Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

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Booking contact North-/South America: jon@liaisonartists.com
Booking contact Europe & ROW: daniel@jackmode.com
Management: ralf@i-am-mgmt.com

Some follow trends, others set them. Award-winning music producer & live performer Rodriguez Jr. also known as Olivier Mateu has spent 25 years in the industry. His vast experience in all genres of electronic music makes him the visionary of melodic house and techno that he is today.
Over the years he has gradually honed his style into the dynamic, colorful sound of beauty that can now be regularly found on Mobilee, Anjunadeep, Systematic, Armada and demanded for on remixes of Stephan Bodzin, Booka Shade, Eli & Fur, Röyksopp, NTO, Timo Maas and more.

Drawing inspiration for his live performances from the vintage synthesizers, keyboards and dusty analog gear of his studio in Paris, Rodriguez Jr. relishes the opportunity to travel the globe and realise his project on stage. In doing so he has amassed a devoted and loyal fan base through the creation of his unique movement. Some of the most recent acclaimed shows featured huge festival performances at Sziget (Hungary), Lightning in A Bottle and CRSSD (both California), Paraiso and Sonar Festival (both Spain). Continuing to blur the boundaries between electronic and organic like few others can, his extensive touring schedule sees Mateu at world-renowned clubs every week, taking him to the likes of Solumun’s party at Destino Ibiza, Fabric London and Space Miami.

Not stopping there, Rodriguez Jr. has formed a special musical partnership with former Nouvelle Vague vocalist Liset Alea. The pair met 15 years ago creating music for Laurent Garnier´s label, and through their ongoing live RJLA project, they tell sonic stories, fusing organic charms of live instrumentation with cutting-edge music for the dancefloor and presenting this at selected events. This culminated in an extraordinary audio/visual display for broadcast pioneers Cercle, with a unique performance at the carefully selected idyllic location of Falaises d’Etretat, showcasing their captivating live electronics.

On the production front, Mateu has continued to have an exceptional output, with his last release on Mobilee Radian entering the Beatport top ten within three days following release. Another highlight was his full Anjunadeep debut on the eclectic double-cut entitled Phoenix/Amargosa. Alongside this his remixes have also been received with equal merit on labels such as Crosstown Rebels, Systematic or Poker Flat. His latest reworking of Eli & Fur on Anjunadeep made it to number three of the Beatport melodic house & techno chart. On Spotify, his music reaches an audience of 625,000 listeners each month and continues to grow every week.

Spotify: https://open.spotify.com/artist/3QFCVNPqeV1hpZRh0dbLat

Instagram: http://instagram.com/djtapesh
RA: http://www.residentadvisor.net/dj/tapesh
FB: https://www.facebook.com/tapesh.official
Bandcamp: https://tapesh.bandcamp.com







Tapesh was brought up in his father’s clubs during the early 80s, where he had no choice but to listen to things like Kraftwerk and proper funk music. Given his impressionable young ears, it’s no wonder he has never stopped listening and now spends his days playing music to others. Having finally broken through into the public conscious thanks to productions like Reminisce on Get Physical, Feelings on Mobilee as well as others on labels like Noir and Defected, Tapesh has become very much in demand around the world, taking his flamboyant DJ sets to clubs like Cocoon in Frankfurt, Warung in Brazil and Studio 80 in the Netherlands.





With multi-cultural roots informed by everything from house to breakdance across scenes in UK, US and Europe, Tapesh has fomented a very unique DJ style that takes in plenty of sounds and knits them together into one grater whole. Loco Dice, Jamie Jones, DJ T and Anja Schneider, for example, are all fans of that special ‘Tapesh feeling’, and that same feeling is what makes the man’s music so well loved. As for the future, Tapesh is currently working on a new compilation and a full artist album as well as working on new singles and EPs all the while.

Thuishaven is not a club, or a warehouse. It’s a unique experience. Located on the Western outskirts of Amsterdam, the site is surrounded by heavy industry, massive oil tankers and scrap metal yards. Thuishaven has several stages, bars, surreal decoration pieces and curiosities. Incorporating materials purchased or found at neighboring scrap yards, the site radiates a raw and industrial atmosphere. During the winter set-up (October - April), all stages are housed indoor, in heated tents and a newly crafted hangar. The summer set-up (May - September) hosts a mesmerizing open air stage plus the option to use both tent and hangar for a raveyer vibe. With a track record of 120 festivals and counting, the site is ever evolving. Every new visit brings to light new details and new surprises—making it one of Amsterdam’s most extraordinary venues.

There are few artists carving out a legacy for themselves like Dax J is right now. The British DJ and producer from London has gone from the backroom parties to headlining raves at every major techno institution the world over, all whilst staying true to the underground with an individual style all of his own. His technical skill, pure selection as a DJ and attention to high-end sound production has placed him at the forefront of a global scene, and established him as a singular presence within modern dance music. 

Recent accolades for his unswerving devotion to his sound have included places in the top 100 DJs polls published by Resident Advisor, DJ Mag and Groove Magazine. Over the years, he’s also received nominations as Best Techno DJ, Best Breakthrough DJ and Best British DJ from Mixmag, DJ Mag and the DJ Awards. He's renowned for playing mammoth closing sets at monumental parties including 10-hour marathons in the world’s most notorious techno clubs, Berghain and Bassiani.

Also known as a prolific producer and successful record label boss, his trademark sound remains in constant rotation among the most respected DJs in dance music, a style which was first fully recognised on his highly acclaimed 2015 album, "Shades of Black". Upon its initial release on his own Monnom Black label, Mixmag named it "Album of the Month", Hardwax described it as “brilliantly banging” and it also took the coveted No.1 spot on Juno Records. 2018 saw Dax release his multi-faceted second solo album “Offending Public Morality”. The record won support across the board, including that of BBC Radio 1 who picked it as their “Biggest Record of the Week”. By the end of 2018, “Offending Public Morality” also featured in the “Top 50 Albums of the Year” lists for DJ Mag, Tsugi and Apocalypse Mag. Two more events that crowned a year of great success were his enrolment into the BBC hall of fame with the release of his debut Radio 1 Essential Mix, and Be.At.TV’s choice of his 4-hour closing set at NeoPop Festival for their “Best DJ set of the year”

barry de wit is following