Physical Therapy has as many vibes as he does aliases. You never really know what you're going to get from his sets—you can probably count on a bit of UK garage and some breakbeats, but beyond that, it's a free-for-all. He's gone through phases ranging from DIY pop edits to grayscale Berlin techno to all the fantastic and unpredictable music on his label Allergy Season to his latest EP of vocal-heavy 2-step tracks, part of a recent move towards more emotional dance music that he says captures his "twee" side. If there's anyone that truly believes in the power of crying on the dance floor, it's him. 

He's an expert at themed mixes, pulling together loosely categorized sections of his vast and sometimes hilarious collection. (Other sets, like his revered Honcho Campout recording, are gloriously all over the place.) But for his RA Podcast he's gone straight for the dance floor, choosing the kind of thing he would play at a club rather than one of his NTS sets. It's typically era-spanning and adventurous, yet woven together with an expert touch, running from an underrated Texas dubstep label (Pushing Red) to old-school IDM to vintage Miss Kittin and even an obscure (or just forgotten) turn-of-the-millennium cover of "How Soon Is Now" that would only really sound right in his hands.  

Read more: http://ra.co/podcast/826

@physical-therapy

RA podcast

RA.826 Physical Therapy

Finally got the audio for my closing set at Nowadays on 8/6/22! 

3-6:30 AM. Hope you enjoy/relive some of the moments + track IDs upon request (I might be a little slow but I'll get back 2 u) ...

Big shoutout to Facta and K-Lone for joining me + setting the vibes so right.

For those of you who weren't there plz come to the next one! The last night of my 2022 residency is October 15 with a very special Berlin guest  :) + 2023 dates TBA.

Ayesha Nowadays Residency (Aug 6, 2022 )

Available on Audio Cassette and digital download directly from the label’s Bandcamp: https://cclurl.bandcamp.com/album/a-night-in-the-skull-discotheque

Side A: Bass is Eternal
Side B: 2-step Mutual Dream

A Night in the Skull Discotheque by the beloved underground selector CCL is the latest offering in the T4T LUV NRG label’s highly limited DJ mix series of cassettes. This immersive journey through a wonderland of proto-dubstep sounds from the late 1970s through the year 2000 is a sonic sibling to CCL’s acclaimed 2018 mix Ode to Queer Steppas.

Inspired in part by Eris Drew’s use of “old records to create new styles out of fragments” on her Raving Disco Breaks Vol. 1 mixtape (T4T LUV NRG, 2019), CCL approached this recording with a parallel frame of mind. Created with 3 CDJs, one Turntable, and a Boss Digital Delay 200, the tracks included in the mix are deconstructed from their whole, and constituent parts are intertwined, sampled, and dubbed out while being further stretched beyond their physical limits. CCL mixed many tracks at the 'wrong speed', pitched beyond their original recognizable tone; others are recontextualized through imaginative layering.

With a solid nod to seminal mixtapes of the early 90s, CCL references the namesake for Side A, Bass Is Eternal, an unreleased 1992 mixtape by influential Bristolian producers Smith & Mighty, an important sonic fulcrum amongst the musical tributaries of the hardcore continuum that continues to reverberate to this day. CCL experienced the after-effects of this ‘proto’ sound genesis in 2008, while living in Bristol, by which point its emergent whispers had coalesced into what became known as dubstep. Tracing a rich history of reference through the samples, basslines, moods, and drum patterns emanating from Bass Is Eternal while looking for connections that predate it became a long-term fascination for CCL. The result is a DJ mix that connects the oft-forgotten dots between proto eras and modern developments in bass and dubstep.

For the resulting sonic ride on A Night in the Skull Discotheque, CCL leads us to a fantastical place of timeless surreality – a majestic haunted dancehall soundtracked by a giddy rush of steppers and dubbed-out delights. Subs rattle through syncopated percs, and moody synths glisten in macabre glory. Fantastical dancers wriggle in wispy eternity, liberated from their corporeal forms in all their greatest spiritual wonder. Both extravagant and dusky, A Night in the Skull Discotheque is a world of seductive in-betweens, a place caught between the moodiest depths and the highest exuberance – A love letter to one of the most impactful formative sounds of the last decades.


***************************************************************************************
A portion for the proceeds from this release will go to fundraiser "SUPPORT PALESTINIAN SOLIDARITY IN EUROPE!". You can also directly donate via:
https://www.gofundme.com/f/support-palestinian-solidarity-in-europe
***************************************************************************************

Tape design: Nina Muro
Mastering: TJ Hertz
Additional tape mastering: Eris Drew
Photography: CCL 
Linear notes: Nevan Jio

A Night in the Skull Discotheque [T4T015]

CCL - A Night in the Skull Discotheque

my live set from sustain release year 10 at the grove friday night. this was one of the wyldest vibes ive experienced while playing live and i hope you can feel the feral energy within and enjoy <3

xx

Sepehr (live) @ Sustain Release Year 10

Live recording of my 7 til 10am set for the almighty and fabulous Faggots Are Women party in NYC! 

PAURRO LIVE @FAW NYC

live recording of our opening set from wire festival 2024, mala junta stage, saturday night bebe x

Meilgaarden b2b como se DJ live from Wire Festival 2024

My set (with crowd noise) from the Grove Saturday Night 1-3am, after Djrum, before Identified Patient. 

Out to all the sexy witches of the forest, thank you to everytone there + entire crew @sustain-release-nyc :)

<3 Mastered by the best @wordcolour

CCL @ Sustain-Release Year Ten

A rare club mix from the ever-evolving artist, with 90 minutes of shadowy, atmospheric pressure.

Music's therapeutic value is often linked to relaxation—gongs, singing bowls and the like. Dense passages of foggy droning and eerie static aren't traditionally considered restorative, but Laurel Halo makes a pretty good case for it.

The Detroit-born, Los Angeles-based musician's abstract, often improvised productions are heavy on sound design and emotional climax. Driven by atmosphere rather than rhythm, they push listeners to grapple with their innermost insecurities, fears and dreams. "I'm lucky my music has helped people through crises," Halo once told Discwoman. It's easy to see why.

Since her 2010 debut King Felix, Halo has built a stunningly diverse catalogue of classically-informed records. A multi-instrumentalist—piano, violin, guitar, keys—her sharpest instrument is arrangement. Inspired by the surrealism of Italo Calvino and Apichatpong Weerasethakul, her releases, from Atlas to Behind The Green Door, unfold with slow-burning narrative and dense emotional weight. Her soundworlds are layered and labyrinthine—an architectonic space where self-reflection happens almost by force.

Even in the club, the sought-after composer excels in immersion. Her sets extend the expressionist palette of her records, trading traditional rhythm for tension, space and surprise. It’s no wonder she takes a genre-agnostic approach to the dance floor—her deep roots in freeform radio began at WCBN-FM in Michigan, followed by Berlin Community Radio, Rinse FM, and now a regular show on NTS.

RA.992 stitches foggy ambient loops, propulsive techno, mutant percussion and heady left turns with care. Tracks from DJ Rush, Octave One and Eddie Fowlkes nod to her Midwestern heritage, balanced out by deeper, psychedelic fare from the likes of Polygonia and Cousin. It's the mark of an artist revealing both deep curiosity and a precise hand as a selector. Rare, indeed.

@laurelhalo

Find the full interview at ra.co/podcast/992

RA.992 Laurel Halo

Dreamscape

MARKII - SOMETHING ABOUT YOU

New content everyday

Support Artist : @kolectiv @pav4n

Out now on : @anttc1

Buy : https://push.fm/fl/diskolpl001

Kolectiv - Calibrate (feat. PAV4N) [Premiere]

Ayesha’s performances reflect a playful curiosity and a decade of experience honed in DC and NYC’s vibrant club and warehouse party scene. As a beloved resident at Nowadays, she weaves through percussion-based techno, breaks, garage, and everything in between, delivering heady, maximal body music tailored for the dancefloor. As a DJ, her style is eclectic and dynamic, drawing from North America’s techno underground, leftfield UK sounds, and her Indian heritage.

Ayesha is gaining recognition as a producer of forward-thinking club music. Her music, hypnotic, pulsating and powerful, is as fitting at a deep forest festival as it is in a sweaty basement or dark nightclub. It's crafted with meticulous sound design, spongy textures and alien melodies. She writes tracks with deliberate consideration for how bodies move – and how music moves bodies – making her work unusually tactile and physical.

Her 2021 EP, ‘Potential Energy,’ released on UK label Scuffed Recordings, marked the beginning of her rise. Subsequent releases on Fever AM, Control Freak, and contributions to NYC label Eto Ano’s ‘No Cash In Booth’ compilation further solidified her status. Her debut album, ‘Rhythm is Memory,’ released on Kindergarten Records in 2022, was lauded as “a revelation” by DJ Mag and “a fierce mission statement” by Resident Advisor. Mixmag placed her at number two on its list of the 25 Producers Who Defined 2023. 2024 saw Ayesha debut her live set at MUTEK Festival in Montréal to wide applause with her live show set to evolve into the coming year with firsts at Dekmantel as well as more TBA.

s@icartists.net (americas)