Hamilton might seem like a relatively new name on the block to some, but this versatile and talented producer has been writing, producing & djing electronic music for over 15 years. Having conquered several genres and worked as an international DJ for a decade and a half, the next step in Hamilton’s story was after sending some of his D&B tracks to Ram boss Andy C. 

Signing exclusively to Ram in 2009, ‘Soundboy’ was one of the stand out tracks featured on Andy C’s ‘Nightlife 5’ compilation, while the VIP version tore apart clubs from London to Lisbon. Last year’s ‘Brainstorm’ / ‘Echoes’ set Hamilton apart as one of the hottest producers the drum & bass scene has to offer leading to remixes for the likes of Blackout, Hyper, Jasper Forks and Enter Shikari. It comes as no surprise then that "Deep In My Heart / Rich Kids", his latest single for Ram Records, contains an undeniably epic pair of tracks that are filled with all the hallmarks you’d expect from a producer of Hamilton’s calibre. Throughout this time Hamilton has been smashing the clubs across the world demonstrating his impressive skills behind the decks, culminating in being chosen to mix the 'Ram Records Drum & Bass Annual 2011' compilation.

No other producer packs a punch like AUDIO. From his tattooed drum & bass knuckles to his ruthlessly hard-hitting productions, Gareth Greenall embodies the spirit of D&B. Uncompromising, inherently underground and refusing to play games, the South London artist’s diligence, creativity and lack of complacency has inspired mass respect from every possible corner of the scene.

Four albums, countless 12”s and over 15 years deep into his limit-pushing adventures, Gareth continues to surge at the very forefront of the sound he’d first experienced as young Londoner tuning in to Colin Dale’s eminent Abstract Dance Kiss FM sermons. Instant jungle entrenchment: he hurled himself into the fray. Vinyls, Reason, illegal raves… The boy – whose mum brought him up on a strict diet of ABBA and Queen – grabbed any angle and any opportunity to get involved.
From ringing up and booking Ed Rush for a party above a pub in Croydon off the back of mobile number on a test press … To scoring a job as in-house studio engineer at legendary rave distributors Alphamagic where he studied the dark art of dynamics at a masters level: Audio wouldn’t – and still won’t – settle for anything less than full immersion.

His own production stripes stretch back to just after the turn of the century when he found himself at the helm of Resonant Evil. Demonstrating their power with a debut on the genre-defining Renegade Hardware, over the course of two years they scorched the repertoires of Moving Shadow, G2 and Outbreak. As Resonant Evil’s brutal bulletins wound down, Audio was winding up. Carving his own path with his own rules, he was soon snapped up by early neuro pioneers Tech Freak Recordings who gave him the opportunity to stretch himself creatively and broadcast his first long playing message. Audio’s debut album ‘To The Edge Of Reason’ showed the world he could cater for experiences beyond the dancefloor yet convey the same attitude and defiant dynamic he’d become synonymous with as a DJ and on 12”s. It was so well received; within a year he was signed by Ed Rush and Optical and for five years became an intrinsic member of the Virus family.

Audio’s work on Virus is where he really developed momentum. Already an established headliner across Europe, his productions and reputation became a global phenomenon, leading to tours in every territory. This reputation was compounded by albums such as ‘Genesis Device’ and ‘Soul Magnet’ which spawned the mighty ‘Headroom’. One of the most influential and successful tracks of its time, it knocked chart-topping EDM star Avicii off the Beatport top spot, dominating the chart for a total of 13 weeks and setting the foundation for his final Virus album ‘Force Of Nature’. Released in October 2013, it threw the scene completely off-guard… No other producer has conjured two albums of such strong-armed quality within less than a year. Just as his debut album had pricked the ears of Virus, ‘Force Of Nature’ attracted Andy C’s Ram Records.

Kindred spirits, Audio and Ram Records are a natural fit: both D&B lifers, both as emphatic and enthusiastic about the scene as they were at inception, both dedicated to pushing drum & bass to its furthest limits creatively and sonically, Audio’s decorated career has leveled up once more. To Gareth, though, it’s business as usual; still immersed in production science (now using the unique Studio One set up) and still just as buzzed about slapping a dancefloor into submission with deadly double drops as he was when he kicked off, Audio’s unique punch is harder than it’s ever been.

With support from Bear Grillz, Dodge and Fuski, Modestep, Koven, Mistajam, 501, Cutline, Rinse FM, Ministry of Sound and many more.



Bookings - http://esp-agency.co.uk/artist/commix


Starting out as a duo, the Commix name has graced some of Drum & Bass’ leading labels since coming to prominence in the early 2000’s, and the debut album, ‘Call To Mind’, holds the honour of being the first solo artist album for historic label Metalheadz. The lead single, 'Be True', has long since cemented its place in Drum & Bass history as an anthem on the grandest scale, and the album itself was incredibly well received across the electronic music spectrum and is widely regarded as one of the best D&B LPs of all time.

As a DJ his focus is on the deep, the experimental and the musical. Drawing on his wealth of experience in both Drum & Bass and 4x4 based genres, he joins these styles together in a mesmerising weave, defying genre and categorisation, that cements his reputation as one of the most respected artists in the scene today.

FIGURE / Berlin
Founded by Len Faki. 

info@figure-music.com

MGMT: robbie@stndrdgrp.com
@chemistreemusic
Check out my company www.2morrowsound.com that specializes in lessons, mixing & mastering, music production, and so much more!

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