NEXT ROCK M.C.

A compilation that moves between classics and hidden gems, mixing intensity, nostalgia, and unexpected twists. Rock in all its shades straightforward, dark, and timeless.

ROCKABILITY - The Compilation

Glass Beams debut EP 'Mirage' is out now.

Mirage

Pink Floyd - Wish You Were Here

Cream - Sunshine of your love (minusdrum) with my ePro live on it

Cream - Sunshine of your love

The Hill 
Verse 1 
Oh, traveler heading to The Hill, Let me warn you, stay still. When you reach that winding stair, Don’t you speak, don’t you dare.
Chorus Lord, why’s my heart so torn? While others sleep safe and warm, One’s at peace in his own bed, I stand guard, my soul is bled.
Verse 2 
Oh, traveler, shame on you, Coming, going, what’s it to you? Chasing gold and riches fine, But leaving your kin behind.
Oh, traveler, what do you see? Tell me what’s become of me? The Hill’s now swords that cut so deep, My love’s become a ghost to keep.
Bridge Let me cry, let me grieve, For the Hill’s girl who had to leave. She left me with no goodbye, The Hill’s her secret, left me dry.
Verse 3 
By the river, winding low, Down through Ohio Hill it flows. My claim to you, oh sacred stream, Won’t pawn or sell, no shattered dream. Up between the mountains high, I saw leaves fall, heard a baby’s cry. Fadel’s still young, the tale’s unclear, But the girl’s enchantment lingers here.
Chorus Lord, why’s my heart so torn? While others sleep safe and warm, One’s at peace in his own bed, I stand guard, my soul is bled.
Verse 4 
My love came back, but what to give? Only carpets for him to live. Friends all circled, they stood so near, But I still fight the shadows here.
Oh, traveler heading to The Hill, Let me warn you, stay still. When you reach that winding stair, Don’t you speak, don’t you dare.
Outro Let me cry, let me grieve, For the Hill’s girl who had to leave. She left me with no goodbye, The Hill’s her secret, left me dry.


"The Hill" by The Bartenders is a hauntingly beautiful track that seamlessly blends dark country and blues rock. With Johnny D.'s rugged yet soulful vocals taking the spotlight, this song dives deep into themes of longing, betrayal, and resilience. The track’s layered production evokes echoes of '70s rock ballads, reminiscent of the poetic melancholy of The Doors and the dynamic intensity of The Who.

lyricist : Johnny D. / From the heritage of the "Aita," a text inspired by Moroccan folk arts.

The journey begins with sparse, mournful guitar riffs and a rhythm that builds like an approaching storm. As the song unfolds, the instrumentation evolves, incorporating swelling harmonicas, brooding bass lines, and subtle organ undertones. The result is a cinematic soundscape that feels both nostalgic and fresh, offering listeners a timeless exploration of heartbreak and hope.

This single marks a bold artistic statement from The Bartenders, showcasing their ability to merge storytelling with rich musical textures. “The Hill” stands as a testament to the band’s versatility, appealing to fans of both classic rock and modern country-blues fusion.

The Bartenders on Youtube : https://youtube.com/@thebartenders-q8t?si=7jfAXMFZhWudPavV
"The Hill" on Youtube : https://youtu.be/A-pppCW7-IM?si=6cDpBAFnFBguIwU4

The Hill (Short Version)

"When We Sit Upon the Veranda" is the latest release from The Bartenders and Emma Hope. This captivating track is an adaptation of the Persian poem "Man o To," seamlessly blending modern blues, soulful grooves, and rock elements with ethereal vocals and poetic depth. The song showcases the band's evolution and the enriching addition of Emma Hope, offering listeners a unique and transcendent musical experience.

The Bartenders and Emma Hope
Originally formed in Toronto, Canada, by Johnny D. and Stephaan Rayes, The Bartenders have been renowned for their modern blues infused with soulful grooves and a touch of rock. Their signature track, "Hey Bartender!", captivated audiences with its infectious energy and catchy riffs. Known for their captivating live performances, they transformed every stage into a vibrant mix of rhythms, blending classic influences with a refreshing modern twist.
The band's evolution took a significant turn with the integration of Canadian artist Emma Hope. Emma brings a graceful feminine touch to the ensemble, enriching their sound with her ethereal vocals and artistic depth. Her presence has added new dimensions to their music, leading to a harmonious blend of styles and a more dynamic stage presence.
Together, as "The Bartenders and Emma Hope," they continue to explore and innovate, creating music that resonates deeply with their audience. Their latest release, "When We Sit Upon the Veranda," is a testament to their collaborative synergy and artistic growth.

Lyrics: 
When We Sit Upon the Veranda

O sweet the hour when we shall rest, 
 upon the veranda, thee and I,
 Two figures drawn, two forms apart, 
 yet breathing in one soul, thee and I.
 Unburdened by the world’s cruel lore, 
 its whispered doubts, its wayward sigh,
 O free from fate’s entangled threads, 
 we shall be lost in rapture high.

O sweet the hour when we shall rest, 
 upon the veranda, thee and I,
 Two shadows cast upon the earth, 
 yet bound as one beneath the sky.
 No weary thought, no restless woe, 
 shall steal the hush of love’s embrace,
 For thee and I, yet not as two, 
 shall merge beyond both time and space.

Two figures drawn, two forms apart, 
 yet breathing in one soul, thee and I,
 Unburdened by the world’s cruel lore, 
 its whispered doubts, its wayward sigh.
 For thee and I, yet not as two, 
 shall merge beyond both time and space,
 O sweet the hour when we shall rest, 
 upon the veranda, thee and I.


When We Sit Upon the Veranda (Man o To)

Tom Rasheed reinvents The Hill with raw emotion and haunting depth, blending his rich Americana vocals with the soul of African-Amazigh traditions. His interpretation strips the song to its bare essence, exposing its lyrical weight while layering in ghostly harmonies and hypnotic rhythms.
This cover breathes new life into The Bartenders’ somber ballad, amplifying its storytelling through Rasheed’s evocative voice, which echoes both longing and resilience. The fusion of folk, blues, and ancestral melodies makes this version not just a tribute, but a transformation one that lingers long after the final note fades.

The Hill (The Bartenders Cover)

The Bartenders team up once more with the haunting voice of Emma Hope to deliver "Wicked Wind Called Aqisa", a dark country ballad rooted in Moroccan folklore. With gritty guitars, ghostly harmonies, and a steady Americana rhythm, the song tells the tale of Al-Saliha and the sorceress Aqisa a parable of envy, justice, and resilience. Emma’s ethereal vocals echo like wind through desert canyons, while The Bartenders ground the tale in their signature bluesy storytelling. A mythical journey through sound, where tradition meets twilight.

Wicked Wind Called Aqisa

The Bartenders – “He Took the Oath”
Rare are the moments when Stephaan Rayes puts pen to paper. But when he does, it cuts like thunder in a silent town. “He Took the Oath” is a haunting dark country ballad drawn from dust, guilt, and ghost trails, written and performed solo by Rayes himself. His voice oscillates between a breaking falsetto and a deep, worn-out baritone a man both weeping and warning.
This song marks a defining moment for The Bartenders. Carried by stripped-back arrangements and emotional weight, it’s a spiritual successor to the old American lament yet feels timeless. Part of their upcoming debut album, the track leaves the door wide open for more stories in this vein: raw, true, and unforgettable.
Zachary Tali now behind the drums for good.
The rhythm section just got a heartbeat upgrade. 🥁🔥

LYRICS:

He Took the Oath
[Chorus - Refrain fantomatique] Ride, ride... Ride down that gravel road, The preacher’s gone ahead. Ride, ride... The preacher’s gone ahead, And we’re followin’ him slow, Oh we’re followin’ him slow...

[Verse 1 – The Oath Was Taken] He took the oath from our hands, Swore it in the name of the Lord. He took the oath from our hands, Gave his word, gave his word. Then he slammed his door shut, Kept the world outside. Turned away every neighbor, Left no soul to confide.
(Ride, ride... the preacher’s gone ahead)

[Verse 2 – Brother Turned Stranger] He was one of our own, Brother of blood and bone. But silver caught his eye, And darkness claimed the throne. He felt no weight in his chest, Took what he could and fled. No remorse in that heart — Just green dreams in his head.
(Ride, ride... the preacher’s gone ahead)

He Took the Oath

With Rockability, aZzma rewrites the rules of freedom in rock form. The grunged version drips with sweat and distortion, carried by pounding bass and jagged guitars. Her vocals move between whispers and screams, shaping the track into a rebellious statement. It’s dirty, alive, and entirely hers.

Lyrics :

Intro 
- Hey Jimi, they still playin’ it safe out there?  
- Safe is dead, mama, safe is six feet under.

Couplet 1 
In the 50s they dressed so neat, 
Tied their shoes, kept their beat. 
Families framed like TV screens, 
Smilin’ faces, plastic dreams.
Then the 60s came, brushed in paint, 
Love was loud but still so quaint. 
Pretty art in Sunday clothes, 
But freedom whispered, “break those codes.”

Refrain  Rockability / set me free, 
Wild and dirty, that’s the key. 

Couplet 2 
70s hit with smoke and fire, 
Psychedelic fuel took us higher. 
Good acid, truth in every chord, 
We tore the cage, we cut the board.
Whiskey lips and freedom’s kiss, 
Stage was holy, pain was bliss. 
Screamed my soul till the lights went blind, 
Left the neat and clean behind.


Pont Plug the fuzz, light the night! 
Drink the blues, burn it right!  
Music’s mad, but music’s true, 
Rockability / it bleeds through you.

Refrain Rockability / set me free, 
Wild and dirty, that’s the key. 

Couplet 3 
I saw the 90s crawl in the street, 
Concrete beats, no shoes on their feet.
Raw and real, the underground rose, 
But the ghost of the 70s still knows.

Now the 2000s polished the flame, 
Slick machines, but never the same. 
The spirit’s a shadow, chasing the past, 
Cause the wildest fire was the 70s blast.

Refrain final Rockability / set me free, 
Wild and dirty, that’s the key. 
Rockability / don’t you see? 
The 70s live eternally. 


Outro  
“Freedom ain’t polite, honey.”  
“Turn it up till it bleeds.”  
“And ride the storm, forever.”

Rockability

Rockability (Grunged Version)

David Bowie - Space Oddity vinyl (2015 Remaster)

Restless, rebellious, and fiercely independent, aZzma Beh is not just a musician she’s a force of nature. Born in Turkey but raised in California, she has spent over three decades carving her own path in the music industry, refusing to conform to mainstream expectations. Raised by a mother who was both an artist and an activist, aZzma grew up surrounded by raw creativity and a deep sense of defiance against injustice.
She never knew her father, only carrying his name like a ghost of an untold story. But rather than seeking answers in the past, she poured everything into music writing, composing, and producing her own songs. Her journey has been one of relentless independence, navigating the underground and alternative music scenes while collaborating with artists across the U.S., Europe, and Africa.
Her music is a collision of pop, rock, indie, and alternative energy, often infused with electronic elements when working with DJs who seek a voice as haunting as it is powerful. Unlike industry-made artists, aZzma chooses her collaborations carefully, preferring projects that carry meaning, rebellion, and raw emotion.