many great tracks on your profile, I like that smooth jazz

[UNDER CONSTRUCTION]

Meet ____________ (insect and spider specie, when my computer is fixed)

Calm and Steady tracks series no. 534

I used the tags suggested by SoundCloud.
It's a test with results made public : )

created: 2025/03/27

Picture CREDIT (none yet, there's no picture so far ; )

hk_calm-steady_tracks_534

Hollow Point 2

a pretty old melody (around 2001?) from back when I was first experimenting with Arabic scales & rhythms.

Unorthodox Explorations

Hijaz Kar - Middle Eastern Dance

Placebo

Marla's First Night In Heaven V. SHORT

El taller de Cuca:
Toni Solé (piano and keyboard)
Mery Navarro (choirs)
Cuca Aguirre (choirs)
Pepe Gámez (Spanish guitar)
Antonio Sánchez (Spanish guitar and bongó)
Adrián González (electric guitar)
Sergio Párraga (keyboard, bass, melodic bass, cajón, palms, choirs, drumms programming and production)

Donde siempre

Song : Never gonna say goodbye ( Just say you love)
Album:  Sharpen Quills and Empty Wells
All right reserved
Copyright ©️ Malcolm Gladwin 
Lyrics: Malcolm Gladwin 
© 2025

2025 
Gladwin / Turner /  Penny 


Never gonna say Goodbye ( Just say you love me ) - Malcolm Gladwin

Floomara Swaylix Senis pushes the boundaries of electronic jazz, offering an atmospheric and hypnotic journey. With deep basslines, rhythmic textures, and synth melodies that evoke a sense of improvisation, it draws the listener into the moment. Its multi-layered sound works both as a background companion and as an intricate piece that reveals new details upon close listening. Perfect for unwinding, getting lost in thought, or simply flowing with the rhythm.

Floomara Swaylix Senis

noxpox - LASTERFAHRER

OWEN STAGG HE IS VERY PUNCTUAL
JUST LIKE ME
ALWAYS CARRIES A STONE IN HIS POCKET 
SO DO I

AND WE BOTH AGREE THAT HERB STRIPPER
WOULD BE THE RIGHT NAME FOR A KITCHEN DRAG ACT`
but
I AM NOT OWEN 
OWEN IS UNIQUE
QUITE A SPECIMEN
DODECAPHONIQUE
YES HE’S ONE OF A KIND
UN VRAI GENTLEMAN

HE HAS A GREAT DISPLAY OF JUMPERS AND CARDIGANS 
ME I DON’T
HE IS GOOD AT CHESS AND SAXOPHONE (IN A CUPBOARD)
MOI NON PLUS

HE KNOWS SO MANY THINGS I DON’T, LIKE THE DIFFERENCE
BETWEEN FRENCH AND GERMAN BOW STROKES

I AM NOT OWEN
OWEN IS UNIQUE
QUITE A SPECIMEN
EN PATAPHYSIQUE
HE’S ONE OF A KIND
UN VRAI GENTLEMAN

ME WHAT DO I KNOW ABOUT WARM HUGS AND OLIVES
RIEN DU TOUT
BUT OWEN HE FEARS A BAD BBQ PIZZA 
I DO TOO

HELLO HELLO, HELLO OWEN CAN’T HEAR YOU ME
I CAN’T HEAR YOU
OH MAN YOU’RE SO DIFFICULT TO CONVERSE WITH
ON THE PHONE



I AM NOT OWEN (Lyrics) song for Owen

A collab with https://soundcloud.com/bigpapashonan on violin and keys/sounddesign and https://soundcloud.com/holgerengel on bass guitar, Big Thank You to my wonderful collaborators. Please take a listen to the remix of KBS:  https://soundcloud.com/bigpapashonan/brochen?si=a3d0ddc3cdb9475f9601e6fdea3e64bc&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
 
At 1142 metres above sea level, the ‘Brocken’ (also known as the ‘Blocksberg’) is the highest mountain in the ‘Harz’, a mid-range mountain group in Central Germany. Put simply, it is a large block of granite, a plutonic rock. It is shrouded in legends and mystery. My father grew up in this area as a child and of course knew the old stories and myths, including some about the so-called "Brocken Ghost"...

The cropped, filtered and edited photography shows the „Brocken Spectre“ (original by Walter Richter)
					
„When the observer's shadow falls on a layer of fog or clouds, the shadow is not represented by a solid surface, but by each drop of water in the haze individually. As a result, the brain cannot see the shadow stereoscopically and significantly overestimates the size. Air movements cause the shadow to move, even when the observer is standing still. This seemingly separate entity can also float and hover without having any visible contact with the ground. The other physical conditions on the mountain, cool and damp air, silence, as well as the lack of orientation due to a lack of foresight and neighbouring mountains, reinforce the subjective impression of the apparent existence of a ghost."

					Johan Esaias Silberschlag, 1780


Brocken Ghost

1
The shadow falls (4)
On layers of fog 
The shadow falls
Unto each single drop
The shadow falls
On layers of fog
The shadow falls (2)
  
A different story
On each single drop  
A different story
From the bottom to the top
A different story…

2
The shadow floats
On layers of fog
The shadow  is hovering
Over the ground
The shadow is growing
Waving without sound
The shadow floats
With a glory

A different story
On each single drop  
A different story
From the bottom to the top
A different story
On each single drop
On each single drop

Brocken Ghost (wt KBS and Holger Engel, raw edit)

This is just a song of personal circumstances written in the same phase as “Jigs & Fixtures”.   
Looking back after so many years, I really should not have any regrets.  The song picture is also arbitrary.
Thanks so much for stopping by.

[CREDITS]
Music / Lyrics / Vocals / Arrangement / Programming – Michael C. Lynn
Guitar Solo – Brent Mason @Band_in_a_Box
Violin Solo -  Avery Bright @Band_in_a_Box

[LYRICS]
It's been four years now					
I am still around in these castle walls					
Not yet ready for society bound					
Waiting for chances to call					
But the curtain's falling before the play begins					
Sometimes you make it					
Sometimes you have to give in					
					
In this castle					
For too long I've been here					
See the castle					
Many long to be there									
That's the castle……that's the castle

Card games in the library					
Play truant repeatedly					
Keep on fooling around					
Examination's in a daze					
All the years are gonna waste					
Feeling like a clown					
Empty stages, regret is the only thing					
Run through the pages					
Can't find the right song to sing

In this castle					
For too long I've been here					
See the castle					
Many long to be, long to be there

Requirements must be satisfied					
If you wanna get inside					
Fill the forms and stand in line					
The status that you're aiming					
Dreams you're pursuing					
Future sure looks fine					
Games hall and canteen					
Swimming pool in between					
Are just too fascinating for school-leavers at seventeen				
					
(CHORUS 2)					
Come and join the castle					
We're getting better every year				
Join the castle					
It's nice to have you here
Join the castle					
We're getting better every year				
Join the castle					
It's nice to have you, nice to have you here

The Castle

Dedicated most especially to L.K.A.--our new little grandson so freshly arrived from the face of God.

Oh, that all children were loved.

Thank you, dear Oddrun, for the color and depth of meaning you bring to my music.  
Thank you, Arne, for your help and encouragement.



Melody composition, poem and voice: @Oddrun-Eikli
Piano and Composition: Debra Buesking (Inspired by Bach's "Sheep May Safely Graze") 
Studio Mix: @Arne-Hiorth


Let Nature Embrace you.

Wrapped in red, orange and blue
The little baby in mothers arms
Tiny white jasmin growing in her garden
Mother Nature dressed in spring
From magic skies of mint
Every color spins new
In future clear as aquablue

Let Nature Embrace you
Gently
So gently

Life`s colors flow from gold to umber
In crocuses, Petunias
In Asters and in Pansies
A thousand shades of reds
In yellows and in brown
From Magic skies of mint
Every color spins new
In future clear as aquablue




May Nature Embrace you
Gently
So gently

Gently: Oddrun Eikli and Debra Buesking

l'art pour l'art - Vertere
May 2025
Duration: 3:00
Listen to the Playlist, l'art pour l'art: soundcloud.com/bruce-klepper-1/sets/lart-pour-lart
Cover art painting: Carol Klepper
Cover art lettering: John-Marc Ventimiglia
For piano, harpsichord, organ, skiddaw stones, timpani, virtual instruments and percussion

l'art pour l'art - Vertere

10th Ave.  is a smooth, late-night stroll through the heart of downtown. Built on mellow 10th chord progressions and George Benson–inspired guitar melodies, it blends warm jazz textures with laid-back downtempo grooves. Moody, elegant, and cool —  music for city lights and quiet moments.

Details: 2023 Idea.  A cyclicall and somewhat random A minor melody based on pentatonic shapes. 

Chords: A simple 10th chord guitar progression - F7(add 10), C7(add 10), Em7(add 10), Am7(add 10), Bm7(add 10), BbM7(add 10), Am7(add 10), AbM7(add 10).

Original concept, performance and composition by Malcolm Palin 11/15/2023.

Original demo: https://soundcloud.com/solanar/10th-ave-original-demo-111523?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing&si=1eae4e6dda3043d282b195e6fdace3c5

10th Ave.

Two Sides to Every Story

Pattern

"Welcome to my diverse music hub! I’m thrilled to share my creations with you. Here you’ll find a blend of Lo-Fi, chill, cinematic, and ambient sounds crafted for your moments of focus, relaxation, and inspiration.
Your support means the world. Listen, like, comment, and share to help the music reach more ears. Let’s explore this sonic journey together!
(Contact: axionis.music@gmail.com)
(WhatsApp Channel: whatsapp.com/channel/0029VbAXRpy05MUdk0yiV)"

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Floomara Swaylix Senis

AXIONIS

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