jazz rapunga whakaaro

Electric

Future Collection

Fall 2024

Box Number Ten

Energy (235)

cool sounds of winter 24/25

Take that

• music & art by ax.w. • 

"all our knowledge begins with the senses, proceeds then to the understanding, and ends with reason. there is nothing higher than reason." (immanuel kant)

• more: 
- https://soundcloud.com/axelweis
- www.weiss-haenitsch.de
- www.weiss-haenitsch.de/AxW.html
- www.axelweis.bplaced.net/wordpress
- www.reverbnation.com/axelweiss
- www.youtube.com/user/azzelweit
- https://hearthis.at/axelweiss
- www.fandalism.com/axw
- https://500px.com/axelweis
- https://about.me/AxW

more

seltene musik

SHIT IM ON [prod Verse2 Beats]

JD-Xi

Sitar Beat Project

Organ Beat Project

An extract of "Tropical Drink"
Guitars, bass, drum edit: Ax.W.

Find the full duo version with Cheryl Pyle's amazing flute performance:
https://soundcloud.com/axelweis/axwwhynotduocheryl

Tropical Drink, short

(Written by Terry Reeves)
Terry Reeves: Vocals, Acoustic Guitar
Hans Albers: All other instruments, Arrangement & Production

I think it’s important to say that a lot more women than you think have had one or multiple miscarriages. It’s just that it is a subject not often talked about because of the very personal pain that the couple go through. The unborn life has no contact with anybody else except the mother and the emotions are often only remembered by the mother and father.
When Jo and I were expecting our second child we were very excited and looking forward to having another Reeves in our growing family. I will never forget the day that we were told we were going to lose the baby and once told, left sitting in an open A & E waiting area having to cope with all our raw emotions and the prospect of the impending loss amongst the rest of the other patients.
Jo had to go through a painful operation to terminate the pregnancy and it is a day she will never forget. We were a family of three planning being a family of four having now to plan being a family of three recovering from an invisible loss and explain it to our young son.
It was an extremely difficult time but we were fortunate that after a few years we did have two more children. Jo tells me that although it is difficult to explain the connection she had with the unborn child that the presence of life inside her will never be forgotten.
I felt I couldn’t let this moment in our lives pass by without acknowledging our unborn child in some way. The rollercoaster of emotions we shared at that time from euphoria at increasing our family to devastation and bereavement at our loss were felt intensely only by Jo and myself played it’s part in forging the strong bond we have had throughout our relationship. (Terry Reeves)

Two giving chance for more to love
Sharing excitement of a life that grew
Future moments by imagination
Holding tightly to a dream, not knowing who

The moment will always be there

No blessing from a hand of friendship 
Could change the feeling of love untried
A desperation of disappearing contact
Sixteen weeks of wonder with a life inside

The moment will always be there
Will always be there x2

Will always be there x3

It’s hard to share the tears of life unborn
Expectations waiting, true feelings strong
Growing three to four into a family together 
Not knowing where to be or why we belong

The moment will always be there
Will always be there x2

Many questions asked reasons who or why
Emotional growth but no name it’s true
An everlasting memory impossible to share
Changing 4 back to 3 kept just between two

The moment will always be there
Will always be there
Will always be there
Will always be there

FOUR TO THREE - CRIPPLE CLUB & HANS ALBERS

Music Is My Sanctuary presents this brilliant Scott C remix of Jacob Collier's "Don't You Worry Bout A Thing" 

from Scott C: "I discovered the Youtube life of Jacob Collier only about a month ago. This amazing 19 year old London-based musician has mastered a gang of instruments, and combined with his vocal chops, has caught the ear of heavyweights like Quincy Jones and Herbie Hancock. 

After playing his video cover of Stevie Wonder’s "Don’t You Worry Bout A Thing" about a million times over, I decided to do an edit so I could run it on the dancefloor at our monthly party, The GOODS here in Montreal. I hope you enjoy it."

More about Scott C at @The_Incubator

please check out  Jacob’s work at http://www.jacobcollier.co.uk
Buy the original here http://jacobcollier.bandcamp.com/track/dont-you-worry-bout-a-thing-2

Jacob Collier - Don't You Worry Bout A Thing (Scott C's GOODS Touch Up)

Third piece in a series of experiments to try other approaches:
'The Crystalline'. You're welcome to listen if you like, if you can.

https://soundcloud.com/axelweis/sets/future-collection

Future III: The Crystalline

Music, guitars, art painting: Ax.

( the painting detail is from my art series "palaeoten" • www.weiss-haenitsch.de )

This tune is about contrasts and intensity in life, in remembrance of a completely forgotten ancient roman revolutionary, who geniously resisted then dictator lucius cornelius sulla: quintus sertorius (123–72 bc).
All of this music was played with a 1979 jazz guitar (ibanez gb 10), roland e-20 analog space echo, electro harmonix eh-5000 ring modulator, boss rc-2 looper and a floor pod plus - all in first takes and directed with a fv-500l expression pedal. 

music:
• https://soundcloud.com/axelweis
• https://hearthis.at/axelweiss
• https://drooble.com/axw
• www.weiss-haenitsch.de/AxW.html
• www.axelweis.bplaced.net/wordpress
• www.facebook.com/AxelWeissMusicianProfile
• www.youtube.com/user/azzelweit
art:
• www.weiss-haenitsch.de

Quintus

Fourth piece in a series of experiments to try other approaches:
'The Unpredictable'. You're welcome to listen if you like, if you can.

"Begin at the beginning and go on till you come to the end; then stop." 
(L. Carrol, 'Alice in Wonder​land')

https://soundcloud.com/axelweis/sets/future-collection

Future IV: The Unpredictable

Some analogue tube warmth on guitar and bass | Art: Ax.W. '24

More: http://www.axelweis.bplaced.net/wordpress

Geht II

||| Lost in Translation |||
From the album White Noise 
+ Releases 15 October 2025 on all major streaming platforms +
An experimental soundtrack, combining dark ambience and noise with amped up synth bass and downtempo beats...


Available for download here 💿
https://scratchkelly.bandcamp.com/track/lost-in-translation

Watch the video:
https://www.youtube.com/watch?v=HGOb4uzAv90

White Noise

Lost In Translation

Download

une nouvelle version de ce trip hop que j'avais composé en 2022
 PAROLES
Tu restes
 Comme une parole interrompue
 
 A des années lumières
 Comme un cœur en hiver

A des années lumières
 Rien n’efface ton ombre
 Dans l’oubli rien n’est sombre
 Du joli nom d’amante
Ni le thé à la menthe
 Ni les lèvres mi-closes
 Ni le vase ni la rose
Ni la beauté du chant
 Ni le désenchantement

C’est comme si c’était hier
 Hier
 A des années-lumière

A des années-lumière
 Comme un oiseau qui chante
 Le cœur dans la tourmente
 Et moi qui m’impatiente
 Comme si c’était hier
 Hier

A des années-lumière
 D’étoiles la poussière
 Dans les grands yeux gris-verts
 Des enfants de la terre

Et nos mains sur la table
 Jouent au marchand de sable

 Tu restes
 Comme une parole interrompue
Comme les voix qui se sont tues

Dans l’oubli rien ne sombre
 Dans les années-lumière
Rien n’efface ton ombre
 Pour un cœur en hiver
 C’est comme si c’était…
 Hier
_______________________________________________________________
You stay
 Like an interrupted word

 Light years away
 Like an heart in winter

Light years away
 Nothing erases your shadow
 In oblivion nothing is dark
 The pretty name of a lover
Nor mint tea
 Nor half-closed lips
 Neither the vase nor the rose
Nor the beauty of singing
 Nor disenchantment

It's like it was yesterday
 Yesterday
 Light years away

Light years away
 Like a singing bird
 The heart in turmoil
 And I who get impatient
 As if it were yesterday
 Yesterday

Light years away
 From stars to dust
 In the big gray-green eyes
 Children of the Earth

And our hands on the table
 Play Sandman

 You stay
 Like an interrupted word
Like the voices that fell silent

In oblivion nothing sinks
 In the light years
Nothing erases your shadow
 For a heart in winter
 It's like it's...
 Yesterday

À Des Années - Lumière

Ah, the people we meet, and cross paths with, in this life…. So many experiences. How do we respond, especially if life clashes with these chance meetings? And what becomes of it? Once when looking for a place to rent, (25 years ago) I stopped to talk with an old man sitting on a bench. He had so much to say. My partner slowly became furious with me for taking the time to talk with him. We don’t have to wonder how that relationship went. In other words, this song is not about her…. Hee-hee. Or the old man for that matter. However, there are moments when paths cross, sometimes coming from very different trajectories and all of a sudden something wonderful happens in that moment. Gather, you might have experienced that too. This song is about a brief encounter with a kindred spirit, where our life trajectories did not change: A moment in passing. The song also contains some socially relevant thoughts/ lyrics about the world and my experience of it. Thoughts are thoughts though, and I find the more flexibly malleable I am with them, especially when it comes to the relative truths they may, or may not contain, the freer I am. Seems the more I attach to thoughts and refuse to change, the worse off it seems to get… But that’s just me. Hope you enjoy the song, Mark

Lammbone's Album

Moment In Passing

/больно махать с пирона вслед/
drawn people wave to us
from the compartments - carriages

it's time for them

they draw promises - to come back..
and that they already miss you
that they are so sorry..

and on the glass of the heart
they write..
with paper with tears in their eyes

and then erase..

cold or sadness on their faces?

and it seems that they are yearning and suffering
but the train has started moving
and they forget..

drawn people wave to us
from the compartments - carriages

where?
where -
they will go now
so that our love does not burn out..

it doesn't matter to them -
where to draw feelings..
and then erase everything..
erase..

and forget...



нам машут нарисованные люди 
из купе - вагонов

им ехать надо

они рисуют обещания - вернуться ..
и что уже скучают
что им так жаль..

и на стекле сердцА 
выводят ..
с бумажными слезами на глазах

а потом стирают ..

на лицах их простуда или грусть

и будто бы тоскуют и страдают
но поезд тронулся
и забывают..

нам машут нарисованные люди
из купе - вагонов

куда 
куда
они теперь поедут
чтобы любовью нашей не сгореть

не важно

им - где чувства рисовать ..
и всё стирать
стирать

и забывать ...

trains.

Cast of Characters:

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass
Mysterious Decibel-- @themysteriousdecibel  --MD—effected vocals
J.J. Terrell-- @j-j-terrell—JJ-- organ, trippy synth
Llanpsych-- @llanpsych -- Tez – electric guitar
TexMex Shaman– @texmex-shaman –Stephen– electric guitar, production, mix, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and seed idea 
Composition – The Eclectic Collective

This song began about half a year ago, as part of a three song set that Ken started with some really cool beats. Josh was first to the trough for here, laying in his fretless bass groove to complete the foundation and give it some tonal direction. Stephen came next and laid in the really trippy textural guitar that you hear throughout. JJ was next with his serious, no joke organ playing, which sets the mood for the whole thing. Last, but not least, Tez joined by adding some really cool accent guitar throughout.
  Of course, every great song needs a great producer, so we tapped Stephen to do the honors on this.
  We had originally made this and the other two song with the intention of having The Mysterious Decibel and his friend Modes About Me sing on them. However, life got in the way, so we sat on them. Finally, MD let us know that he wasn't able to complete the project with us, much to everyone's, including his, disappointment. However, MD did lay down a rough vocal demo for us, which Stephen very ably processed to sound almost like another instrument in there. So, we're releasing this song as a tribute to them both, with gratitude, especially to MD for all the great work he's put in with us. If you're not familiar with either of them, do yourself a favor and check them out. Modes about me is at  @modesaboutme and the link to The Mysterious Decibel can be found in the link in the cast of characters above. 
  This is an example of what it sounds like when the whole band composes a song together. We hope you enjoy listening to this as much as we enjoyed making it.

Mysterious Modes (Eclectic Collective)

5th piece in a series of experiments to try other approaches:
'Occasionally Inapplicable' (piano, fingers, synthesizer, art painting: Ax.W.)
You're welcome to listen if you like, if you can.

“You're on Earth. There's no cure for that.” (S. Beckett)

https://soundcloud.com/axelweis/sets/future-collection

Future V: Occasionally Inapplicable

Always exciting to collaborate with Cheryl. 
Here is her creative addition to 'Occasionally Inapplicable'.
• Cheryl Pyle (New York City) - flute 
• Axel Weiß (Obernbreit) - piano / strings, synth., perc., art

You're welcome to listen if you like, if you can.

“You're on Earth. There's no cure for that.” (S. Beckett)

Occasionally Inapplicable • Duo (Cheryl Pyle & Axel Weiß)

6th piece in a series of experiments to try other approaches:
'The A Priori' (piano / strings, bass, art painting: Ax.W.)
You're welcome to listen if you like, if you can.

“It is better to keep your mouth closed and let people think you are a fool than to open it and remove all doubt.” (Mark Twain)

https://soundcloud.com/axelweis/sets/future-collection

Future VI: The A Priori

composition for piano: Kelly Goodwin. @auntiekmusik
Arrangement & mixing: Larengonat
Cover: ArtriOO www.artstation.com/artri00

Not so long ago, Kelly offered me a collaboration and gave me this magnificent composition on the piano, its melody made me think of a Japanese animated film that I love, and I simply dressed the piano in a light dress in order to continue the magic. Thank you very much Kelly for this moment.


NOT SO LONG AGO.  🎧✨

Awareness Now

7th piece in a series of experiments to try other approaches:
'How it was sometimes, back then' 
• Guitar, bass, strings/keys, art: Ax. W. •
You're welcome to listen if you like, if you can.

„What have future generations ever done for us?“ (Groucho Marx)

https://soundcloud.com/axelweis/sets/future-collection

Future VII: How it was sometimes, back then

Banana #1

(Written by Terry Reeves)
Terry Reeves: Vocals
Gary Reeves: Drums
Hans-Michael Albers: All other instruments, Arrangement and Production

Reaching the age of 60 can signal a difficult time in one’s future life but may also, if you so choose, be a time when there is much to which you can look forward. My wife Jo was 60 earlier this year and wasn’t wholly enamoured with the idea so, as a family, we decided to make it extra special for her. If anyone deserves to be spoilt rotten it is she, having had to put up with me for 37 years along with being the most wonderful Mother to 3 fantastic children. Our family means the world to her, especially since we were blessed with 2 beautiful grandchildren and what she loves most of all is having them gathered around her. Over the years, we have followed the Reeves’ tradition of making Christmas a time to push out the boat in right royal fashion and as soon as December begins our house is festooned with lights and decorations, creating a party atmosphere that stretches right into the early days of the New Year.
In the lyrics, you’ll find many references to moments that always bring a certain Yuletide brand of merriment. For example, our Golden Retriever, ‘Prince’ Marvin The Magnificent’, makes it his exclusive responsibility to collect Jo’s slippers as soon as her back is turned. Try as you might, he won’t let you have them back until He decides the time is right (see cover pic). For myself, I take on the combined mantle of Court Jester - without fail, the same jokes every year folks - and Dextrous Magician (hence ’Abracadabra!’). I have recently discovered a new audience for these sleights of hand (of which they never seem to tire) in the shape of said Grandchildren, Richard and Theo.
We eat and drink our fill, we laugh and we sing, for even in a world as mad as this there is always room for a month of unbridled fun, so you’ll certainly get no apology from me! If you can imagine such a thing, this year we have decided to crank things up a little to make it extra memorable for Jo, starting with this special song to celebrate all of the Christmas days she has known. She doesn’t know about it yet so let’s hope it’s the catalyst for her best one ever. For me, I’m sure they must all have been memorable, merely because Jo has been there to see them.
Sincere thanks to all our loyal, generous listeners. Hope you all have a Peaceful, Relaxing and above all Happy Christmas & New Year!
ABRACADABRA! SIXTY CHRISTMAS DAYS!
(Terry Reeves)

Celebrating Sixty Christmas Days
Sixty four to a twenty four phase
Family singing classic hit songs
Melodic vibes, help Jo party long
SIXTY CHRISTMAS DAYS

Celebrating Sixty Christmas Days
Repeat the Father Christmas craze
Dressed in red with individual style
A gift for Dear Jo and a family smile
SIXTY CHRISTMAS DAYS

Experience a life of generations
Family growing with imagination
Sixty Christmas Celebrations
Giving all our love for inspiration

Celebrating Sixty Christmas Days
Making sure the groundhog behaves
Repeating good times, fun we have
I think we’ve heard that joke before, Dad
SIXTY CHRISTMAS DAYS

Celebrating Sixty Christmas Days
Deja Vu theatre of Panto plays
Shouting out loud “it’s behind you”
Prince Marvin knows, Jo fits the shoe
SIXTY CHRISTMAS DAYS

Celebrating Sixty Christmas Days
Entertainment in grandad’s matinees
Abracadabra, another magical spell
Rich and Theo know but never tell
SIXTY CHRISTMAS DAYS
ABRACADABRA! ABRACADABRA! ABRACADABRA!
SIXTY CHRISTMAS DAYS

SIXTY CHRISTMAS DAYS - CRIPPLE CLUB

Something we all need in order to feel more centered, more close to our inner soul.
Just close your eyes and let me take you with me in this beautiful spiritual trip :)
Here is a video we made with this music.
You can check if you like :) Thank you 😉 
https://m.youtube.com/watch?v=ca_JmikRpC4

Meditation

Fifty Lo Rims

https://youtu.be/y2coPQX2wfA

" Être libre " en audio sur YouTube Music :
https://youtu.be/HrS8APCg35M

Lien pour télécharger le titre :
https://music.imusician.pro/a/57Ayz0xf/

Musique : Arman Prod
Enregistré, mixé et masterisé aux AK Studios par Alexandre Roux

Retrouvez Kent-Zo sur :
Deezer : https://www.deezer.com/fr/album/698016571
Spotify : https://open.spotify.com/intl-fr/track/1SE5f9lHPNrORLfvMYdtEj
Apple : https://music.apple.com/us/album/%C3%AAtre-libre-single/1790870195

Facebook : https://www.facebook.com/Kent-Zo-1840887702899675/
SoundCloud : https://soundcloud.com/kent-zo 
Instagram : https://www.instagram.com/kent.zo.officiel
Twitter : https://twitter.com/KENTZOOfficiel

© 2025 KAZAPART Productions 
Contact : prodskaza@gmail.com

#Free #Rap #Libre 

Intro
Être libre 

Je suis libre de penser de partir dans mes pensées
De me dépenser sans penser à demain car désormais je vibre
De plaisir quand je vois la liberté que j'attendais devenue réalité
Comme dans les livres que je lisais adolescent
Qui n'étaient pas indécents car ils évoquaient ce moment
Où l'homme aspire dans sa vie à être libre 
Loin des règles établies où l'on perd l'équilibre 
Mais je suis libre en fait de chanter à tue-tête
Et de prendre part à la fête si l'envie intrinsèque
Me prend soudainement je savoure pleinement 
Cet instant magique qui me libère en même temps 

Refrain (x1)
Mais dis-moi si tu vibres 
À l'idée d'être libre
Es-tu libre ? 

Je suis libre et m'émancipe depuis que j'ai compris
Que la vie était courte et que le périple 
Que l'on choisit de faire était pénible 
Si l'on vivait pour la gloire éphémère et terrible 
Alors j'ai décidé d'aller sur des voies difficiles
Plutôt que d'emprunter le chemin docile
Où la morale voudrait qu'on s'engage 
Et qu'on finit  par regretter quand on arrive à l'âge 
De raison car on voit bien les saisons
Qu'on a passé loin des siens et c'est alors que l'horizon 
S'éclaircit mais il est trop tard 
Pour remonter l'horloge et dissiper le brouillard 

Refrain (x1)

Je suis libre de trouver ce temps qui me délivre des tensions
Depuis que je prête attention à ma façon de vivre à ma façon de voir
Et à ma façon d'écrire vu que l'on embarque à bord de vaisseaux sinistres 
Qui laissent des marques en nous rendant si tristes
Car jamais on ne se démarque en étant défaitiste
Ainsi les bras ballants quelque part on ne résiste 
Plus à la pression car l'oppression nous terrorise 
Et on s'enlise dans une vie grise 
Dénuée de saveurs et d'aucune maîtrise 
En termes de choix  qui nous déséquilibre
En nous interdisant enfin d'être libre 

Refrain (x2)

Être Libre (Arman Prod)

music & art by ax.w. • (the art detail is from my painting "table of the elements of mind") 
this tune is part I of my philosophy jazz series - listen to part II here: https://soundcloud.com/axelweis/aposteriori 

"all our knowledge begins with the senses, proceeds then to the understanding, and ends with reason. there is nothing higher than reason." (immanuel kant)

• more: 
- www.weiss-haenitsch.de
- https://soundcloud.com/axelweis
- www.axelweis.bplaced.net/wordpress
- www.youtube.com/user/azzelweit
- https://hearthis.at/axelweiss

Apriori

Here is the solo version of this tune, the very first (and previously unreleased one).
Music, guitars, piano, bass, drum edit.: me

More: 
https://soundcloud.com/axelweis
https://hearthis.at/axelweiss
http://www.axelweis.bplaced.net/wordpress
http://www.youtube.com/user/azzelweit

Flow

music / guitar / photo - ax.w. (germany)

more:
https:/soundcloud.com/axelweis
http://www.axelweis.bplaced.net/wordpress
http://www.youtube.com/user/azzelweit

In Space

• music & art: ax.w. • (the art detail is from my painting "table of the elements of mind") 
this tune is part II of my philosophy jazz series - listen to part I here: https://soundcloud.com/axelweis/apriori

"all our knowledge begins with the senses, proceeds then to the understanding, and ends with reason. there is nothing higher than reason." (immanuel kant)

• more: 
- www.weiss-haenitsch.de
- https://soundcloud.com/axelweis
- www.axelweis.bplaced.net/wordpress
- www.youtube.com/user/azzelweit
- https://hearthis.at/axelweiss

Aposteriori

• 'hohoutia te rongo' means to make peace and to hold it forever (in māori) • 

Guitar, ring modulator, art: Ax.W.
Artvideo: https://youtu.be/grvWrAQp5Pg

••• moe ahau o te loa neke o te mutunga te rangimarie pūmau i muri i te pakanga roa i roto i te tawhito moana ki te tonga ••• i dreamed of a moving peace ceremony after a long time of war in the ancient south seas ••• ich träumte von einer bewegenden friedensfeier nach einer langen zeit des krieges in der alten südsee ••• 

• more 
- http://soundcloud.com/axelweis
- www.weiss-haenitsch.de/AxW.html
- www.axelweis.bplaced.net/wordpress
- www.youtube.com/user/azzelweit

hohoutia te rongo

Guitar, bass, drum edit., art - Ax.W.

Duo version with Cheryl Pyle on our last album 'a+c+out':
https://soundcloud.com/axelweis/in-time-duo
https://soundcloud.com/axelweis/sets/new-album

•••

More music like this:
@axelweis
www.weiss-haenitsch.de/AxW.html
www.axelweis.bplaced.net/wordpress
www.youtube.com/user/azzelweit
www.facebook.com/AxelWeissMusicianProfile
www.reverbnation.com/axelweiss
www.fandalism.com/axw
hearthis.at/axelweiss

In Time

Thank you Jonathan (https://soundcloud.com/jonathan_beckenstein) for your beautiful guitar playing.

Jonathan: solo and wha-wha guitar (custom Telecaster)
Joppe: opening guitars (Ibanez JS1), virtual instruments

Cruising with Jonathan

Thank you Lovis! https://soundcloud.com/lovvarion

original track: https://soundcloud.com/lovvarion/klingklong-kitcarbonizedmnmlhoppush1session

Kling Klong with Lovvarion

Believe in science. Let's protect our democracies strongly against growing disinformation. Here is music against conspiracy myths.

Special guest: Werner Büsch (drums)
Guitars, bass, art: Axel Weiß (painting title 'Unknown Language V', 2021)

Werners drums always offer me a perfect template to groove ahead. Time to pick up my old Fender Jazz Bass again and trying some crunchy stuff. The special thing here is that the guitar retreats to the second place. I'm not primarily a bass player, but in this tune that bass is the king. 

“All our knowledge begins with the senses, proceeds then to the understanding, and ends with reason. There is nothing higher than reason.” (Immanuel Kant)

Art video: youtu.be/CN94jHjKPy4

•••

Find more if you like:
https://soundcloud.com/axelweis
www.axelweis.bplaced.net/wordpress
www.weiss-haenitsch.de/AxW.html
www.youtube.com/user/azzelweit

Debunkt

Music & art: Ax.W.
Video: https://www.youtube.com/watch?v=pS8TO77EWo8&list=PL71FB6E16D4371C72&index=1

Tomorrow, maybe

Threatened Future

Making music, mainly with guitar. In the past (70s/80s) a lot, now from time to time. My paintings correspond to the music. You are welcome to listen and to enjoy if you like, if you can. Peace, Axel