Welcome back!

We hope your break was refreshing.
Please, sit down.
Settle in.

And remember—
if the performance moves you,
clap.
Shout.
Lean forward.

Even if the performers can’t see you...
someone might.

In Act I, the band found flow.
They found an audience.
They found each other.

Now, in Act II—
they start to find something else.
Something echoing.
Something already written.

Let’s rewind a bit.
And a bit more.
And more, until the very beginning...

In the beginning... there were grooves.
People humming in fields.
Riffs passed hand to hand—
campfires, basements,
no owner, everyone's to claim.

Nobody wondered who played first...
They just played it better.

Then cold cables hummed.
Then red pens and lawsuits.
Then software, spitting out every note.

And still—
the melodies returned.

What we call “original”...
might just be what we’ve forgotten we borrowed.

Ava hums something old.
Something older than her.
Maybe it’s Lead Belly.
Maybe it’s Nirvana.
Maybe it’s both.

This is Test 9.

They chase their songs—
not forward,
but back.

And what they find is...
familiar.

Song: Roots and Branches

In dusty fields and backwoods bars
Songs traveled far, under moonlit stars
No name, no claim, just hands and strings
Roots whispered low where the river sings

Passed down lines, a little twist
Every voice left a subtle mist

Then came the amps and the copper wire
Old blues wrapped in electric fire
Six-string thunder, claims were staked
Roots wore new boots, but the ground still quaked

Was it theirs, or fleeting glances?
New riffs swinging on borrowed branches

How is this different? Tell me who decides
When echoes ride the winds of time
Call it yours, call it chances
We all stand on these roots and branches

Now modern minds, they mix and match
Splicing tunes with a nervous scratch
One note close, and the gavel drops
Branches snap and the music stops

When did we fence off the songbird's flight?
Ain't every melody born of night?

And then came the AI, spinning the thread
Patterns woven from the songs long dead
Just a mirror of the paths we've walked
Echoes talking where echoes talked

Wires and circuits reveal new dances
The same old tune on brand-new branches

How is this different? Tell me who decides
When echoes ride the winds of time
Call it yours, call it chances
We all stand on these roots and branches

Don't stop the beat, don't break the line
The rhythm flows through roots and time
From roots to branches, bold and free
Just how we like it-let it be

Test 9: Where Have You Heard This Before? (Roots and Branches)

KRT - WAR TEMPO - NEXT STEP - NUR - ATOMIUM - BBAM

Belgian artist passionate about electro sounds and captivating melodies. Funkle Ace was born in Brussels, Belgium. Son of a piano teacher, he started playing the keyboard at an early age. With over 500 tracks to his name, he has collaborated with international artists and his songs have been streamed on various platforms. For a long time, he played with a friend and performed concerts in Belgium, France, and Spain (Burgos, 2 concerts + radio interview on Radio Castilla in 1984). Since then, he has followed his own path and decided to share his unique music style with you. His musical universe navigates between electro, chillwave, and ambient, creating unique and immersive atmospheres. He aims to touch hearts and minds with his music and collaborate with emerging talents to create unforgettable sound experiences. Follow him to discover his latest creations and feel free to leave your comments and impressions.
Artiste belge passionné par les sons électro et les mélodies envoûtantes. Funkle Ace est né à Bruxelles, Belgique. Fils d’une professeure de piano, il s’initie très tôt au clavier. Avec plus de 500 titres à son actif, il a collaboré avec des artistes internationaux et ses morceaux ont été diffusés sur plusieurs plateformes de streaming. Durant longtemps, il joue avec un ami et fait des concerts en Belgique, en France, et en Espagne (Burgos, 2 concerts + interview radio Castilla en 1984). Depuis, il suit sa propre voie et a décidé de vous faire découvrir son style unique de musique. Son univers musical navigue entre l’électro, le chillwave et l’ambient, créant des atmosphères uniques et immersives. Il cherche à toucher les cœurs et les esprits avec sa musique, et à collaborer avec des talents émergents pour créer des expériences sonores inoubliables. Suivez-le pour découvrir ses dernières créations et n’hésitez pas à laisser vos commentaires et impressions.

I love 70's American West Coast music. It's the music that inspires me. I also like Ennio Morricone's style. I play electric, classical, acoustic and 12chords guitar. Also, Bass
Youtube channel: https://www.youtube.com/channel/UCeCBZ4l-tqzB1iYK4sdhYzw

Me llamo Juan Francisco Bueno Olóriz, soy músico, compositor, letrista y toco la guitarra y el piano. Desde niño me ha gustado componer la letra y la música de mis canciones, primero de forma autodidacta y poco a poco de forma profesional, después de mucho esfuerzo y estudio. 

Mi titulación en el Conservatorio Superior de Música de Zaragoza (España) es de profesor superior de Pedagogía Musical. Tengo estudios de armonía, contrapunto, fuga, composición, arreglos musicales y además he sido profesor de Estética, Historia de la Música, de la Cultura y del Arte en los conservatorios de Tudela y Tarazona (España)

Mis canciones las han cantado artistas de la talla de Luana Ruff, Sebastian, Jesús Lainez,  Manuel Palomino, Joelblesseddd,  Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente o Carmen París y trabajo con grandes profesionales como el pianista José María Berdejo, el saxo Maiker Rivero, el guitarrista Nacho Abril, el chelista Pablo Baleta y el ingeniero de sonido Juan Miguel Sánchez en el estudio de grabación SIN/CON/PASIONES.

También he compuesto música para videos y documentales, fugas, invenciones, imitaciones canónicas, música modal etc. 

2014: semifinalista en el International Songwriting Competition (ISC)
2023: Special Prize en el 2nd ISAC International Popular Music Composition Competition
 2023: Gold Prize en el Franz Schubert International Music Competition en la categoría de Composición Original.
2023: Second Prize en el Vivaldi International Music Competition en la categoría de Composición Original.
2023: Absolute First Prize in The Bach International Music Competition en la categoría de Composición Original.
2024: Third Prize at the Dubai ProMusic Competition en la categoría de Música Clásica Original.

My name is Juan Francisco Bueno Olóriz, I am a musician, composer, lyricist and I play the guitar and piano. Since I was a child I have liked to compose the lyrics and music of my songs, first as a self-taught person and little by little as a professional, after a lot of effort and study.

My degree from the Conservatorio Superior de Música de Zaragoza (Spain) is as a higher professor of Musical Pedagogy. I have studied harmony, counterpoint, fugue, composition, musical arrangements and I have also been a professor of Aesthetics, History of Music, Culture and Art at the conservatories of Tudela and Tarazona (Spain)

My songs have been sung by artists such as Luana Ruff, Sebastian, Jesús Lainez, Manuel Palomino, Joelblesseddd, Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente or Carmen París and I work with great professionals such as the pianist José María Berdejo, the saxophonist Maiker Rivero, the guitarist Nacho Abril, the cellist Pablo Baleta and the sound engineer Juan Miguel Sánchez in the recording studio SIN/CON/PASIONES.

I have also composed music for videos and documentaries, fugues, inventions, canonical imitations, modal music, etc.

2014: Semi-finalist at the International Songwriting Competition (ISC)
2023: Special Prize at the 2nd ISAC International Popular Music Composition Competition
2023: Gold Prize at the Franz Schubert International Music Competition in the Original Composition category.
2023: Second Prize at the Vivaldi International Music Competition in the Original Composition category.
2023: Absolute First Prize in The Bach International Music Competition in the Original Composition category.
2024: Third Prize at the Dubai ProMusic Competition in the Original Classical Music category.

Born in 1980 under the name KRT, the band began its journey in the raw energy of live shows — in Spain, including a memorable concert in Burgos, and in Brussels at the Teatro. Those early years, intense and furious, were wiped away overnight: all archives, tapes, posters, and memories stolen in a single car theft, as if someone had tried to erase history itself.

By the late ’80s and early ’90s, the group found shelter in the former RKM studio on Avenue Molière in Brussels, under the demanding ear of artistic producer Jean-Claude Maury. From those sessions emerged Fast Beat and The Ballad of the Mouse and the Bird, defining tracks that carved NUR’s sound into stone — dark, restless, untamed.

After a split and years of silence, the band resurfaced under the name NUR, carried this time by the new promise of the digital age. The music could no longer be erased; it was destined to survive.

But fate struck again: the passing of one of the founding members closed the collective chapter. Today, NUR rises once more, as a solo incarnation. More than a project: a resurrection. A flame still burning, more than forty years after its first spark.

"Redder" is a palindrome. Like "racecar" or "level". These pieces of music ain't.

Hi, I’m Volker – or "docredder"/"redder" when it comes to music. My journey into sound started early: as a child I sang Bach in a boys’ church choir, and that’s when I discovered how music can feel like both mathematics and magic at the same time. Later in life, I studied science and technology, but music has always stayed with me, as a way to process emotions, ideas, and imagination.
I’m not a virtuoso on any instrument, just a little guitar and some keyboard, but that never stopped me. For me, music is not about technical perfection, it’s about creating moods, telling small stories, and experimenting with sounds. That’s why I produce everything myself: the writing, the arrangements, the vocals, the mixing, and even the cover artwork. It’s a DIY approach, but it allows me to keep every piece authentic.
My influences are eclectic. I’ve always admired the timeless soundscapes of Pink Floyd and Genesis, the storytelling of Supertramp, the bold arrangements of Yes, Electric Light Orchestra and Muse, and the free spirit of Miles Davis. From progressive rock and indie pop to touches of jazz, funk, or ambient - I enjoy blending different textures until something new emerges.
Over the past years I’ve released a wide range of tracks, from introspective ballads like "Lament of the Last Generation" and "The End of Our Human Days" to playful experiments such as "Anna Sutter" or "Das Sein im Tinder-Schein". Some songs are melancholic, others ironic, some are inspired by literature, history, or science fiction. What connects them all is that they come straight from the heart - and from curiosity.
Every song is a little adventure for me. Sometimes it begins with a lyric, sometimes with a guitar loop, sometimes just with a feeling. I use simple tools like GarageBand, samples, my own voice and AI voices, but I try to arrange and transform them in ways that keep the listener surprised. My hope is that, even if just for a few minutes, the music opens a window into a different perspective.
I’m grateful for everyone who listens, shares, or gives feedback. Music for me is about connection - and every play, every comment, every message makes this journey worthwhile. If you enjoy honest, handmade songs that mix styles and don’t always follow the rules, I’d love for you to join me on this path.

Hello
srp which lives in Japan. I write freely.
Please hear.

Pop Punk/Rock
One man's crusade to bring back dickies and sweatbands (by the elbow or not at all)

Test 9: Where Have You Heard This Before? (Roots and Branches)

Axioms of Mediocrity