terrific. great harmonic variation and so propulsive. i like this a lot so forgive me for saying it would also make a great rock song with drums & guitars. (<;

Elegant and enthusiastic! Contemporary classical is interesting and I should really listen to more!

Das Arrangement hat es in sich. Äußerst "ausgefuchster" Hörgenuss!

Tolle Arbeit in dieser Komposition. Die Arrangements sind subtil und gut geschrieben. Wir freuen uns über Ihr Zuhören.

ESCAPE TO THE COLOURED CREEKS

Sensual Theorems

Mandarine Impressionist Chantilly

｢彼女の象徴的な陛下の要求 ~ GRAVE CON FUOCO｣

Concept music for a graphic novel.

Music written, produced, performed, mixed and mastered by Thomas O'Higgins Horna.
No relation to, and not inspired by, certain album by The Rolling Stones.

Cover art: "A Vision of Fiammetta" (1878) by Dante Gabriel Rossetti. Edited by me.

This track is not to be used to train AI.

Her Symbolic Majesty's Request

ＨＥＲ･ＳＹＭＢＯＬＩＣ･ＭＡＪＥＳＴＹ＇Ｓ･ＲＥＱＵＥＳＴ

Lawd

Meet Me At The Creek

A Transatlantic Jam with stellar guitarist Neno J. 
Check out Neno J. on #SoundCloud
https://on.soundcloud.com/vb3YF

Artwork is by my friend's Ukrainian born 
Wife, Margaryta Yermolayeva. Please check out her works at...

ebay.com/str/bestpostcards
margaryta-yermolayeva.pixels.com
rytamargaret@hotmail.com

Me and Neno J. greatly appreciate you giving it a listen!

J.J.

Always With You (Collab. with Mr. Neno J.)

ESCAPE TOWN
Backing Track: Paploviante
https://soundcloud.com/paul-racle/funk-rock-town-paploviante
Vocals: Emily Coy - Escape / Fire
https://soundcloud.com/freevocals
Lillithe: Synth, Wah Wah Guitar, Effects, Arrangement, Production and Mix

Escape Town - Lillithe & Paploviante

I was lucky enough to have Mister Georg putting his full of talents magic cases on my music once again. Merci mon ami :))

Colors of an eternal land

I listen to the wind 
I need time 
Give me a hundred years 

You see I put
I put one foot in front of the other 
without really knowing 
without knowing where I'm going 

I feel on my lips 
the breath of a warm wind 
that falls from above
and burning my skin 

I let myself be transported by my dreams 
I give myself a break, a truce 
I let myself be guided by the light 
in the freshness of the day 
that is ending

I listen to the wind 
I need time 
Give me a hundred years 

then I hear over my shoulder 
the dance of the waves
the powerful song of the sea 
I lie down I hesitate and then I dare 
to roll in the sand 
under the infinite sky 

I let myself be transported by my dreams 
I give myself a break, a truce 
I let myself be guided by the light 
in the freshness of the day 
that is coming to an end

a shadow, a perfume 
the colors of an eternal land 
a generous and beautiful nature 
she who in return asks for nothing 

yes I will travel alone 
I will never turn back

Couleurs D'un Pays Éternel (translated) w/ Georg Boehme

Second variation (of 12)about the Bourrèe from the Suite in E minor BWV 996 by J.S.Bach. Composed in november 2010 for woodwind quintet.
MIDI realisation november 2017.

Bourrèe Variation 2 (Aria-Allegretto)

A pulsing layered rock dirge about being stuck in the eating utensils of giants or unnoticed between the typeset of discarded newspapers. Bat! Bi! Hiru! Lau! We've all been there!

From the album LATITUDE BERA available at https://brittapejic.bandcamp.com/music

Latitude Bera

Between the Tines

Date de publication: 08/07/2023

Musique, arrangements, claviers, mastering: Cyril MENDEZ

Claviers utilisés en plus des VST: 
Roland Juno 106

Première maquette créée en Août 2014

© Cyril MENDEZ 2023, All Rights Reserved.

Cosmos

To quote Josh (Entheogenic Psychonaut)
"This is a song that originated with Steve of Steve's Planet. He came up with a really cool guitar instrumental and the vocals, which he is very passionately singing,  while travelling through the primordial forests of Central Europe and shared it with all of us. I added the bass and the electric piano. Tez (Llanpsych) added the really cool guitar parts that sound like orchestral violins. Ken (K2 and the Three, and K2 and the Four) added the perfectly complimentary rolling drums. Stephen (TexMex Shaman) added the awesome, trippy sitar and pulled the whole thing together as an expert producer and mixer. Tez also mastered it. Hope you enjoy listening to it as much as we did making it."

Bird in the Blue Sky

This composition started with a few earnest and honest piano chords. What emerged was a personal attempt to deal with loss through electronic symphony. 

More will come...

Art by Jane Langvee.

The Way [DEMO]

THE BOY - BIRD (FLY TO FREEDOM) (DEMO)

Everything by THE BOY

*FREE DOWNLOAD on SC!
I HOPE YOU ENJOY & SPREAD THE WORD!*

BIRD (FLY TO FREEDOM)

Kept this one simple (using the K.I.S.S. method lol) because I wanted this guys awesome vocals to shine!
Unfortunately, his current contract with the royalty free provider prohibits his name being mentioned - all I can say is that he is a very successful UK artist with an amazing voice.

Free download if you like it.

Photo by Ric Rodrigues

Thank you for listening ♥

Ex-Rated

Obscure words - Voci confuse si affastellano nell'ombra...

Little to say about this song; both lyrics and music (all organic but for programmed drums) were done very impulsively, so it may show my primal inspiration without reworks or additions. Hope you'll enjoy it!

Pic from: https://vincentmars.com/2013/11/20/the-sensual-paintings-of-fabian-perez/

Translated Lyrics:

YO PENSÉ (LA SEXTA VEZ) / I THOUGHT (THE SIXTH TIME)

Yo pensé: esa mujer no es peligrosa…
  (I thought: that woman is not dangerous …)
No esperé enamorarme como un idiota.
  (I did not expect to fall in love like an idiot.)
Me pregunté: ¿qué tiene en los ojos que tanto me tienta?
  (I wondered: what’s in her eyes which tempts me so much?)
y me acerqué para hablar con ella y verlos de cerca.
  (And I got closer to speak with her and watch them closely.)

Y si era la primera vez, ¿por qué no extrañaba hacerlo con ella?
  (And if it was the first time, why didn’t I feel strange doing it with her?)
Y si era la primera vez, ¿por qué parecía que era la sexta?
  (And if it was the first time, why did it seem to be the sixth one?)
Y si era la sexta vez, ¿por qué hubo preguntas después de la escena?
  (And if it was the sixth time, why were there questions after the scene?)

Y si fue la única vez, ¿por qué no puedo apartarla de mi cabeza?
  (And if it was the unique time, why cannot I take her out of my head?)

ER41FI08 97-17

Factor Integrante

Yo pensé (La sexta vez)

(Don't follow me here, best on my main page ;)

All scores available.
Better with headphones.

Bourrèe Variation 2 (Aria-Allegretto)

Bachianer

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