Screenwriting Lectures

Cover of The Kingston Trio's version of "Where Have All the Flowers Gone". 

Lyrics: Vox Day. 
Vocals & Music: JHB

The Bedroom Tapes

Where Have All The Pillows Gone

Tape Synths is OUT NOW: https://www.spitfireaudio.com/shop/a-z/blankforms-tape-synths/

Before We Forget - Homay Schmitz (ft. Heirloom)

Statt Vor-Ort-Besuch, mal was anderes: Wir analysieren die Live-Show zum Auftakt der Gamescom: Die Opening Night Live! Wie hat sich der Keighley-Bot geschlagen? Warum war die Präsentation der Gamescom-Awards in etwa so liebevoll wie die Pflegeeltern von Harry Potter? Was steckt hinter dem Gamescom goes green Award? All diese essentiellen Fragen werden beantwortet und über das Thema "Games" reden wir tatsächlich auch noch!

Timecodes:

00:00 - Einstieg                         	
12:03 - Opening Night                    	
31:53 - Spielankündigungen              	
1:07:38 - Gamescom-Awards                  	
1:29:42 - Astronautin & Pokemon-Auto       	
1:50:35 - Die Highlights

Auf ein Bier

Runde #386: Gamescom Opening Night Live

Cologne's multi-talented Georg Boehme joins me on our new original Front Line with a tense blend of baritone sax, bass clarinet and flute. 

hear even more of Georg:  https://soundcloud.com/georg-boehme and https://www.georg-boehme.de

an extensive playlist of our 40+ recordings together:  https://soundcloud.com/jamie-rhind/sets/grooving-with-georg-boehme

Thanks as always for your generous listening, comments and shares

Front Line - Georg Boehme / Jamie Rhind

Seit Jahrhunderten träumen sich Menschen an real existierende oder fiktive Orte. Orte in der Gegenwart, in der Vergangenheit, in der Zukunft. Viele davon finden sich auch in Spielen wieder oder beeinflussen ihr Aussehen, ihre Konzeption und die Interaktionsmglichkeiten des Spielers. Zusammen mit unserem Japan-Experten Mathias sprechen wir über Gemeinsamkeiten dieser Orte über Kulturen hinweg, über Ursprung und Funktion dieser Idylle und spekulieren, ob sie vielleicht im Hintergrund einiger aktuellen Debatten eine Rolle spielen. 

Timecodes:

7:34 - Wie sind Sehnsuchtsorte aufgebaut?
47:48 - Was macht Sehnsuchtsorte so reizvoll?
1:09:15 - Symbolische Bedeutung der Sehnsuchtsorte
1:24:47 - Die Sehnsucht der Entdeckung
1:39:20 - Sehnsuchtsorte in Verbindung mit Kapitalismus

Runde #393 - Die Sehnsucht nach einer simplen Welt (ft. Mathias Willuweit-Guddat)

On Episode 271, hear from a NASA program executive to learn how crazy concepts from science fiction might just find their way into how we plan for future deep space missions to the Red Planet. This is the second episode in a reboot of our series about a human mission to Mars.

Houston We Have a Podcast: Mars Ep. 2: Concepts Near Science Fiction

Composed and recorded as part of the Winslow House residency in Vallejo, CA, Jan 2023

The Winslow Pianos

Mary Harrington discusses how the sexual revolution was not the beginning of feminism but the end of it. She traces the history of feminism which was women's aggregate response to the Industrial Revolution. We've been living under an order that calls itself feminist but is really transhumanist or bio-libertarian, the cyborg era, underwritten by tech, which valorizes freedom above all else. The birth control pill was really the first transhumanist technology, followed by gender ideology. The whole world will at some point have to grapple with the cyborg theocracy because it is spreading. She wonders why it is so often women who are the advocates for abolishing biological sex and blames the "laptop class". She also believes social media cucked everybody.

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Websites
Substack https://reactionaryfeminist.substack.com
Twitter https://twitter.com/moveincircles
Feminism Against Progress https://www.regnery.com/9781684514878/feminism-against-progress

About Mary Harrington
Mary Harrington is a columnist and editior for UnHeard and runs her own weekly Substack Reactionary Feminist. Mary’s work has been published in First Things, American Affairs, the New York Post, The Spectator, the New Statesman, the London Times, and the Mail on Sunday. Born in the United Kingdom, she lived in several European countries as a child, before graduating from Oxford University in 2002 with a First in English Literature. Feminism Against Progress is her first book.

*Podcast intro music is from the song "The Queens Jig" by "Musicke & Mirth" from their album "Music for Two Lyra Viols": http://musicke-mirth.de/en/recordings.html (available on iTunes or Amazon)

Mary Harrington: The Battle vs Feminist Transhumanism, Cyborg Theocracy & Meat Lego Gnosticism! #364

One of modern cinema’s most celebrated writers, Kaufman’s work includes surreal fantasy Being John Malkovich, cerebral sci-fi Eternal Sunshine of the Spotless Mind and comedy drama Adaptation. In this lecture held at BAFTA on 30 September 2011, he discusses the techniques of writing for the big screen.

Sponsored by The JJ Charitable Trust. 
 
Watch this session on YouTube: https://www.youtube.com/watch?v=eRfXcWT_oFs
Read the transcript on our website: https://www.bafta.org/media-centre/transcripts/screenwriters-lecture-charlie-kaufman
 
The Screenwriters' Lectures are presented as originally recorded. Some of the lectures may contain outdated comments or views which some listeners may find insensitive or offensive.

Stay up to date 
 
Twitter: 
@BAFTA: https://twitter.com/BAFTA 
@BAFTAGames: https://twitter.com/BAFTAGames 
 
Facebook: https://www.facebook.com/bafta
Instagram: http://instagram.com/bafta
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sign up for our newsletter: https://www.bafta.org/newsletter
visit our websites to find out more: http://www.bafta.org
 
#BAFTA

Charlie Kaufman | BAFTA Screenwriters’ Lecture Series

The second lecture in the 2012 series was delivered by Scott Frank, a diverse writer whose films include Dead Again, Out of Sight, Get Shorty, Minority Report and Marley & Me. Recorded on 1 October, Frank spoke about the idea of theme, collaborating with authors, and why 'rules are something you cling to when ideas fail'. Chairing the Q&A was Mark Salisbury.

Sponsored by The JJ Charitable Trust. 
 
Watch this session on YouTube: https://www.youtube.com/watch?v=4JgxdY1zV2s
Read the transcript on our website: https://guru.bafta.org/scott-frank-screenwriters-lecture-0
 
The Screenwriters' Lectures are presented as originally recorded. Some of the lectures may contain outdated comments or views which some listeners may find insensitive or offensive.

Stay up to date 
 
Twitter: 
@BAFTA: https://twitter.com/BAFTA 
@BAFTAGames: https://twitter.com/BAFTAGames 
 
Facebook: https://www.facebook.com/bafta
Instagram: http://instagram.com/bafta
TikTok: https://www.tiktok.com/@bafta
Twitch: https://www.twitch.tv/bafta
 
sign up for our newsletter: https://www.bafta.org/newsletter
visit our websites to find out more: http://www.bafta.org
 
#BAFTA

Scott Frank | BAFTA Screenwriters’ Lecture Series

Peter Straughan picked up a Best Adapted Screenplay BAFTA in 2012 for Tinker Tailor Soldier Spy. In this lecture, recorded on 24 October 2012, he talks about the complexity of adaptation, why dialogue is the least important part of a screenplay.

Sponsored by The JJ Charitable Trust. 
 
Watch this session on YouTube: https://www.youtube.com/watch?v=x20fAUw5Kok
Read the transcript on our website: https://www.bafta.org/media-centre/transcripts/screenwriters-lecture-peter-straughan
 
The Screenwriters' Lectures are presented as originally recorded. Some of the lectures may contain outdated comments or views which some listeners may find insensitive or offensive.

Stay up to date 
 
Twitter: 
@BAFTA: https://twitter.com/BAFTA 
@BAFTAGames: https://twitter.com/BAFTAGames 
 
Facebook: https://www.facebook.com/bafta
Instagram: http://instagram.com/bafta
TikTok: https://www.tiktok.com/@bafta
Twitch: https://www.twitch.tv/bafta
 
sign up for our newsletter: https://www.bafta.org/newsletter
visit our websites to find out more: http://www.bafta.org
 
#BAFTA

Peter Straughan | BAFTA Screenwriters’ Lecture Series

The penultimate lecture of the 2012 series was recorded on Friday 26 October. Brian Helgeland is one of Hollywood's master screenwriters of intelligent crime film, and has won an Oscar for LA Confidential and a BAFTA nomination for Mystic River. He has also collaborated with Tony Scott (Taking of Pelham 123, Man On Fire) and Paul Greengrass.

In this lecture, Helgeland urged screenwriters to 'fight' to assert themselves in front of commissioners and executives, argued that films should be 'commercial' (that is, profitable on some level) and paid tribute to Cool Hand Luke screenwriter Frank Pierson.

Sponsored by The JJ Charitable Trust. 
 
Watch this session on YouTube: https://www.youtube.com/watch?v=RAQNu5Sy0qU
Read the transcript on our website: https://guru.bafta.org/brian-helgeland-screenwriters-lecture

The Screenwriters' Lectures are presented as originally recorded. Some of the lectures may contain outdated comments or views which some listeners may find insensitive or offensive.
 
Stay up to date 
 
Twitter: 
@BAFTA: https://twitter.com/BAFTA 
@BAFTAGames: https://twitter.com/BAFTAGames 
 
Facebook: https://www.facebook.com/bafta
Instagram: http://instagram.com/bafta
TikTok: https://www.tiktok.com/@bafta
Twitch: https://www.twitch.tv/bafta
 
sign up for our newsletter: https://www.bafta.org/newsletter
visit our websites to find out more: http://www.bafta.org
 
#BAFTA

Brian Helgeland | BAFTA Screenwriters’ Lecture Series

The final lecture in the 2012 series was recorded on 29 October at BAFTA in London.

Abi Morgan (The Hour, Shame, The Iron Lady) speaks about the importance of knowing nothing, the benefits of endless redrafts and her search for something 'beyond the real'.

Sponsored by The JJ Charitable Trust. 
 
Watch this session on YouTube: https://youtu.be/WCt060Gh_dg
Read the transcript on our website: https://guru.bafta.org/abi-morgan-screenwriters-lecture

The Screenwriters' Lectures are presented as originally recorded. Some of the lectures may contain outdated comments or views which some listeners may find insensitive or offensive.
 
Stay up to date 
 
Twitter: 
@BAFTA: https://twitter.com/BAFTA 
@BAFTAGames: https://twitter.com/BAFTAGames 
 
Facebook: https://www.facebook.com/bafta
Instagram: http://instagram.com/bafta
TikTok: https://www.tiktok.com/@bafta
Twitch: https://www.twitch.tv/bafta
 
sign up for our newsletter: https://www.bafta.org/newsletter
visit our websites to find out more: http://www.bafta.org
 
#BAFTA

Abi Morgan | BAFTA Screenwriters’ Lecture Series

Commissioned by the Lithuanian National Philharmonic for the concert series “Viva Musica Via Baltica” (Vilnius - European Capital of Culture) and composed for Sinfonietta Rīga

The structure of the two-layered score of “Elongation of Nights” reminds of the elongation of night while the day is getting shorter: one layer is setting down and getting quieter which makes way for the second layer that becomes louder and pulsates with elongating sounds. Every player has its own part (21 in total) similar to the echoes of a canon, thus such a monochromatic orchestra sounds like a utopian 84 string instrument. The harmony of the piece is based entirely on fifths, derived from the natural tuning of strings. Morton Feldman would have probably called such piece as “Fifths in my Life”.

Dedicated to autumning Vilnius.

Duration
8'30''

Recording
Released by the Lithuanian Music Information and Publishing Centre in 2010 in "Zoom in 8: new music from Lithuania".

Performers
Sinfonietta Rīga | cond. Normunds Šnē
Lithuanian Chamber Orchestra | cond. Risto Joost or Robertas Šervenikas
BBC National Orchestra of Wales | cond. Garry Walker
National Chamber Orchestra of Moldova | cond. Robertas Šervenikas
Polish Chamber Philharmonic Orchestra | cond. Rodrigo Tomillo                         
Leopoldinum Chamber Orchestra Wroclaw | cond. Ernst Kovacic                                                                           Philharmonie Brno | cond. Maciej Tworek                                                                  String Orchestra of Brooklyn | cond. Eli Spindel   

"In the music of Justė Janulytė the sound unfolds as an autonomous event, with incredible lightness, as a confluence of energies, which transform it into increasingly dilated harmonies. No beat, no apparent rhythm, just the ‘deaf’ pulsation perhaps, a downtempo, as some kinds of the electronic music are qualified; the swelling of intensities, the saturation of space, and then eventual return to the state of calm, which is already different, marked and disturbed. The importance of material that found reflection in the titles of her works: Textile (for orchestra, 2006), Aquarelle (for choir, 2007), Silence of the Falling Snow (for two pianos, 2006), Endings (for 4 saxophones, 2005)... But the most important is metamorphosis, a very personal one and therefore instantly recognisable. This is not the telluric forces in Xenakis, or the atomic process in Ligeti, but rather an irradiant form. Elongation of Nights, the second score for string orchestra after the White Music, with which the composer made her public debut in 2004, gives a good example of such radiation. Some kind of timeless, floating metamorphosis. A strikingly innovative dramaturgy of sound..." Antoine Gindt | MUSICA festival brochure, 2011 

http://www.janulyte.info/en/works/elongation-of-nights/        

"Elongation of Nights" for string orchestra (2009)

Thru These Walls  By Jc 'tM

BAFTA is a world-leading independent arts charity the UK supporting, developing and promoting the film, games and TV industires. We offer unique access to some of the world’s most inspiring talent, have a listen!

Abi Morgan | BAFTA Screenwriters’ Lecture Series

BAFTA

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