Future Classics & Forgotten Treasures — Selections for the Adventurous Music Listener (Founded in 2007 by Lexis)

The NYCFC podcast with at least two listeners -- a fan podcast hosted by two brothers (Joe and Charlie) covering the MLS side New York City FC and developments on and off the pitch in US and international soccer.

Jones Street Station - "A Band with its Head (and Files) in the Cloud"
 
Jones Street Station recently found itself spread across the United States, with core members living in Brooklyn, LA, Boston, Chicago, and beyond. Rather than closing up shop, they decided to up the ante, pledging to write more music in a year than they had in the previous seven. Knowing this would take a musical collective, the band reached out to their friends and began planning "Perennials."

The project, which aims to write, arrange, record, mix, master, and release 52 songs in 52 weeks, will be created in studios across the country and collaboratively honed in the cloud, using Dropbox, Evernote, Google Hangouts, Ning, Network For Good, SoundCloud, and other tech partners to organize the effort. Proceeds collected during the marathon songwriting project will benefit 12 hand-picked charities personally important to the band.

Originally formed in Brooklyn in 2005, where the albums Overcome and In Verses were written, JSS has shared stages with acts such as Grace Potter and Ben Kweller. In 2010, the band scored the musical Twelve Ophelias and in recent years has written for several feature films, including Hello Lonesome and Who Cares About Kelsey? In 2011, Jones Street collaborated with Danny Pudi, of NBC's Community, to create a video for the band's single 'The Understanding'. In 2012, JSS performed regularly with The GIRLS, a vocal trio which includes Alison Brie, of Community and Mad Men.

Of all the bands Brooklyn has produced in recent years, rarely has the borough birthed an Americana-rock love child like Jones Street Station. But this isn't just Appalachia-on-the-Hudson—the band is just as fond of rockstar timbres and synths as it is mandolin, banjo licks and harmonica. We're not the first to liken them to a little band called Wilco, and we'd humbly submit the folk/pop stylings of The Avett Brothers and the jamboree ethos of Akron/Family for comparison as well."
- Paste Magazine

Chrysanthe Tan (សុវណ្ណបុប្ផា)(they/them) is a Cambodian-Greek-American composer, violinist, and poet named by Arts Boston as 1 of 10 Contemporary LGBTQ Composers You Should Know in 2018. Their work incorporates spoken word, looping pedals, sleepy voice memos, Greek folk music, Cambodian pop, cat cameos, electronic sampling, sensory soothing, and a healthy dose of oversharing.

The written and spoken word are inextricable accomplices to Chrysanthe’s compositional practice. Chrysanthe’s fixation on language stems from their lifelong challenges with verbal processing and neurotypical communication. It wasn’t until after college that Chrysanthe was diagnosed as autistic, bringing many prior questions into focus. 

Following the release of their first album Stories (2015), Chrysanthe completed the Sound/Word Composer Residency in Syros, Greece (2016) and went on to have their work performed at the Metropolitan Museum of Art, Rockefeller Center, New Orleans Jazz Festival’s Rising Artist Series, US Embassy in Cambodia, ÆPEX Contemporary, Los Angeles Contemporary Exhibitions (LACE), Syros Sound Meetings, University of Arkansas, California State University Northridge, and more.

As a violinist, Chrysanthe straddles the pop and experimental worlds, having toured the world as Ariana Grande’s lead violinist and string arranger (2015), toured a couple continents with Paul Anka (2014-2017), recorded on Halsey’s double platinum album Hopeless Fountain Kingdom, performed with PJ Morton, Alicia Keys, Marco Antonio Solís, Common, and Bastille, and appeared throughout season 4 of the FOX series Glee. Chrysanthe also plays in a violin-guitar duo called Duo Meranti, which features contemporary classical and folk-oriented music from the Los Angeles and Balkan diasporas. 

Chrysanthe earned their BA in English/Creative Writing from Stanford University, an MFA in Creative Writing from California Institute of the Arts, and an MFA in Composition/Violin Performance from CalArts. In addition to their work as a musician, Chrysanthe is an active writer whose poems, stories, and handmade chapbooks appear in places like The Volta 365, Dum Dum Zine, Selfish Magazine, Yale University and CalArts libraries. Their articles about autistic accessibility appear in publications them. and New Music USA’s NewMusicBox, and their radio piece “Classical Music Through an Autistic Lens” lives on the KUSC/KDFC blog. In 2019, Chrysanthe was nominated for a National Arts and Entertainment Journalism Award for their radio piece on “The Genius of Disneyland Sound Design.” Since the onset of the pandemic, Chrysanthe has delved further into music criticism and commentary, aiming to deepen their participation in the new music landscape and add their voice to this historically white/male-dominated field. In 2022, Chrysanthe was selected as 1 of 18 Fellows for the biennial Rubin Institute for Music Criticism at the San Francisco Conservatory of Music. They’re currently a contributing writer at the San Francisco Classical Voice (SFCV) and I CARE IF YOU LISTEN.

Chrysanthe hosts a podcast called Star Wars Music Minute, in which they analyze the music of Star Wars films 5 cinematic minutes at a time.

Los Angeles based, experimental music duo.

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