Co-Founder of @fortune-cookie-records
☾
週末
Long Nights. 
Deep Thoughts. 
contact: hello_@_saintwknd.com

Wolfgang Lohr is a Berlin based producer, composer, remixer, artist, and DJ whose career spans way back and encompasses a vast variety of different musical projects. Born in Bad Segeberg and raised in Lübeck (GER) by the Baltic Sea, where he served as a trumpeter, singer, and songwriter for the ska band “DaSKArtell” (@das-kartell).

He finally moved to Berlin in 2007 and dove right into its colorful and flourishing electro scene. Till this day he’s involved in several groups and productions, such as the Disco-House duo “DINKS” (@dinksmusik) and the Tech House outfit “Dorade” (@dorademusik), making him a mainstay of the scene who has created remixes for well known, fellow artists like Felix Jaehn, Parov Stelar, Alle Farben, The Manhattan Transfer and In-Grid.

His cover of Ray Charles’ “Hit the Road Jack” has surpassed a total of 60 million plays and has turned Lohr into one of the most sought-after Electro Swing artists worldwide, with a catalogue that now spans about 150 own tracks and remixes.

In addition to his musical endeavors, he has co-founded a Tech House label Coast Connection (@coastconnectionrecords), the “FDF” music blog (@free-download-friday), turned House-label “FDF Records”, as well as the “Electro Swing Thing” (@electroswing) label that has become a home to the versatile cross-over genre and amplifies the voices of its artists.

Booking Request: 
Jana_seefuss@web.de

R3HAB, Mufasa & Hypeman, RANI - Believe (Shooting Stars) is out now! 🔥🔥https://www.cybr.at/Believe

The electro/goth/pop duo The Black Soft made their debut in 2011
with the launch of their first and second EP’s under their record
label Terror of the Understood. Since then they have been
heralded as the darlings of the fashion community composing
music for films and runway shows which include designers: Mugler,
Rad Hourani, Patti Wilson, Vogue, MAC and Nicola Formichetti.
The Black Soft seeks to change the topography of today’s musical
caste system, recognizing a tangible movement that is percolating
in the creative bowels of New York City’s East Village. Artists
are collaborating, creation is happening, and a new music is
accompanying the cries of birth ... the cries that announce
the rise of a new dynasty in New York City.

"As a child, I grew up sitting in front of a computer by myself. That is where I learnt about music; playing video games and watching endless reruns of cartoons and American TV shows. Television gave me shelter when I was alone, nursed me with Hollywood’s mythologies. It guided me through nameless countries; with it I brought down colossuses and climbed mountains. I preached its beliefs. But when I grew up, all my heroes died. 

Today, I still come to mourn in deserted movie theatres. There, lights flash before my eyes. But I don’t feel anything in face of the latest blockbusters and their visual explosions, these chaotic clusters where Mechas and Kaijus pile up in between fights under the rain, tsunamis and apocalyptic scenes… Yet I feel numb, except for the roaring sub-basses that fill the void of cinemas. My music is for those who, like me, have grown up amongst the ruins of blockbusters. For them my bass trembles and my synths screech. 

But I know that beyond this digital coldness lie other horizons, other possibilities."

Danger


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