Pioneering the « nu-disco » sound, years long before that kind of sound started to invade the worldwide indie charts, Laurent ASH aka LIFELIKE’s early productions (« Black Chess » EP on the legendary “20000ST” record label) soon pricked the ears of the likes of DJ Falcon and Thomas Bangalter (from Daft Punk), and playlisted his record during their "Together 2002 tour", which if you’re a young Producer, is basically the equivalent of getting all six numbers in the lottery, finally introducing him very quickly into the very small but highly talented "French Touch" family. 
A french family of parisian artists that includes Daft Punk, Justice, Alan Braxe & Fred Falke, Air, Cassius, etc..
Almost every records he released since then gained instant support from BBC Radio 1’s Pete Tong and Annie Mac as well as the DJ bibles such as DJ Mag and Future Music Magazine, calling his productions “a sure-fire hit on dance floors” ,“walking that smooth and sexy line between nu-disco,new wave and funk” and "a master of crafting credible dance floor beast."
 Those records includes "Discopolis", released on Alan Braxe's seminal label "Vulture", a massive inernational club hit, selling a total of more than 100000copies, topping the UK Top 40 chart at #18, Belgium Dance Chart #1, Germany/France Dance Chart #5, followed by "So Electric" released on Wall Of Sound, "Sequencer" (vulture), "Love Emulator" released on his own label "ComputerScience", or "Dont Stop featuring A-Trak" that was recently released on Kitsuné.
As a remixer, records companies quickly noticed LIFELIKE’s ability to turn any track into a dance floor hit  and it wanst long until other artists like Chromeo, Sia, Empire Of The Sun, Vitalic, Moby, Classixx, The Presets, Cerrone (more than 40 remixes released) to name a few of them, came to knock on his door trying to secure a remix from him.
On the production side, Laurent has been helping some new acts to succeed, adding his magical touch to the UK indie band "Is Tropical" first album and the french electro-pop band "Jupiter".
As a touring entity, LIFELIKE has touched down all over the globe. From Europe and Australia and Asia to America, and club to festival he’s been DJing alongside everyone from Fred Falke, DJ Falcon, Bloody beetroots, Vitalic, Russ Chimes, Oliver, GrandMaster Flash, Madeon, Alan Braxe, Ritchie Hawtin, Steve Angello, DJ Medhi, and many others. .
When LIFELIKE isn’t on tour, you’re likely to find him tucked away in his studio, running his own record label "ComputerScience", and most recently finalizing his debut full-length album "Electronic Dreams" signed to Capitol Music/Universal, featuring the likes of Chromeo, A-Trak, Oliver, Electric Youth & Audio District.


MANAGEMENT:
Booking / Management - computerscience.label@gmail.com

Dan Ghenacia returns alongside his closest allies Dyed Soundorom and Shonky to launch their new imprint - Apollonia    
 
Sharing the same musical roots, tastes and creative vision, Apollonia was a natural, if not inevitable progression for Dan Ghenacia, Dyed Soundorom and Shonky. The label will serve as a platform for the trio's productions, representing new beginnings based on a solid family that have already done much to shape the underground house scene, in Paris and beyond. "We'll mainly focus on releasing our own music, but of course we are also really open-minded to sign any producers we all enjoy," says Dyed..

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Plaisir de France #  mais aussi # Slove # After l'Amour #  Sweetlight 
contact / plaisirdefrancemusique@gmail.com
♦ FRANCE TOUCHE ♦ POP DE CHAMBRE ♦ DANSE MUSIQUE ♦ DISCO STRESS ♦ DISCUDANSE ♦ NEW DREAM ♦ TRONIC PUNK ♦ TEKNO BIJOU ♦  NEW RANCE ♦ SLOW DANSE ♦ POST IMPRESSIONNISTE ♦
 ALTER K # TURBO # PRO-ZAK TRAX # OUTPUT # SKINT # BRIQUE ROUGE # FREAKNCHIC # EKLER'O'SHOCK # NEEDNOWATTER # SOUNDPOUNDING # PSCHENT # 
♦ PLAISIR DE FRANCE ♦ Intéressé par toutes les formes de narration. C’est ainsi que PLAISIR DE FRANCE, envisage son travail de production musicale.Auteur,compositeur,remixeur,disque jockey, il ajoute désormais la qualité d’habilleur sonore à son palmarès de compétences, et transcende aussi bien une campagne de publicité audiovisuelle, qu’un film court d’art et essai Cette multitude de facilités trouve sa source dans une culture française impeccablement digérée, filtrée et finement distillée dans une fiole de pop indé. Visuellement, PLAISIR DE France, c’est un regard touché assorti d’un sourire malin. 
http://plaisirdefrance.net/

Vice "Un projet aussi jouissif qu'anarchique mêlant remixes de l'impossible et edits acrobatiques"
Tsugi "Des relectures en forme de cocorico"
Magic ''Comment ne jamais renier ses sempiternelles passions pour les fondre dans un bain de jouvence dansant et chic"
Libération "Ça pourrait être des tubes de l’été"
Monsieur Mademoiselle "Un Kâma-Sûtra sonore d’une rare et unique vertu qui réconcilie les intellectuels de la musique et les fans d'Yvette Horner"

Cd digipak 16 titres / vinyl série limitée blanche 4 titres / édition digitale 22 titres:
♬ iTunes http://bit.ly/1puwXQC
♬ Spotify http://spoti.fi/1uy8FWR
♬ Deezer http://bit.ly/1n4xpC2
♬ Youtube http://bit.ly/1imFhAs
♬ Beatport http://btprt.dj/1oDjDwW
♬ Alter-K physical store (bigcartel) http://bit.ly/UIO1sr

Send demos here: https://www.tstack.link/exploited-GBaXdMGvJLHubDbFJtn9O
Exploited Rec promises to strip the wallpaper from the walls of your home stereo.
Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)

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