1709

Environs

iTunes: http://po.st/jcnibit | Beatport: http://po.st/jcnibbp | Traxsource: http://po.st/jcnibts | Bandcamp: http://po.st/jcnibbc | Google Play: http://po.st/jcnibgp | Spotify: http://po.st/jcnibsp | Apple Music: http://po.st/jcnibam | Deezer: http://po.st/jcnibdz | Tidal: http://po.st/jcnibtd 

A nifty new release from a long-time AAA member of the Classic clan, James Curd (formally of Greenskeepers) joins forces with a slightly newer face, Shaun J Wright. You will remember Shaun from his first Classic release ‘Matters Of The Heart’ with frequent collaborator and Twirl head Alinka which made a splash in 2015 and was remixed by The Black Madonna. In ‘Now I Believe’ James moves out of his modern day disco sound into a fresh take on the Classic. Reminiscent of Derrick Carter and Chez Damier’s ‘Hope’, this bumps ever so slightly into the right side of tech, with Shaun’s vocal giving it some warmth and soul. Already being played to death by Honey Dijon and Luke Solomon, this is set to be another special moment for the harmonious Classic family.

Download

James Curd featuring Shaun J.Wright 'Now I Believe (Dubstrumental)'

James Curd featuring Shaun J.Wright 'Now I Believe'

iTunes: http://po.st/gbadit | Beatport: http://po.st/gbadbp | Traxsource: http://po.st/gbadts | Bandcamp: http://po.st/gbadbc | Google Play: http://po.st/gbadgp | Spotify: http://po.st/gbadsp | Apple Music: http://po.st/gbadam | Deezer: http://po.st/gbaddz | Tidal: http://po.st/gbadtd 

Gina Breeze is a new recruit to the Classic crew. A budding DJ and producer rising through the ranks via Manchester clubbing institutions SpeedQueen and a residency at HomoElectric, Gina’s debut for Classic is complex, with influences in grassroots club culture with some wicked moments of acidity. ‘After Dark’ has a hypnotic late-night club feel while ‘Reckless’ employs a brooding, biting 4/4 beat enhanced by vogue-inspired percussive rhythms. ‘Look Don’t Touch’ gyrates with dancefloor sensuality, featuring wonderkid and performer Ted Rogers on the cutting vocals. An intriguing debut for this developing talent.

Gina Breeze featuring Ted Rogers 'Look Don't Touch'

Exploring effects chains and multiples of same tracks but with different effects and phasing. Processed field recording "Aug. 15:17 Afternoon Rain". Processed recording of digital modular electronics.

Evolutions Drum

Through the Eyes of... with Soul Clap.

30 minute Hot Mix with James Curd.

Subscribe to the podcast on iTunes: http://defct.de/trR1d4.

01. Hanna - No Fear [Waella’s Choice]
02. Rapson - Heat [Friday Fox Recordings]
03. Mim Suleiman - Tungi [Running Back]
04. Lego Edit - Afrikano (Lego Afrocult Edit) [Legofunk Records]
05. Eli Escobar - Handz Up [Classic Music Company]
06. Bwi-Bwi - Insight [Classic Music Company]
07. Powerdance – Brian Gun [Powerdance]
08. Charles Maurice - Sneaker 54 (Charles Maurice Disco Version) [EDR Records]
09. Joshua James - Royce
10. Nostalgia of Mothership - Gin & Tonic (Luke Solomon's Drop It Like Its Hot Jam) [G & T Records]
11. Dan Shake - The Bee One [Lumberjacks From Hell]
12. KiNK - The Roots Of Techno [Sharivari Records]
13. Honey Dijon & Tim K featuring Sam Sparro - Look Ahead [Classic Music Company]
14. Casio Royale - The Beat Will Control [Unknown To The Unknown]

Business As Usual, because… well, it is. I will be playing dance music that you may or may not have heard, that will be readily available, if pointed in the right direction of course. The idea is for you to use me as your selector slash shop assistant in a virtual record store. I will be your slightly odd, slightly off-centre, guide. But ultimately and most importantly, your friendly on-line record shop assistant.

Featuring the brand new feature 'Through The Eyes Of’, where I invite producer and DJ friends onto the show to pick 3 records that are “classic” to them... Tune in.

Luke Solomon.

Join The Family:
Classic Twitter: http://twitter.com/classicmusicco 
Classic Facebook: www.facebook.com/ClassicMusicCompany 
Classic RA: www.residentadvisor.net/record-label.aspx?id=141

Luke Solomon Twitter: http://twitter.com/lukesolomon 
Luke Solomon Facebook: www.facebook.com/lukesolomon?fref=ts 
Luke Solomon RA: www.residentadvisor.net/dj/lukesolomon

Business As Usual September 2017: Luke Solomon, Soul Clap & James Curd

Theremin voices, effects chains, uncovering the hidden & featuring it.

Cycles

Another thunder storm field recording x 3 phased and two processed. The fourth track is a single analogue low frequency pulse morphed & filtered in synth and then processed through effects chain.

Water Test

Inspired by this quote and tuned to September's seam between summer and fall.

"Over the years I’ve reserved the front quarter of my record bag for records that are dark, brooding, and don’t really go anywhere. They certainly aren’t going anywhere in a hurry... Every once in a while, if the setting is right and the dance floor has the patience and frame of mind for it, I love staying in this place for hours." - Juan Maclean

🔥 Eternal Simmer 🔥

Analogue & DSP synth modules with digital theremin..

Pulse Sifting

Solo Performance of live analogue processed Theremini recorded to HD w/phasing and digital processing in Post. Breathing.

A Single Voice Or Two

Barry Prophet www.pomer-prophet.com
Recording artist with The Sublunar Society. "Sound As Instrument & Art" Vol. 1 & 2. "While you were sleeping.", "Elusive Moving Parts", "From the Margins", "Elastic Labours" & "Inevitable". https://www.facebook.com/thesubsociety/.
http://www.sublunarsociety.com/

This SoundCloud page is the primary SoundCloud page for all of Barry's work in Sound Art, Sound Sculpture & Music composition.

Barry Prophet is a composer, percussionist, installation artist and sculptor whose music has appeared in galleries and theatres in Canada, United States and Europe. Creating unique sounds since 1979, Barry's percussion performance sculptures and micro tonally tuned glass lithophones have been featured on numerous recordings including his CD 'Crystal Bones' ('Prophet gently blows the doors off our settled notions of timbre and tonality.’Globe and Mail, Robert Everett-Green) and with guitarist William Beauvais’ in ‘Invisible Cities’.

Barry’s solo exhibition project ‘Dwellings & Incursions’ combines sculpture,
photography, video, and sound art. The show travels to communities outside of Toronto (Rails End Gallery Haliburton & Lawrences House Centre for the Arts Sarnia), interacts with aspects of the local environment and provides workshops for school students and community members.

Barry’s chime sculptures appear at Musideum 401 Richmond Street West Main Floor. Toronto, ON M5V 3A8. Canada, in private collections throughout North America. Made of rattan, copper, brass, aluminium and bamboo, this new offering is Series #3, reflecting some of the classic smaller shapes of Series #1 and the larger pieces of the Agawa Series (#2) with the addition of dogwood branches to the palette of materials. Lyrical sculptural drawings in air for the eye and the ear.

His photographs have appeared at Scotiabank Contact Photography Festival 2012, in magazines and books including Janice Pomer’s Dance Composition, An Interrelated Arts Approach, which features a music CD containing over 30 of Barry’s original compositions.

Barry’s outdoor interactive sound sculptures include “A Gathering of Quivers’ The Tree Museum Muskoka, ‘Black Quiver’ at MacLaren Art Centre Barrie, ‘Synthecycletron’ a seasonally permanent sculpture commissioned by
New Adventures in Sound Art on Toronto Island, and ‘Sound Booth’ in “Ice
Follies 2010” W.K.P. Kennedy Gallery, North Bay. 

Barry continues to perform live original music & sound art in solo and improv group concerts including solo and duet performances at the Royal Ontario Museum Friday Night Live series.