They shuffle in at nine, dragging their feet
Eyes glazed over, heads down in defeat
Coffee cups in hand, the same old routine
In the land of the living, but barely seen

They clock in and they clock out, like ghosts in a line
You try to get through, but there's no sign of life inside

Zombies in the workplace, they're everywhere you turn
Staring at their screens, with no fire to burn
In the corporate tomb, where dreams go to die
We're all just surviving as the hours crawl by

Meetings feel like graveyards, all stiff and cold
The same old stories, the same lies told
Their bodies are present, but their minds are away
In the cubicles of doom, where ambition decays

They clock in and they clock out, like ghosts in a line
You try to break through, but there's no sign of life inside

Zombies in the workplace, they're everywhere you turn
Staring at their screens, with no fire to burn
In the corporate tomb, where dreams go to die
We're all just surviving as the hours crawl by

Is there any hope, in this corporate tomb?
Can we rise above, escape the gloom?
Or are we all destined, to join the undead crew?

Zombies in the workplace, they're everywhere you turn
Staring at their screens, with no fire to burn
In the corporate tomb, where dreams go to die
We're all just surviving as the hours crawl by

They shuffle out at five, dragging their feet
Another day done, in this endless repeat
But maybe tomorrow, we'll wake up and see
A world free of zombies, where we can all be free

Zombies In The Workplace

Just me, posting stuff I do in my homestudio.

Down for colabs, I mostly do guitars (but also shitty bass/ keyboard/ programmed drums if I have to).


I love mixing music, if you like my work and ever need a mix  I'd be happy to help out (not going to ask for compensation, I just love working on audio)

225 tracks of Progressive Grunge Melodic Post Instrumental Psychedelic Groove Rock. A melting voyage of blending genres and sounds. A magical journey of exploration and creativity forever pushing the boundaries of normality.

Welcome to the Lab 💀 
Creator sound designer
40 plus years in live sound reinforcement
getting by with some help from friends.

Sais Steely Dan keyboardist Jim Beard… “Congratulations on a marvelous album JOrdon!”.

Albany’s WXET Dave Michaels sais “ JOrdon your Pixie Dust album is a masterpiece!”.

Hello magical entity... Thank you for visiting..

Three names I go by are JOrdon (which I use for Bandcamp and SC) and Jae Ordon and Mascot’s Distance,(which I use everywhere else, such as Spotify, Apple, etc.).

I've written music for Taye Diggs, Ian Gillan of Deep Purple, Pete Yorn, the Gorillaz Dan the Automator, John Spencer Blues explosion’s Russel Simons and Bed Bath and Beyond.  In summer of 2022 my recording Life Whispers On was #7 on Canada’s Cashbox Radio.  Currently finishing up a musical called Humane.


I'm playing all the instruments on many tunes, ones I'm not are…Brian Allen of Lori McKenna, Christopher Cross and Robben Ford on Bass, Michael McDonald's horn section, in addition to Yutaka Uchida playing drums on some tunes and Laurent Medelgi on guitar, also Danny Zanker and Joe Bearclaw Burcaw playing bass.
Thank you for listening to my Vegan, Folk-Jazz-Rock recordings…

"Welcome to my SoundCloud profile! Here you'll find a collection of my diverse musical creations, each reflecting my ever-changing moods and inspirations. I thoroughly enjoy making music, and as a result, I've built up quite an extensive repertoire. It's an exciting journey that I'm constantly pushing forward, without dwelling on the past.

Keeping up with all the music I create can be a challenge, but it's a challenge I embrace wholeheartedly. I find tremendous joy in the process, especially when others appreciate and enjoy my work. So, if you're into discovering new sounds and genres, you're in for a treat! If you're a vocalist(male or female), interested in collaborating, reach out to me. It may be some project to work with now or in the future.

* * *So, what's the deal with THORBACC? * * *

THORBACC is a project where contemporary rock music merges with the spirit of classic '70s and '80s rock. Drawing inspiration from both the legendary Swedish rock scene and iconic rock sounds from around the world, THORBACC blends nostalgic energy with a modern twist. The music captures the raw, melodic power of Swedish rock while embracing global influences that defined those golden decades. If you’re into driving guitar riffs, catchy hooks, and that timeless rock-and-roll vibe with a touch of both local and international flair, THORBACC is where it all comes together.

Thank you for visiting my profile, and I encourage you to keep doing what you're passionate about. Whether you're here to listen, connect, or simply explore, I hope my music brings you as much joy as it brings me."

Please feel free to check out my YouTube channel and Instagram accounts
https://youtube.com/@mugfish76mugfish40?si=RTpuCuetokQsRVjA

https://www.instagram.com/mugfish76?igsh=MTl3MmdjY2ludG1ueQ==

Robert E Flynn III is a software-developer, author and musician from San Antonio, TX. He is living with his beautiful fiancé, Claudia, whose delightful, positive outlook on life has given him the motivation to finish this work. He has two wonderful children, Caitlin and Zachary, who are grown and exploring their own fantastic lives. He has spent his entire life pursuing creative endeavors. Music was his first love and still is, and writing was always part of his life. 
Robert lived in Austin, Texas for many years and was part of the music scene in the city during that time. He was a member of several bands during those days and tremendously enjoyed playing live in many venues in the music rich area. Music is a great example of our creativity, which speaks to the Creation of all things. He also lived in Denver, Colorado for several years when his children were young and then relocated back to San Antonio, Texas to be close to family.
Night of the Living Dead was recorded at Salmon Peak Studio in San Antonio, Texas.  Mark Sinko acted as the recording engineer and also contributed a guitar part on the song.  Robert Flynn’s longest friend, Brian “Red” Moore played bass on the track as well.  Brian is the lead recording engineer at Q Productions in Corpus Christi, Texas. Q Productions is owned by the famous music artist, Selena Quintanilla-Pérez’s father.  Brian also plays bass and sings on most of the tracks I currently have on Soundcloud.  In addition to Brian, other contributors and long time friends are on these recordings also.  Jerry Bazil, from Michigan, plays drums on several tracks. Bobby Lancaster, from Texas, plays drums on several tracks as well.  Also, Joe Mota, from Texas,  plays keyboards on several tracks (Sadly, Joe is no longer with us, but he was a genius in many ways musically and an inspiration to me). 
I play keyboards, guitar, drums and vocals throughout these tracks.

http://itunes.apple.com/album/id1547160428?ls=1&app=itunes
https://music.apple.com/us/artist/robert-flynn/1526505616
https://open.spotify.com/artist/3lx8cQlclBh1slpwByR0Tk?si=wDa3nJWAQ6qL1btF0hp6WQ
https://www.youtube.com/channel/UCKdR_YZQ5AlfByTdQEDtFDg

https://www.facebook.com/robert.flynn.1000/
https://www.instagram.com/reflynniii/
https://twitter.com/reflynniii
https://robertflynn.musicprosite.com/
The Touch: A Supernatural Story - Part 1 is available now on Amazon
Connect with Robert on Facebook or http://roberteflynn.com
https://musician.artistpr.com/p/robert-flynn/

Zombies In The Workplace

Axioms of Mediocrity