I'm told it's brilliant
Layers, motifs, counterpoint
A little bit of Latin in the second verse
Very... "award season"
I hate myself in high fidelity
But it sounds profound, doesn't it?

Painted in silence, a canvas of doubt
I sculpted the shadows the critics write about
My heart was a rumor I never could prove
But the rhyme-scheme's elegant, the modulations move

Ars gratia artis, but what is a self?
A mirror I sing to, with nobody else

You said, "This line's genius, it's post-modern pain"
But I wrote it drunk on a Tuesday, for fame
Every metaphor's hollow, but wears a disguise
A top hat of trauma, a monocle of lies

Tell me it's timeless, tell me it slaps
I looped the cello 'til I collapsed
I hated the bridge, but you called it sublime
So I added a reprise-well, five times

Am I a fraud if the work is good?
If it makes a woman cry in Amsterdam
and a reviewer use the word "visceral"
does it matter if I meant nothing?
(Or less than nothing?)
Am I just the casing around the bomb?

Three-four sorrow, spun in silk
A sip of envy, a dash of guilt
I laced my shame in major thirds
The strings were weeping, not my words
Spoke in symbols, dreamed in code
But woke to find I'd overflowed
A masterpiece of self-contempt
Curated, clean, irreverent

The cat walked across the MIDI keys
And that became the hook, with perfect ease
Critics said it echoed Mahler's grief
She was just hungry. That's the motif

Raise a glass to the tortured chord!
To the melody forged in a metaphysical war!
To the line that sounds just like despair
Though I wrote it in line at the DMV’s chair

We are patrons of the hollow hall
Where echoes win the curtain call
I gift you this: a soul on tape
Wrapped in theory, sealed in fate

I don't like me
I don't think you would either
But here it is
Six movements
Key changes
Time signatures that would make a metronome cry
Please, clap

Art for art’s sake, and me for no one's
Praise the mask that sings when the man has gone
The ink is dry, the curtains close
The ghost you loved... never composed

Ars Ex Nihilo

Bard, storyteller, song maker, star walker and author of books on the sacred mysteries.

All the lyrics of my songs are written by me. I put them to music with A.I. and then I spin up the whole lot in the Magimix with samples and loops. I can't sing for toffee, so if you fall in love with a singer on one my tracks, it's likely to be a robot!  Just sayin'...😎

All my socials: https://hyperfollow.com/anniedieuleveut

djmaker.musician 2.o with the possibility of updates. It depends on the version you downloaded. Painter, sculptor, poet and actor.. All this for lexical needs of the soul.. I accept monetary contributions. that is, imagine me sitting on the street playing... on the ground a hat acting as a purse... well leave your heart even if it's just a little, the important thing is that there are many of you 😅😅🤣🤣😂😂DOPE...DOPE...DOPE....

Follow me, share me, I’ll follow you too.
 My lyrics are all original and I love all music.
I'm very passionate about music, I love all music.
All our songs are written by myself and my music partner Amore. These are all demos,  We produce all types of music from Latin, Indie, R&B, metal, Rock, alt & dance music. 
We are in the process of recording in the studio. The music and animations in these songs were created using AI and edited with various tools. 
The lyrics are all original, and all rights to the music and lyrics are copyrighted. Enjoy

A lifelong music lover with an appreciation for diverse genres and an ear for discovering emerging talent. Passionate about connecting with others through shared musical experiences.

Chris Drabble, based in the Northwest of England, is a rock guitarist who has over 50 years of playing experience.
With nearly 50K streams on SoundCloud in the last 12 months being a mixture of Guitar Rock and softer Ambient instrumental tracks, Chris is now ramping up his rock guitar work with his latest album ‘Foot to the Floor’, which harks back to his youth when rock guitar tracks had a catchy opening riff, and was the sort exciting music you felt you had to tap your foot to. 
His influences include Rush, Led Zeppelin, The Police, Simple Minds, Pink Floyd, Joe Satriani and Jimi Hendrix. He is currently listening to Porcupine Tree, Dream Theatre.

Artist working with Guitar and Amp simulators and A.I.

Fleursonseaux born from a desire of expression, listening and dialogue in music...
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7th album (2025), "The Ten Colored Rooms", felt piano pieces: bit.ly/fb_ttcr
6th album (2024), "Imperfect Days", chillhop/lofi instrumental: bit.ly/fb_di
5th album (2023), "Low Fidelity Time", chillhop/lofi instrumental: bit.ly/fb_lft
4th album (2022), "Different Leaves", ambient moods: bit.ly/fb_dl
3rd album (2022), "At The Window", piano pieces: bit.ly/fb_atw
2nd album (2021), "The Good Questions", soundtrack collection: bit.ly/fb_tgq
1st album (2021), "The Bad Answers", soundtrack collection: bit.ly/fb_tba

• Artist | Producer • Maine
• Original tracks • Support the Arts!

• Dell • Ableton • Splice • Waves •  
• Rokit • Serum

• No generative AI tracks

"Redder" is a palindrome. Like "racecar" or "level". These pieces of music ain't.

Hi, I’m Volker – or "docredder"/"redder" when it comes to music. My journey into sound started early: as a child I sang Bach in a boys’ church choir, and that’s when I discovered how music can feel like both mathematics and magic at the same time. Later in life, I studied science and technology, but music has always stayed with me, as a way to process emotions, ideas, and imagination.
I’m not a virtuoso on any instrument, just a little guitar and some keyboard, but that never stopped me. For me, music is not about technical perfection, it’s about creating moods, telling small stories, and experimenting with sounds. That’s why I produce everything myself: the writing, the arrangements, the vocals, the mixing, and even the cover artwork. It’s a DIY approach, but it allows me to keep every piece authentic.
My influences are eclectic. I’ve always admired the timeless soundscapes of Pink Floyd and Genesis, the storytelling of Supertramp, the bold arrangements of Yes, Electric Light Orchestra and Muse, and the free spirit of Miles Davis. From progressive rock and indie pop to touches of jazz, funk, or ambient - I enjoy blending different textures until something new emerges.
Over the past years I’ve released a wide range of tracks, from introspective ballads like "Lament of the Last Generation" and "The End of Our Human Days" to playful experiments such as "Anna Sutter" or "Das Sein im Tinder-Schein". Some songs are melancholic, others ironic, some are inspired by literature, history, or science fiction. What connects them all is that they come straight from the heart - and from curiosity.
Every song is a little adventure for me. Sometimes it begins with a lyric, sometimes with a guitar loop, sometimes just with a feeling. I use simple tools like GarageBand, samples, my own voice and AI voices, but I try to arrange and transform them in ways that keep the listener surprised. My hope is that, even if just for a few minutes, the music opens a window into a different perspective.
I’m grateful for everyone who listens, shares, or gives feedback. Music for me is about connection - and every play, every comment, every message makes this journey worthwhile. If you enjoy honest, handmade songs that mix styles and don’t always follow the rules, I’d love for you to join me on this path.

Ars Ex Nihilo

Axioms of Mediocrity