Mixed from Moscow by Low Bob

Новый микстейп нам записал основатель важнейшего российского электронного лейбла @gost-zvuk-records — Ильдар Зайнетдинов, который диджеит под псевдонимом low808 и пишет музыку как @8ousyboy. Вся его деятельность направлена на поддержку и развитие отечественных музыкантов. У каждого альбома, выходящего на «ГОСТе», есть ровно одна одна задача — помочь музыканту раскрыться и при этом как можно сильнее сохранить творческую свободу. Следующий час не будет исключением. Здесь так же работают его кураторские и селекторские качества: нам встретится французский неосоул и безмятежный, глубоко уносящий в подсознание пасторальный эмбиент.

«Всем кто ложится спать – спокойного сна»

Tracklist:
??? 
DX2OV - Интерзона (Gost Zvuk forthcoming)
jde - Miel 
Félicia Atkinson - Adaptation Assez Facile 
Perila - Transient 
Heath Brunner - vdub 
i/dex+hhtp - i 
Harmash - Through The Dark Woods 
I. Zaynetdinov – CC_2 
Vtgnike – Definition 
Fama 87 - Lirica 
S A D – Crystal Lake 
Karin Krog - The Meaning of Love 
Hodge - One Last Dance 
Brugmansia in Excelsis - February

Download link: 
https://bit.ly/3DnI9v6

Cover art by @pseudo-art-rose
pseudo-art-rose.tumblr.com

Mixtape For W Λ V E S

Support

Low Bob – Mixtape For W Λ V E S 095

47th Gost Zvuk episode on NTS w/ Serwed (@olegbuyanov & @producedbyflaty)

Exclusive studio recording – all tracks are mixed and produced by Serwed aka Flaty & OL.

GOST ZVUK x NTS monthly show #47 w/ Serwed

Flaty NOODS mix 29-06-22

01 psor - doom13_2
02 Beatrice Dillon - sg1
03 OL - sick rari add
04 d.towärds - f ch
05 ewer - attraction 
06 Nocow - memory feat Fama87
07 SERWED 4 unknown
08 Vtgnike -  loop fact12
09 Shutta - Great bass drone
10 Flaty - TARG22—11 AR2 200
11 Stas Karpenkov - EvpaTrans+
12 Satin Doll - Sandy Bay Unlimited
13 psor - doom16-glitch2
14 Flaty - sl sky
15 OL - 8 Wizharp
16 Salama - SL 
17 Nadezhda Sound Prospective - utilitronium
18 Simulyakr - 1-Audio 0002 [2022-06-21 220525]  / am
19 Ekaterina Bazhenova-Yamasaki - EBY_050122

Flaty NOODS Radio Mix [29-06-22]

В 37-ом подкасте Alt Radio запись лайва дуэта Keroz @keroz_one & Anna Krusser @lsirxijgz7vp, экс-участников Звуки Множ, Болшево джаз-трио. 

В настоящее время ребята делают акцент на ambient, new age звучании в сочетании с полевыми записями. Также дуэт готовит новый проект совместно с Иваном Радзиевским и Сергеем Лугининым, разрушающий нынешнее представление об авангардной музыке и переплетающийся с экспериментальным джазом.

Подробнее о выступлении дуэта в посте: https://t.me/alt_moscow/102

Podcast 037: Keroz & Anna Krusser

Начинаем публиковать записи с последнего OSM Night.

Первый микс серии - от @TSYO. Двухчасовой трип по уникальным находкам музыкального мира, с ярким представлением селекторского таланта Виктора. Музыка сама все за себя рассказала💫

OSM NIGHT mix 013 : TSYO

tracklist: https://www.nts.live/shows/buttechno/episodes/buttechno-26th-september-2022

Pavel Milyakov @ NTS 26.09.2022

Второй выпуск передачи left/fields. Автор — Андрей Морозов, создатель и куратор фестиваля Fields.

Слово ему: «Мне очень нравится наблюдать за тем, как с течением времени меняется эстетическое восприятие одних и тех же вещей. Любая пошлость, сотканная из штампов, может вдруг превратиться в кич и фетиш — если она делается осознанно, как намеренная стилизация. Вспомните: еще в нулевых мы все смеялись над пережитками нью-эйджа и воспринимали такую музыку как форму бытового сектантства или вовсе признак отсутствия вкуса. Но уже сегодня, в эпоху метамодерновой реальности, даже саундтрек к любованию облаками может приобрести свою — пускай и сиюминутную — художественную ценность.

Второй выпуск left/fields — это такой идиллический музыкальный пейзаж с проплывающими саксофонами, томными арпеджио и зефирной психоделией. В основе «цветовой палитры» — инструментальный и синтетический эмбиент, пастельных тонов фьюжн-джаз, аналоговая электроника и внежанровая экзотика. В общем, если соберетесь провести час времени, праздно наблюдая за облаками, не забудьте включить этот микс».

Периодичность: два раза в месяц.

@andreymorozov

tracklist: 

Arushi Jain - Richer Than Blood
Suryummy - Polynators
Saphileaum - Nearby The Golden Lake
Time Wharp - Mixo World
Sofie Birch - Surface Pan (feat. A. Fabrin)
Ellarald - Unnatural Natural
Patrick Shiroishi - The Long Bright Dark
Alabaster DePlume - A Gentle Acaba (Vento Em Rosa)
Makaya McCraven - The Title
Voyage Futur - Sunken Forest
Core Pulice & Nat Harvie - Below a Pack of Swans
Jason Kolar - Erratic Texting Behavior
Ulla - Far Away
Huerco S - Plonk VII
Lynn Avery & Cole Pulice - The Sunken Cabin (Night)

TESTFM ) Bandcamp

left/fields w. Andrey Morozov — music for looking at the clouds

This short text is written to tell you about a new record on the waves of Right.FM made by the Saratov artist, musician and DJ Camin' and uncover a little about the author.

In 2015, inspired by the activities of the NII club and the Gost Zvuk label, Vikenty together with the Total Resistance creative community team began organizing events in his hometown and inviting artists from different cities of Russia. While the parties were held, Camin' wrote a lot of music and released it on various cool labels like Kazan's Get Busy, British Opal Tapes and Cong Burn, Odessa's Sistema and New York's Dirty Tapes. The music has depth and groove.

Vikentiy's DJ sets always share a link, some resemblance with his own music, and this does not depend on the genres he uses. A blend of ambient, IDM, dub and breaks awaits us on the link, and we will gladly press play.

-

Этот ĸоротĸий теĸст написан, чтобы рассĸазать вам о о новой записи саратовсĸого художниĸа, музыĸанта и диджея Camin’ и немного о самом авторе — на волнах Right.FM.

В 2015 году, вдохновившись делами ĸлуба НИИ и лейбла ГОСТ Звуĸ, Виĸентий вместе с ĸомандой творчесĸого ĸоммьюнити Total Resistance начал делать мероприятия в родном Саратове и приглашать туда артистов из разных городов России. Поĸа делались вечеринĸи, Camin’ написал много музыĸи и издал её на разных ĸлассных лейблах вроде ĸазансĸого Get Busy, британсĸих Opal Tapes и Cong Burn, одессĸой Системе и нью-йорĸсĸих Dirty Tapes. Музыĸа отличается глубиной и грувом.

В диджей-сетах Виĸентия всегда ощущается сходство с собственной музыĸой и это не зависит от используемых им жанров. По ссылĸе нас ждёт смесь из эмбиента, idm, даба и брейĸов, и мы с удовольствием нажимаем на плей.

@camin-mraz-1

right.cast — Camin'

Kosaya Gora b2b

http://www.instagram.com/kosaya.gora

2MR TRANSMISSION with Kosaya Gora (Kedr Livanskiy and Flaty)

What is the sound of the Russian dub? There is a storied history of attempts to adapt roots music to Russian soil, but most of them can be attributed to reggae (the so-called ‘northern’ variety) rather than dub. Gost has a history with the town of Smolensk. It’s home to Gamayun, whose great album Filterealism was released on our label last year. Now Anton, one of Gamayun’s members, presents his new duo Dubovaya Kolesnitsa (The Oaken Chariot). In his words, it has no connection to his other band at all and is an attempt to go back to the roots of a genre that doesn’t truly exist.

The Russian word for oak, ‘dub,’ looks exactly like the genre, and the chariot emerged from the name for the group’s jams – ‘telega’ – which can be translated as a cart. All the music here is the result of live improvisations: no samples, just instruments (notably Vasiliy Shilov's bass). These recordings have been slightly edited, and even the almost indecipherable texts are freestyle. There’s no place for real riddims in Russian dub: sometimes this record sounds like something akin to dub variations on underground Russian hip hop (and we mean that in the best possible way).

We should also remember that dub and reggae (and hip hop as well) all started as the voice of people. The voice of those who are always in the minority and try not to be silent. The most prominent dub producers and reggae performers were against hierarchy, imperialism, and colonialism — and their music was born out of the desire to protest against it. As Anton puts it, Oaken Chariot, the “Russian mutation of dub,” is an attempt of voicing the concern. And he links this attempt to a historic Russian tradition of Foolishness for Christ, also known as yurodstvo. The “fool” in question is not naïve at all; he’s trying to seem lunatic on purpose. For Anton, the music of Oaken Chariot is a rebellion with a cut-off tongue. Here, illegible speech, full of inarticulate sounds, is a sign of the inability of the statement. But this inability represents a statement itself that is inevitable.

Yet, the music of Oaken Chariot is genuinely fun, free, and mesmerizing (like the happenings of holy “fools”), but we could also approach it more conceptually. Theoretician Michael E. Veal describes dub as a ‘postsong’, taking the form of “linguistic, formal and symbolic indeterminacy.” The duo’s faintly eerie compositions call back to the notion of musical hauntology. There is an attempt, without any direct references, to reconstruct the feeling of something that was never there at all. A little nostalgic and very forward-thinking at the same time, the music of Oaken Chariot is best described in its own words. In the opening track, a voice can be heard saying “eto delo v lob,” which means something like “it’s a straight-on thing.” This is very direct, almost in the vein of folk music. This is a great – and, it must be said, successful – experiment in searching for the soul of Russian dub. Simple as that.

GOST018 Oaken Chariot "Biznes Time"

Side 1

A1: They are looking at us from above
A2: BIZNES TIME 08:39
A3: Free Poetry 01:51

Side 2
B1: Splendor of Wasteland
B2: Purer Than Love
B3: Volchok
B4: Random Regularities

Music and recording — Anton Dvoenko, Vasiliy Shilov
Mix — Anton Dvoenko
Mastering — @poducedbyflaty
Executive producer — Ildar Zaynetdinov
Cover – Eduard Kulemin "Field" 1988

12" LP full-color sleeve.
October 7, 2022

© «ГОСТ ЗВУК»

GOST018: Дубовая Колесница "Biznes Time"

Boris Deart (real name Boris Monastiryov) was a soviet composer active in the 80s and 90s who described his own works as “romantic spacesynth”. After spending his early career years in the role of session musician, Boris switched to solo works, composing his own original music, as well as recording sounds and producing tracks for other artists and collectives. His most popular composition 'Ecology' featured at the soviet TV. After releasing several solo albums he started having financial difficulties resulting in a loss of his production studio in 1997. His family broke up when he started drinking heavily, while working as a taxi driver. In December 2005, aged 39, he was found dead in his Moscow apartment. With the help of Boris Deart’s brother and local enthusiasts we have found unreleased music of this unrecognised and underrated composer, which I am happy to share in a form of this mixtape.

dedication to Boris Deart

Community dedicated to electronic music called  
W Λ V E S.

Low Bob – Mixtape For W Λ V E S 095

W A V E S

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