 	
CAMBIÁ LA BIBLIA, nace en 1999, en Montevideo.
Luego de 5 años de intensa actividad subterránea, publica en 2004 su disco debut: ALGUN CULO VA A SANGRAR.

A partir de ese año transitan diversos escenarios de la capital, del interior y de Buenos Aires; habiendo compartido shows con artistas como La Vela Puerca, La Tabaré, La Chancha, Once Tiros, las Manos de Filipi, Dos Minutos y Fermín Muguruza.

Durante 2010 CAMBIÁ LA BIBLIA comienza a trabajar en su nuevo proyecto discográfico.
Con la producción artística de Nicolás Lieutier (bajista de La Vela Puerca) graban en Estudios IFU y Arizona, entre Julio y agosto del 2010, sus nuevas canciones.
La mezcla la realiza Julio Berta (grabaciones de Cuarteto de Nos, BajoFondo, Sordromo) en Montevideo sobre el fin del año y el masterizado lo hace Mario Breuer, uno de los más experientes técnicos argentinos en esa área, en Buenos Aires en febrero de 2011.

El disco cuenta con varios amigos invitados : Denis Ramos de No Te Va Gustar, Alejandro Piccone y Santiago Butler de La Vela Puerca, Pablo Silvera de Once Tiros y Gustavo Montemurro.

URUGUALTER, el nuevo disco de CAMBIÁ LA BIBLIA estará disponible en las principales disquerías, en un lanzamiento de Bizarro.

Este grupo nace en el mes de Marzo del año 2006, y esta integrado por Leandro Angeli, Cristian Huillier, Juan Otero, en guitarras, Pablo Sensottera en guitarrón criollo y Black Rodríguez Méndez en voz y percusión, todos ellos poseedores de una amplia actividad musical dentro de la música popular.
“La Púa” aborda un repertorio de tangos y milongas (sumando también algunos temas de folclore) arreglados para esta clásica formación dentro del género, buscando renovar la sonoridad sin perder la esencia tanguera.
En este camino de rescatar y a la vez reinventar la estética de los tradicionales conjuntos de guitarras, el grupo ha incorporado a su repertorio temas que históricamente fueron interpretados por las orquestas típicas.
Uno de los pilares fundamentales del grupo y a la vez una característica que lo distingue de otros conjuntos de guitarras tradicionales es la horizontalidad de su trabajo: todos sus integrantes arreglan, componen, hacen “solos” y primeras voces, rompiendo así la monotonía tímbrica y estilística que genera muchas veces el mismo solista durante todos los temas. Los arreglos poseen un tratamiento casi orquestal y de ahí que muchas veces se lo definiera como una pequeña orquesta de guitarras.

JOHN QUEJIO-The player of flamenco guitar and Singer / Song Writer.

John started to play the guitar when he was 15. It was at his mums friends house party where he was the only child. He picked up a guitar in the living room and managed to play a song in just a couple of hours.That night his mum decided to buy that guitar from her friend for 60 pounds.
Being a single parent John s mum struggled to afford private guitar lessons. He learnt to play guitar listening to the albums of great guitarist such as Jose Feliziano, Paco de Lucia and Eric Clapton. By the time he was 17 he was already playing at a bar in Denmark Street.
After finishing his degree in London John moved to Istanbul. In ten years he managed to release 3 albums working with some of the greatest musicians in the country. His biggest hit was "Gamzeler" which became a classic.
With the Turkish hearts already concored John decided to expand his music carreer and moved to Spain. He played his violin with legends such as Remedios Amaya, Manuela Carrasco, Manuel Molina. Later he began to play at the Carboneria, perhaps the most prestigous flamenco tavern in Spain.  
When even the greatest flamenco artists started to came and listen to him at La Carboneria John felt confident enough to display his talent to a wider audience. 
With the honour of performing live at the Spanish National Radio (RNTE) and many other radio stations around Spain, as well as the theatre Lope De Vega, Quejio moved back to his home town, London. 
Here he began to amaze the croud with his unique style of singing and playing boleros. His great skills earned him the title Eric Clapton of the Flamenco Guitar. 
He became a regular figure on the jazz scenes as important as The Ronnie Scotts and the PizzaExpress. 
Not only singing covers John also sings his original songs such as "Rosa" which was announced as the first flamenco song written in english by the Spanish National Radio. 
Quejio is recognised as the best non spanish flamenco singer by the award wining producer Paco Ortega. Currently the National Television of Spain is making a documentary on how John became a succesfull flamenco musician. 

"You have never heard your favorite bolero songs performed in such an original and gypsy firey way"
evening standard.


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