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LUDWIG BERGER - GARDEN OF EDIACARA
Cat #: OUS047
Release date: May 17, 2024
Distributed by Kudos: https://kudosdistribution.co.uk
Label Bandcamp: https://ousooo.bandcamp.com

«Music is a form of world building. I love to develop sonic characters and set them into fictional ecosystems with unique textures, acoustics and atmospheres. Each song forms a different landscape, through which a vocal character guides us and tries to tell us its stories.» — @ludwigberger

Ludwig Berger’s ‘fictional’ debut album «Garden Ediacara» unfolds as a musical eco-fiction, guiding listeners through a speculative ecosystem with synthesized vocals. Infused with storytelling techniques from sci-fi and fantasy, the album intertwines melodic songwriting with electroacoustic sound design. Inspired by hydrofeminism and eco-fiction novels, such as «A Door Into Ocean» by Joan Slonczewski, the album delves into the geological period of Ediacara around 600 million years ago — an era so remote it resonates as a glimpse into a possible future. The Ediacaran period was characterised by a peaceful and thriving ecosystem inhabited by soft-bodied creatures without eyes and bones, which were completely wiped out through the appearance of a new species. «Garden of Ediacara» alludes to this period, celebrating both the pleasures of biodiversity as well as mourning its inevitable loss. The narrative unfolds as an exploration of growth and interconnection in the shadow of a coming extinction. The track titles, written by Daisy Lafarge, reveal themselves as a cohesive poem and contribute to the album’s narrative.

Informed by his practice of field recording that focusses on intimate encounters with plants, animals and geological phenomena, as well as his studies in electroacoustic composition, Berger expands his palette for his debut in ‘fictional’ music. The album prominently features a post-human, non-binary death metal voice synthesizer, physical modeling instruments, and microscopic field recordings of plants, insects, as well as aquatic and geological life. With impressionistic strokes, Ludwig Berger crafts vibrant worlds using glassy timbres and more-than-human voices, guiding listeners through emotionally ambiguous terrain, seamlessly oscillating between moments of intimacy and irritation, melancholy and playfulness.

Ludwig Berger is a landscape sound artist, educator and musician. In his compositions, installations and performances, he enables intimate and playful sonic encounters with plants, animals, buildings and geological entities. He is founder and curator of the label Vertical Music, which releases field recordings and experimental music. Berger holds degrees in electroacoustic composition, as well as musicology, art history and literature. As a sound researcher and teacher at the Institute for Landscape Architecture at ETH Zurich from 2015-2022, he studied the sonic dimension of Japanese gardens, alpine glaciers and urban landscapes, which among other things led to the release of the acclaimed album trilogy ‘Melting Landscapes’, ‘Dammed Landscapes’ and ‘Buried Landscapes’.



ALBUM TRACKLIST
1. what seed quests for a coralline mud slump
2. where the body’s distant arrivals 
3. bake airwaves into symbols? 
4. like aurochs who fraternised with syntax of the riverbed
5. we stop short, frothy, outdoing the grass
6. rake a song-gush from the outcrop
7. or the noun of naïve particles
8. leeching off the glow-work of organ rooms  
9. we go candied in the marrow
10. grow dream-bark, a tree

CREDITS
Music written and produced by Ludwig Berger
Cover image by Paulin Rogues
Track list poem by Daisy Lafarge
Mastering by Manuel Oberholzer VFBM

OUS047
www.ous.ooo

Garden of Ediacara

rake a song-gush from the outcrop

Buy on Bandcamp

Ludwig Berger - 06 - rake a song-gush from the outcrop

ceisum

World Why WEB

KABAAL - Haaaawyeaahh  [MDT008]

"Guns, guns, guns! C'mon, Sal! The Tigers are playing...tonight. I never miss a game." - Clarence Boddicker

· All music composed, performed, recorded and mixed by Cepheid
· Artwork by PNNTWA® LOG©
· Mastering by Cepheid

Arms Dealer

Poison Fist

Track from album: Hubert Kostkiewicz - "Four Guitar Solos For Bemma Bar"
POINTLESS GEOMETRY 2024 / POINT#58
Pre-order date: 11.11.2024 / Release date: 21.11.2024

https://pointless-geometry.bandcamp.com
Limited edition of 90 copies / C-27 cassette

Recorded by Hubert Kostkiewicz / @hubertkostkiewicz
https://hubertkostkiewicz.bandcamp.com
https://www.instagram.com/discomfort_booking
contact: discomfortbooking@gmail.com

Recorded live at Bemma Bar, Wrocław 6.10.2023 
Recording, mix and mastering by Maciej Pyziak
Artwork by Ewa Głowacka / https://www.instagram.com/ewa.boyka

Hubert Kostkiewicz - guitar and a modest kit consisting of two effects and a looper.

This album is dedicated  to Bemma Bar as much as to any place we create to play and learn about new music, nurture community ties and host each other. Without a club infrastructure, there is no live music and without live music, an important aspect of social life disappears. We need a new cultural policy that responds to the problem of the vanishing of non-commercial spaces. We need somewhere to create and cultivate our culture.

Four Guitar Solos For Bemma Bar

Hubert Kostkiewicz - Guitar Solo 1 / POINT#58

@keyfell
i was thinking about a cowboy (this boy that i like), 
and a ballroom sort of like in beauty and the beast, 
and little flickers of light dancing around a sleeping figure,
many other fairy guests.
spiralling towers of mud made by mud sprites.

Spirit Theatre #56 - mud sprite (umki, December 2024)

Fragment IV: Huế

From a series of (almost) daily ocean glimpses. The music is composed to a video of the sea (photons captured fresh every day). You can experience the full video version here: https://youtu.be/9_kjAos1HnY

Glimpse 1470 (Oct 11 2025)

Mastering By: Noel Summerville

12" / FLAC / WAV / MP3  COMING SOON

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Track from "Number One Record" mixtape.
Created from previously unreleased material, recorded in 2018-20. 
Released Dec 26, 2020 [CD + Digital]

https://olegbuyanov.bandcamp.com/album/number-one-record

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Pronunciation:  /ˈbɑːkəʊd/

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