painter - Levitation [Klang Elektronik - KLANG 1]
[18] Dubtribe Sound System - Sunshine's Theme (Sunshine's Remix) [Organico - ORG 004]
[23] State Of Flux - Mercury [Finiflex - FF1009]
[29] The Primitive Painter - Cathedral [Klang Elektronik - KLANG 1]
[36] Ebi - Chuu [Space Teddy - ST 007]
[43] Some Other People - Astralise [Infinite Mass - MASS 018 T]
[52] The Primitive Painter - Invisible Landscapes [Klang Elektronik - KLANG 1]
[58] Squid - Emprisoning Sound On A Piece Of Wax [Apollo - APOLLO 16]
[64] The Keyprocessor - Feary Tales [Eevo Lute Muzique - EEVO 008]
[68] State Of Flux - The News [Bold! Stars - BR 2009-1]
[71] Ian Pooley And Alec Empire - Untitled (Pulse Code E.P. Side A) [Mille Plateaux - MP 3]
[83] Ebi - Sou [Space Teddy - ST 007]

Mixes 1993

Andrew Weatherall - Massive Mellow Mix (Slow Electric vol 1.1)

The wait is over. Octo Octa and Eris Drew bringing it to Boiler Room x Sugar Mountain.

Octo Octa b2b Eris Drew | Boiler Room x Sugar Mountain 2019

https://avalonemerson.com/andthecharm

Now one of dance music’s most respected DJs, Avalon Emerson first made a name for herself in the storied warehouse scene of her birthplace, San Francisco, before relocating to Berlin in 2013. Over a decade of performances at the famed Berghain led to appearances at numerous festivals around the world which all cemented Emerson, and her evocative, genre- and decade-spanning sets, as perennially in demand. 

In 2020, she released her first full-length collection: a contribution to the longrunning DJ-Kicks series (which Resident Advisor described as “The sound of a well-honed DJ at the top of her game.”), nestled alongside a steady stream of remix releases for the likes of Four Tet, Slowdive, Robyn and more.

Next up was 2023’s Avalon Emerson & The Charm, an instant classic which saw Emerson exploring her singing voice and more traditional songwriting outside of the boundaries of her dance music work.  Created after a move to New York, the resulting & The Charm album was released to critical acclaim, landing on numerous critics’ best-of-the-year lists.

The stage is now set, then, for her to carve out a wholly unique path, and with the help of new label home and indie giant, Dead Oceans, Emerson is poised to connect her various musical endeavors to create an untouchably rich output of material. First up is Perpetual Emotion Machine, consisting of songs created for her DJ sets, delivered via a living, evolving project and announced ahead of her worldwide tour.