I used to live in Amsterdam and play guitar with The Full Wonka but went wandering and never stopped! I now play with The Cambodian Space Project and produce bands that excite the shit out of me! Long live rock n roll xx

#mixing #mastering #royaltyfreemusic #background #stockaudio #pond5 #motionelements #audiomicro

Welcome to Mainline Improve

and

Section B Soundtracks


Producing Independent Vinyl
Inspired By Raw Soundsystem Culture ...
Web: www.thevisionites.com
Contact: info@thevisionites.com

Follow on Instagram❗️
📸 instagram.com/thevisionites

Support on Bandcamp❗️
🎵 goo.gl/hWHv6z

Stream the Visionites music on Spotify❗️
🟢 sptfy.com/Kzp4

A laboratory with an open bar and floating altar. Come on in! 

Here are various solo and collaborative projects - songs, soundscapes, live looped solo guitar improvisations. 

This project used to be called "imaginary friends", but it became too real for that name, as did many of you.

I hope you enjoy something you find here. Do feel free to be in touch, you never know what might happen.  

I also invite you to attend @hypnopompetus, a duo project with the illustrious Cheesemont Paisley-Paisley https://soundcloud.com/sel-sync, and Fictive Sisters, a transatlantic band with  the incomparable Wheelwright https://fictivesisters.bandcamp.com/album/immaculate-distraction.

- "La música es ❤" -

DRUMMER, BASSIST, SONOROUS GENERATOR & COMPOSER. JUST MAKING MUSIC / MUSIC COLLABORATIONS / MUSIC FOR SHORT FILMS & ANIMATIONS. LOCATED IN THE NORTHEAST CORNER OF TAMAULIPAS, MEXICO.  

-MAKING INDEPENDENT MUSIC SINCE 2003-

Electronic Music / Experimental / Field Recordings / Ambient / Lofi / Hybrid Music /

e-mail: hermessounds@gmail.com

Please, feel free to repost my music.

Baby of the 80s, teen of the 90s, obsessed with the 60s and 70s; an FM wannabe in a Youtube world. I guess I just wasn't made for these times. I like songwriting in the Gershwin, Tin Pan Alley, Lennon/McCartney tradition. I prefer records to singles. I prefer three minutes to ten.

According to my mama, I was whistling before I learned to talk. I played organ in the Memphis garage rock scene between 2000 and 2016. I've done a lot of studio work, adding keys to records by songwriters that I really admire.

I'm now focused on recording my own songs. I have a minimal home recording set up with a laptop, microphones, cheap guitars, drums, piano, and a grab bag of other toys. All my lyrics rhyme with the truth, or at least I think they do. 

Life is short and there are more good songs then there are raindrops. Which is to say: thank you very much for lending me your ears.

Rock 'n' roll is dead, long live rock 'n' roll.
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A few of my influences, in no particular order, are:

Sly and the Family Stone 
The Mamas and Papas
Beck
Big Star
The Beach Boys
The Beatles
Smokey Robinson 
Bob Dylan
Buddy Holly
Jack Oblivian
James Brown
Beaulah
Elliot Smith
Hank Williams
Otis Redding
Steve Martin
10CC
Joe Jackson
Frank Ocean
Billie Holiday
Dave Fridman
Joni Mitchell
Tyler, The Creator
The Dirt Bombs
The Cocteau Twins
George Gershwin
Ben Folds
Cornelius
Bjork
Donny Hathaway
The Drifters
Ennio Morricone
Moby Grape
Prince
The Breeders
The Monkees 
Caetano Veloso
Kendrick Lamar
Nina Simone
Pink Floyd
Waylon Jennings
Del Shannon
Booker T and the MG's 
Mott the Hoople
Grandaddy
The Hombres
Philip Glass
Huey Lewis
My Bloody Valentine
David Bowie
David Byrne 
The Pixies
Thin Lizzy
The Clash
Broadcast
Willie Mitchell
Billy Joel
Wilco
Cat Power
Pusha T
Blonde Redhead
Os Mutantes
Al Green
The Kinks
The Animals
Spiritualized
The Zombies
Carol Kaye
Them
Led Zeppelin
The Beta Band
Loudon Wainwright
Leadbelly
Lou Reed
Tom Petty
Tom Waits
Shuggie Otis
The Impressions
Weird Al
Van Dyke Parks
Roy Orbison
Nino Rota
Jack White
Don Covay
Sir Douglas Quintet
Chet Baker
Chicago
Buffy Sainte Marie
Miles Davis
Elvis Costello
Rocky Horror Picture Show
Harlan T Bobo
Nick Lowe
Earth Wind and Fire
Chopin
William S Burroughs
Nina Simone
Ray Charles
Ravel
Electric Light Orchestra
M.O.T.O.
Steely Dan
Willie Nelson
Phish
Charles Mingus
The Grateful Dead
The Cars
Lee Hazelwood
REM
The Replacements
Pavement
Kurt Cobain
Isaac Hayes
Jerry Lee Lewis
Ike & Tina
The Vaselines
Lenoard Cohen
Gilberto Gil 
Air
Alejandro Escovedo
Fats Domino
Little Richard
Buddy Holly
The Flaming Lips
The Flaming Groovies
Janis Jolpin
Scott Joplin
John Coltrane
Willie Nelson
Todd Rundgren
They MIght Be Giants 
The Drifters
The Coasters 
Django
Marvin Gaye
Belle and Sebastian
The Delgados
Animal Collective
Curtis Mayfiled
Harry Nilsson
Warren Zevon
Steve Miller
Randy Newman
Carole King
The Isley Brothers
JJ Cale
Nat King Cole
Frank Zappa
The Rolling Stones
The Compulsive Gamblers
Greg Cartwright
The Reigning Sound
Jeff Pope
Penguin Cafe Orchestra
Dr. John
Ray Manzarek
Paul Simon
Dan Penn
The Byrds
Badfinger
The Band
Stephen Sondheim
Andrew Lloyd Weber
Stephen Schwartz
The Police
Richard Thompson
Dean Martin
Chuck Berry
Syd Barrett
Rita Lee
Gal Costa
The Specials
2 Pac
Weezer
Squeeze
The Violent Femmes
Wanda Jackson
The Andrew Sisters
The Memphis Horns
The Memphis Jug Band
The Oblivians 
Cole Porter 
Johnny Mercer
Black Sheep
Harold Arlen
The Everly Borthers
The Faces
Neil Young
Charlie Rich
Oscar Peterson
Stevie Wonder
Phineas Newborn
M. Ward
The Lyres
The Troggs
The Velvet Underground
Funkadelic
Donovan
The Doors
Meat Puppets
Brian Eno
The Hollies
Radiohead
Frank Sinatra
? and the Mysterians
Tommy James
Madness
The Seeds 
The Lovin' Spoonful
Carl Perkins
Howlin' Wolf
The 13th Floor Elevators
Yo La Tengo
Love
A Giant Dog
Sparks
Courtney Barnett
Kate Tempest
T. Rex
Outkast
Irving Berlin
The Who
The Searchers
Fleetwood Mac
Allen Toussaint

…and a few others

Official Soundcloud of Thievery Corporation

My music has cinematic angles, classical influences, often strong melodies and ambient soundscapes. Piano is my main instrument, which I've been playing for decades now. Lately I'm more into composing music for listening and experimenting with sound, harmonies, rhythm, emotion and space. Follow me on spotify for that. My commercial music is used in video, broadcasting, TV/Radio, for media campaigns, film, advertising, documentaries, websites and probably for lots more I'm not aware of... This music is produced under various names. Most of the music is available with a royalty free license and you can purchase it in High Quality Audio format on several marketplaces and my own website(see the links). I'm working on getting the piano pieces available on sheet music. You can buy them at my website.
Thanks for listening, commenting, liking, purchasing or sharing !!  
Send me an email for a special music request.

Here you see the last confirmed photo of the legendary songwriter, multi-instrumentalist, philologist, polyglot, love doctor, humanitarian, autodidact, amateur massage therapist, expert woodworker, cattle rancher, and faith-healer, Natt Brus. He was born Bruce Knotts in Rocky Springs, Ms in 1942. In 1964, Knotts founded a small communal musical and religious society- the so-called Sacred Order of Zoroastrian Gyrations- in Marfa,Texas. By 1967, the commune was making headlines as a “cult” devoted to the ritual sacrifice of alpaca and shetland ponies. On the run from the Texas Rangers and the Federal Bureau of Investigation, he assumed the alias ‘Natt Brus” and escaped to the Swedish wilderness. There, he began his search for what he called the “Monomental.” After penning his autobiography and manifesto, Brus and his mistress Fannie Assingham disappeared in his spruce, tarp and chicken wing biplane, leaving nary a trace. 

Brus’s followers never gave up hope that their spiritual and musical guide had faked his death in order to achieve the long sought for state of pure “monomentality,” a pure permanent hypnotic state of groove. In April 2020, a purported manuscript of his autobiography surfaced on the black market of Cairo alongside lost scraps of Gnostic scripture. An ad hoc international consortium of scholars determined that this manuscript of Brus’s life’s work- which he called The Nekkid Truth of Natt Brus- was indeed authentic. However, the work’s most important chapters- those disclosing the true nature of the monomental and its attainment- were not written in Latin letters, but a strange kind of coded musical notation decipherable only by those initiated in the esoteric traditions of Brus’s own Sacred Order of Zoroastrian Gyrations. The international consortium, under the aegis of the United Nations Educational, Scientific and Cultural Organization, immediately commissioned an international collaboration with two express aims: 1) to commit the unrecorded compositions of Natt Brus to a permanent sound recording medium; and 2) to translate Natt Brus’s Theory of Ultimate Monomentality to sound.  

These collaborators are the bearers of the seal of the Sacred Order of Zoroastrian Gyrations and holders of its secret teachings. They include:
Barthaarscheider https://soundcloud.com/barthaarschneider
Monkey Blood Lowdown https://soundcloud.com/monkeybloodlowdown
nic https://soundcloud.com/nic_nic_nic
Admiral Krank https://soundcloud.com/user-766619428

Bakkeno is following