With Rockability, aZzma rewrites the rules of freedom in rock form. The grunged version drips with sweat and distortion, carried by pounding bass and jagged guitars. Her vocals move between whispers and screams, shaping the track into a rebellious statement. It’s dirty, alive, and entirely hers.

Lyrics :

Intro 
- Hey Jimi, they still playin’ it safe out there?  
- Safe is dead, mama, safe is six feet under.

Couplet 1 
In the 50s they dressed so neat, 
Tied their shoes, kept their beat. 
Families framed like TV screens, 
Smilin’ faces, plastic dreams.
Then the 60s came, brushed in paint, 
Love was loud but still so quaint. 
Pretty art in Sunday clothes, 
But freedom whispered, “break those codes.”

Refrain  Rockability / set me free, 
Wild and dirty, that’s the key. 

Couplet 2 
70s hit with smoke and fire, 
Psychedelic fuel took us higher. 
Good acid, truth in every chord, 
We tore the cage, we cut the board.
Whiskey lips and freedom’s kiss, 
Stage was holy, pain was bliss. 
Screamed my soul till the lights went blind, 
Left the neat and clean behind.


Pont Plug the fuzz, light the night! 
Drink the blues, burn it right!  
Music’s mad, but music’s true, 
Rockability / it bleeds through you.

Refrain Rockability / set me free, 
Wild and dirty, that’s the key. 

Couplet 3 
I saw the 90s crawl in the street, 
Concrete beats, no shoes on their feet.
Raw and real, the underground rose, 
But the ghost of the 70s still knows.

Now the 2000s polished the flame, 
Slick machines, but never the same. 
The spirit’s a shadow, chasing the past, 
Cause the wildest fire was the 70s blast.

Refrain final Rockability / set me free, 
Wild and dirty, that’s the key. 
Rockability / don’t you see? 
The 70s live eternally. 


Outro  
“Freedom ain’t polite, honey.”  
“Turn it up till it bleeds.”  
“And ride the storm, forever.”

Rockability

Rockability (Grunged Version)

Restless, rebellious, and fiercely independent, aZzma Beh is not just a musician she’s a force of nature. Born in Turkey but raised in California, she has spent over three decades carving her own path in the music industry, refusing to conform to mainstream expectations. Raised by a mother who was both an artist and an activist, aZzma grew up surrounded by raw creativity and a deep sense of defiance against injustice.
She never knew her father, only carrying his name like a ghost of an untold story. But rather than seeking answers in the past, she poured everything into music writing, composing, and producing her own songs. Her journey has been one of relentless independence, navigating the underground and alternative music scenes while collaborating with artists across the U.S., Europe, and Africa.
Her music is a collision of pop, rock, indie, and alternative energy, often infused with electronic elements when working with DJs who seek a voice as haunting as it is powerful. Unlike industry-made artists, aZzma chooses her collaborations carefully, preferring projects that carry meaning, rebellion, and raw emotion.

Dark Earl a shadows and light sorceror who roams through transmutating from mystery into sublime, immersive worlds that are singular and mesmerising.
Influenced by dark trip-hop and beat oriented electronic textures with innervining rhythms, he fuses some depth into the darkness of despair background with notes of redemption and escape.
Dark Earl, hailing from a polyglot melting pot, interprets the borders of his multi-ethnic sounds. By his tracks it as if stories – usually contemplating where every note holds feeling and each pause perpetuates reflection.
Amateur music productionist from the beginning back in 2003, Dark Earl evolved his sound and gone into the realms of experimental weirdness and outlandishness.
He refuses to limit himself to a 1-genre domination and finds outlet where music is more than just a quest for empire, but freedom and authenticity.
He is one of the most important figures today in a group of young artists supporting hands-on, and collaborating with DJs, sound engineers as well as singers from all over.
Dark Earl is not a producer, he makes experiences.

12.3 kHz is an electronic label connecting ten projects in one shared universe from cyberpunk trap and acid techno to darkwave and kawaii glitchcore. Strong concepts, bold visuals, and high-impact production. Each release is its own world.

Earth-616 is a New York-based collective of three: DJs Peter Stark and D. Princess, and vocalist Nana Wayne, whose stage presence fuses club energy with performance art. Lifelong fans of the Marvel universe, they weave its mythology into their music and visuals and proudly stand by the belief that Marvel beats DC. Their dark underground techno blends minimal grooves, metallic percussion, and deep warehouse reverbs, building sonic worlds as intense as any superhero showdown.

Album release date:
9 August 2025

A hip-hop and RnB group formed by two men and one woman, originally from North Africa, now based in the Bronx, New York. Their style fuses the soulful melodies of early street poetry, the rhythmic bounce of New Jack Swing, and the raw energy of 90s old-school beats, layered with a modern touch of smooth production. Their music blends spoken verses, melodic hooks, and expressive flows, with a deep focus on themes of resilience, identity, migration, and dreams. The beats are built on classic break rhythms, jazzy basslines, and analog textures, giving a nostalgic yet forward-looking feeling. Subtle influences from North African musical traditions enrich their sound, through rhythmic patterns, vocal phrasing, and lyrical storytelling. Their artistic vibe balances street authenticity, emotional depth, and urban poetry, creating an atmosphere that's at once timeless, warm, and vibrantly alive.

Originaire d’Australie, USA et Corée du Sud, D4RKW4VE incarne la collision des ombres et des machines. Leur son est un rituel électronique.